Pet Sounds

References

1. 1965 is the date given by most sources. Others state that Wilson had met Asher during a social gathering at Schwartz's h
2. December 1965 is the date given by Carlin. Asher recalled that Wilson called him when the rest of the band were out of t
3. This is Charles Granata's rough estimation. As of 2003, most of the documentation that could have provided a more defini
4. Wilson's writing process, as he described in 1966, started with finding a basic chord pattern and rhythm that he termed
5. Author Carys Wyn Jones attributes this characterization to the record's "uniform excellence" rather than an explicit nar
6. The absence of a single on the North American release further reinforced its identity as an artistic whole.
7. Asher recalled Wilson playing him the album and declaring a desire to surpass it, while Johnston remembered Wilson prais
8. Asher also shared standards like "Stella by Starlight", believing their harmonic complexity would appeal to Wilson's int
9. Musician Jim Irvin agreed that the "dense, lush arrangements" were indebted "at least as much to Nelson Riddle" as they
10. In a March 1966 interview, Wilson acknowledged contemporary music trends' influence on his work, though Marilyn later st
11. Rolling Stone editor David Wild characterized the lyrics as "intelligent and moving, but [...] not pretentious", compari
12. Soon after his first LSD experience, Brian began suffering from auditory hallucinations and significant paranoia through
13. These discussions encompassed Wilson's doubts about his marriage, his "sexual fantasies", and his "apparent" attraction
14. Responding to the songwriters' denials of a conscious lyric theme, journalist Nick Kent observed that the album's lyrics
15. Lambert distinguishes "theme albums"—collections of songs linked by shared lyrical content but lacking musical cohesion—
16. Music journalist Alice Bolin characterized Today! as bridging the group's doo-wop roots with "the lush and orchestral" s
17. Berlatsky argued that while Pet Sounds is rarely regarded as an R&B album and, in some respects, is seen as a counter to
18. Denny's former bandmember Julius Wechter contributed percussion to the album, and Wilson indicated in his second memoir
19. While Spector similarly employed dense orchestration, baroque pop distinguished itself through melancholy first-person R
20. Vernon Joyson, in his book The Acid Trip: A Complete Guide to Psychedelic Music, recognized the album's psychedelic elem
21. DeRogatis, in his book about psychedelic rock, contrasts the album's introspective tone with the Beatles' post-LSD focus
22. Among other reasons given for the album's perceived psychedelic quality, DeRogatis argued that its layered melodies mirr
23. Referring to "Wouldn't It Be Nice", Perone opined that the track sounded "significantly less like a rock band supplement
24. This contrasted with the Beach Boys' reliance on simple triads on earlier albums.
25. "I'm Waiting for the Day" extends a verse-refrain structure through three repetitions before concluding with unrelated t
26. "Kiss Me Baby" had featured a four-note titular motif transformed through choral interplay and instrumental reinforcemen
27. A reversed version appears in the closing of "Wouldn't It Be Nice", the instrumental accompaniment throughout "I'm Waiti
28. Lambert speculated that Wilson's rekindled interest in this device, which he had used on Surfin' Safari and Surfin' U.S.
29. For example, "Here Today" employs a similar descending bass line (1–♭7–6–♭6–5) but substitutes a secondary dominant on ♭
30. This pattern begins in "Wouldn't It Be Nice", modulating from F to D, and recurs in tracks like "That's Not Me" (A to F♯
31. Wilson retained his musical ideas mentally until recording sessions and rehearsed individual sections rather than full a
32. Jardine described Love as "very confused" by the album's direction, calling him a "formula hound" dependent on clear hoo
33. Loren Schwartz, who introduced Wilson to LSD, later reflected that Wilson experienced "the full-on ego death. It was a b
34. Asher said, "'Here Today' contains a little more of me both lyrically and melodically than Brian."
35. In "Dick", Carol asks Wilson, "What's long and thin and full of skin and heaven knows how many holes it's been in?", the
36. Brian asked Britz: "Hey, Chuck, is it possible we can bring a horse in here without ... if we don't screw everything up?
37. In the 1990s, Brian attributed the title to Carl.
38. According to Love, "I was with Brian when we went up to Capitol to play the album for Karl. He was a heck of a nice guy,
39. Capitol executive Mike Etchart speculated the album had likely reached double-platinum status (two million sales) in the
40. The label initially withdrew its certification request when unable to locate historical sales figures but later submitte
41. The first video was shot at Brian's Laurel Way residence with Dennis as cameraman; the second, filmed near Lake Arrowhea
42. English record producer Bobby Irwin echoed that Wilson's integration of songwriting, arranging, and studio experimentati
43. Guriel further characterizes the work as a catalyst to the concept of high-stakes, album-length statements, exemplified
44. Liel Leibovitz described Pet Sounds and Blonde on Blonde as "two strands in the same conversation" that briefly transfor
45. According to Jones, the interplay between the two bands during this era remains one of the most noteworthy episodes in r
46. According to Larry Starr, the "historical importance" of Pet Sounds is "certified" by McCartney's admission that it serv
47. According to musician Lenie Colacino, McCartney "didn't start using the upper register on his Rickenbacker bass until af
48. George Harrison reflected that the group had felt threatened by the album. Asked in 1966 for the musical person he most
49. Greene further cites songs such as "Good Vibrations", Jefferson Airplane's "White Rabbit" and Jimi Hendrix's "Purple Haz
50. In 1971, publication Beat Instrumental & International Recording wrote: "Pet Sounds took everyone by surprise. In terms
51. Forever Changes was recorded at Sunset Sound, the same studio that hosted the recording for "Here Today", and shared muc
52. Hoskyns described Present Tense as "a psych-pop masterpiece" with a "weirdness" parallel to Forever Changes.
53. According to critic Gary Graff, the album was pivotal in ushering in the "album era" of the late 1960s, alongside Dylan'
54. Hoskyns contrasted Pet Sounds with Rubber Soul, stating that while the latter signaled pop music's maturation, Pet Sound
55. Sommer writes that "Pet Sounds proved that a pop group could make an album-length piece comparable with the greatest lon
56. Asked in a 1968 interview about the Beatles' role in rock's "progress toward an art form", Led Zeppelin founder Jimmy Pa
57. Reed also noted Wilson's fusion of symphonic arrangements with "breezy melodies", inspired by Spector, and acknowledged
58. According to Stanley, though works such as Pet Sounds, Sgt. Pepper, and Webb's "MacArthur Park" (1968) had offered poten
59. In addition to "chamber pop", critics and enthusiasts have sometimes described the orchestral-rock fusion style epitomiz
60. Luke Britton of the BBC dismissed these characterizations, writing that emo's widely recognized origins trace to 1980s h
61. Further tribute albums have included Do It Again: A Tribute to Pet Sounds (2005), The String Quartet Tribute to the Beac
62. Hip-hop producer Questlove recalled that the Beach Boys had been unfashionable among black teenagers in the 1980s, and i
63. Additional musicians who have praised Pet Sounds have included Burt Bacharach, Carole King, Roger McGuinn, Randy Newman
64. At the same ceremony, the Anita Kerr Singers won Best Performance by a Vocal Group for an album that included a renditio
65. The 1995 reissue of Pet Sounds charted in the UK in 2016.
66. Abjorensen 2017, p. 40.
67. Bogdanov, Woodstra & Erlewine 2002, pp. 72–73.
68. Sanchez 2014, pp. 63–64.
69. Carlin 2006, p. 59.
70. Badman 2004, p. 89.
71. Schinder 2007, pp. 111–112.
72. Granata 2003, pp. 59–61, 66–67.
73. Granata 2003, pp. 60–61.
74. Kent 2009, p. 13.
75. The Atlantic
    https://www.theatlantic.com/entertainment/archive/2016/05/how-pet-sounds-invented-the-modern-pop-album/482940/
76. Granata 2003, p. 65.
77. Carlin 2006, pp. 66–67.
78. Badman 2004, p. 101.
79. Granata 2003, pp. 72–73.
80. Badman 2004, pp. 101–105.
81. Badman 2004, p. 105.
82. Badman 2004, pp. 108, 111.
83. The Pet Sounds Sessions
    http://albumlinernotes.com/Tony_Asher_Interview.html
84. Lambert 2016, p. 188.
85. Carlin 2006, p. 76.
86. Granata 2003, p. 77.
87. Granata 2003, p. 81.
88. Carlin 2006, p. 81.
89. The Times Online
    http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/beatles/article6818698.ece
90. Granata 2003, p. 84.
91. Dillon 2012, p. 91.
92. Granata 2003, p. 73.
93. Dillon 2012, p. 93.
94. Kent 2009, p. 16.
95. Gaines 1986, p. 145.
96. Granata 2003, p. 88.
97. Carlin 2006, p. 79.
98. Granata 2003, p. 75.
99. Kent 2009, p. 19.
100. Granata 2003, p. 114.
101. Badman 2004, p. 114.
102. Doe & Tobler 2009, pp. 22, 25.
103. "Pet Sounds Track Notes"
     http://www.bradelliott.com/writings/ps2.html
104. Melody Maker
     http://i1218.photobucket.com/albums/dd420/kwan_dk/MMMay211966.jpg
105. Lambert 2007, p. 249.
106. Jones 2008, p. 44.
107. Lambert 2007, p. 250.
108. Granata 2003, p. 72.
109. Fusilli 2005, p. 80.
110. Schinder 2007, p. 114.
111. Pet Sounds
     http://albumlinernotes.com/Pet_Sounds_-_Perspective.html
112. Carlin 2006, p. 75.
113. Rock and Roll: An American History
     https://web.archive.org/web/20151125223127/http://teachrock.org/media/essays/surf_himes_with_maia_edits_2.pdf
114. Granata 2003, pp. 120–121.
115. Lambert 2007, p. 225.
116. "INTERVIEW WITH BRIAN WILSON OF THE BEACH BOYS IN EARLY 1980'S"
     https://web.archive.org/web/20140726074318/http://www.globalimageworks.com/clip-brian-wilson-interview-beach-boys-1874_023?id=45092
117. Tunbridge 2010, pp. 173–174.
118. Zager 2012, p. 218.
119. Moorefield 2010, pp. 16–17.
120. Cunningham 1998, p. 76.
121. Badman 2004, p. 104.
122. uDiscover Music
     http://www.udiscovermusic.com/exclusive-bruce-johnston-on-the-making-of-pet-sounds
123. Wilson 2002, pp. 4–5.
124. The Pet Sounds Sessions
     http://albumlinernotes.com/Interview_w_Brian_Wilson.html
125. Carlin 2006, p. 77.
126. Granata 2003, p. 139.
127. Granata 2003, pp. 138–139.
128. Priore 2005, p. 64.
129. Toop 1999, p. 134.
130. Stebbins 2011, pp. 74–75.
131. Irvin 2007, p. 64.
132. Melody Maker
133. Granata 2003, p. 70.
134. Badman 2004, p. 102.
135. Badman 2004, pp. 87, 136.
136. Austin Chronicle
     https://www.austinchronicle.com/music/2000-07-21/77984/
137. Lambert 2007, p. 244.
138. Brian Wilson: I Just Wasn't Made for These Times
139. Lambert 2007, p. 234.
140. "'Pet Sounds' On The Road: Revisiting The Sad Genius Of Brian Wilson"
     http://www.wbur.org/artery/2016/06/14/pet-sounds-brian-wilson
141. Kent 2009, p. 17.
142. Gaines 1986, p. 146.
143. The Guardian
     https://www.theguardian.com/theobserver/2002/jan/06/features.review87
144. Granata 2003, p. 90.
145. Granata 2003, p. 62.
146. White 1996, p. 251.
147. Granata 2003, pp. 48, 53, 56–57.
148. Ability
     http://abilitymagazine.com/past/brianW/brianw.html
149. Granata 2003, p. 48.
150. Granata 2003, p. 58.
151. The San Diego Union-Tribune
     https://web.archive.org/web/20160627135815/http://www.sandiegouniontribune.com/news/2016/jun/26/brian-wilson-and-al-jardine-disucss-pet-sounds/
152. Gaines 1986, p. 144.
153. Fusilli 2005, p. 84.
154. Granata 2003, p. 107.
155. Schinder 2007, pp. 114–115.
156. Howard 2004, p. 64.
157. Doe & Tobler 2009, p. 21.
158. Starr 2007, p. 265.
159. Tunbridge 2010, p. 173.
160. Kent 2009, pp. 23–24.
161. Granata 2003, p. 89.
162. Lambert 2008, pp. 116–117.
163. Lambert 2007, p. 245.
164. Granata 2003, pp. 61–63.
165. Smith 2009, p. 37.
166. The Journal on the Art of Record Production
     https://web.archive.org/web/20150415032648/http://arpjournal.com/smile-brian-wilson%E2%80%99s-musical-mosaic/
167. Granata 2003, p. 154.
168. Murphy 2015, p. 289.
169. Harrison 1997, p. 39.
170. Granata 2003, p. 59.
171. O'Regan 2014, p. 62.
172. PopMatters
     https://www.popmatters.com/160169-when-i-grow-up-to-be-a-man-2495839691.html
173. PopMatters
     https://www.popmatters.com/post/180342-when-i-grow-up-the-beach-boys-today/
174. Badman 2004, p. 67.
175. Leaf 1978, p. 69.
176. Howard 2004, p. 58.
177. Covach 2015, p. 202.
178. The Pet Sounds Sessions
     http://albumlinernotes.com/Comments_by_Carl_Wilson.html
179. Rolling Stone
     https://www.rollingstone.com/music/news/the-healing-of-brother-brian-the-rolling-stone-interview-with-the-beach-boys-19761104
180. The Pet Sounds Sessions
     http://albumlinernotes.com/Comments_by_Al_Jardine.html
181. Stebbins 2011, pp. 151–152.
182. Granata 2003, p. 35.
183. Chicago Reader
     http://www.chicagoreader.com/chicago/pitchfork-festival-2016-brian-wilson-pet-sounds-sufjan-twigs/Content?oid=22681115
184. The New York Observer
     https://observer.com/1997/12/pet-sounds-its-not-rock-n-roll-but-we-like-it/
185. Pitchfork
     http://pitchfork.com/reviews/albums/9371-pet-sounds-40th-anniversary/
186. Nuvo
     https://www.nuvo.net/music/brian-wilson-talks-pet-sounds-chuck-berry-four-freshmen-exotica/article_2091ec4c-25ca-11e7-9845-373be8b5185e.html
187. Wilson & Greenman 2016, p. 179.
188. Nuvo
     https://www.nuvo.net/music/brian-wilson-talks-pet-sounds-chuck-berry-four-freshmen-exotica/article_2091ec4c-25ca-11e7-9845-373be8b5185e.html
189. Consequence
     https://consequence.net/2016/05/you-still-believe-in-me-an-interview-with-brian-wilson/
190. Moorefield 2010, p. 16.
191. Tidal
     https://tidal.com/magazine/article/a-guide-to-progressive-pop/1-57187
192. Cleveland.com
     https://www.cleveland.com/life-and-culture/g66l-2019/10/293367e4b1/100_best_albums_by_rock_roll_h.html
193. Leaf 1978, pp. 87–88.
194. Sanchez 2014, p. 81.
195. Billboard
     https://www.billboard.com/music/pop/brian-wilson-pet-sounds-northside-festival-7401413/
196. Brooklyn Vegan
     http://www.brooklynvegan.com/beach-boys-albu/
197. Goldmine
     http://www.goldminemag.com/article/psychedelic-era-yielded-great-music-but-fewer-picture-sleeves
198. Jones 2008, p. 49.
199. Leaf 1978, p. 74.
200. USA Today
     https://www.usatoday.com/story/life/music/2016/05/20/dad-rock-pet-sounds/84681028/
201. The A.V. Club
     http://www.avclub.com/article/where-to-dive-into-frank-zappas-weird-unwieldy-dis-83545
202. The Huffington Post
     https://web.archive.org/web/20160310074307/http://www.huffingtonpost.com/2012/06/04/beach-boys-thats-why-god-made-the-radio_n_1569368.html
203. Howland 2021, pp. 210–217.
204. Howland 2021, p. 217.
205. Janovitz 2013, p. 81.
206. The Standard-Times
     http://www.southcoasttoday.com/article/19980125/News/301259893
207. "Six Degrees of The Beach Boys' Pet Sounds"
     https://web.archive.org/web/20160304124623/http://www.wonderingsound.com/connections/six-degrees-of-the-beach-boys-pet-sounds/
208. Edmondson 2013, p. 104.
209. DeRogatis 2003, p. xi.
210. Lowe 2007, p. 219.
211. Music Insight
     https://web.archive.org/web/20190329064602/http://www.musicinsight.com.au/reviews/review-brian-wilson-at-riverside-theatre-7-april-2016/
212. The Oregonian
     http://www.oregonlive.com/carlin/index.ssf/2010/09/brian_wilson_discusses_his_inner_gershwin_the_beatles_and_ufos.html
213. Brooklyn Rail
     http://www.brooklynrail.org/2007/9/music/what-is-avant-pop
214. The West Australian
     https://web.archive.org/web/20160216204659/https://au.news.yahoo.com/thewest/entertainment/a/30735864/beach-boys-legend-brian-wilson-surfs-back-to-good-vibrations/
215. Priore 2005, p. 31.
216. The New York Observer
     https://observer.com/2015/07/beyond-the-life-of-brian-the-myth-of-the-lesser-beach-boys/
217. Joyson 1984, p. 8.
218. Stebbins 2011, p. 152.
219. Hegarty & Halliwell 2011, p. 23.
220. DeRogatis 2003, p. 34.
221. Lambert 2016, p. 178.
222. DeRogatis 2003, p. 36.
223. The Arizona Republic
     http://www.azcentral.com/story/entertainment/music/2014/05/04/interview-sean-lennon-ghost-saber-tooth-tiger/8708967
224. Perone 2012, p. 28.
225. Smith 2009, p. 38.
226. beachboysarchives.com
     http://www.beachboysarchives.com/page10
227. "The Beach Boys – The Beach Boys Today!"
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228. AllMusic
     https://web.archive.org/web/20101205053544/http://www.allmusic.com/song/here-today-t2827570
229. Riverfront Times
     http://www.riverfronttimes.com/stlouis/brian-wilsons-musical-director-paul-mertens-talks-about-pet-sounds/Content?oid=3086082
230. Perone 2012, pp. 28, 30.
231. Granata 2003, p. 158.
232. Granata 2003, pp. 160, 162.
233. O'Regan 2014, p. 130.
234. Granata 2003, p. 189.
235. O'Regan 2014, p. 281.
236. O'Regan 2014, pp. 277–278, 315.
237. Lambert 2016, p. 157.
238. Granata 2003, p. 141.
239. O'Regan 2014, pp. 193–194, 314.
240. O'Regan 2014, p. 314.
241. Lambert 2007, p. 326.
242. Lambert 2008, pp. 115–116.
243. Lambert 2008, p. 116.
244. Lambert 2008, pp. 115–117.
245. Lambert 2016, p. 145.
246. Lambert 2008, p. 115.
247. Lambert 2008, p. 117.
248. Lambert 2007, p. 227.
249. Lambert 2008, p. 118.
250. The Pet Sounds Sessions
     http://albumlinernotes.com/Pet_Sounds_Session_List.html
251. Lambert 2008, p. 131.
252. Lambert 2016, p. 90.
253. O'Regan 2014, p. 185.
254. Lambert 2008, pp. 118–120.
255. Lambert 2008, p. 120.
256. Fusilli 2005, p. 75.
257. Lambert 2016, p. 91.
258. Badman 2004, p. 126.
259. Badman 2004, p. 108.
260. Badman 2004, pp. 112, 115, 117.
261. Badman 2004, p. 122.
262. Granata 2003, pp. 130–131.
263. Dillon 2012, pp. 24–25.
264. Granata 2003, p. 136.
265. beachboysarchives.com
     http://www.beachboysarchives.com/page2
266. Granata 2003, p. 160.
267. The Pet Sounds Sessions
     http://albumlinernotes.com/In_The_Studio.html
268. Granata 2003, p. 143.
269. Granata 2003, p. 140.
270. Granata 2003, p. 144.
271. The Pet Sounds Sessions
     http://albumlinernotes.com/Recording_Mixing_Notes.html
272. Sound on Sound
     http://www.soundonsound.com/sos/apr07/articles/classictracks_0407.htm
273. EQ
     https://web.archive.org/web/20141203195535/http://lukpac.org:8080/~lukpac/public/EQ%20decrypted.pdf
274. Moorefield 2010, p. 18.
275. The Pet Sounds Sessions
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276. Granata 2003, p. 166.
277. Hoskyns 2009, p. 106.
278. Bogdanov, Woodstra & Erlewine 2002, p. 72.
279. Doe & Tobler 2009, p. 20.
280. Umphred 1997, p. 31.
281. White 1996, p. 254.
282. Badman 2004, p. 111.
283. Gaines 1986, p. 149.
284. "MIKE LOVE NOT WAR: Q&A With A Beach Boy"
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285. Leaf 1978, p. 85.
286. Contactmusic.com
     http://www.contactmusic.com/brian-wilson/music/brian-wilson-presents-pet-sounds-royal-albert-hall-28-october-2016
287. Wilson & Greenman 2016, p. 182.
288. Wilson, Dennis (November 1976). "WNEW-FM" (Interview: Audio). Interviewed by Pete Fornatale. New York City.
     https://www.youtube.com/watch?v=cVItbEJBkJM
289. Sounds
     https://www.rocksbackpages.com/Library/Article/the-beach-boys-the-life-of-brian
290. Love 2016, p. 131.
291. Goldmine
     https://web.archive.org/web/20130109022135/http://brianwilsonfans.com/page11.php
292. The Pet Sounds Sessions
     http://albumlinernotes.com/Marilyn_Wilson_Comments.html
293. Carlin 2006, p. 83.
294. Kent 2009, p. 22.
295. Leaf 1978, p. 84.
296. Beautiful Dreamer: Brian Wilson and the Story of Smile
297. Creem
298. Umphred 1997, p. 32.
299. Love 2016, p. 135.
300. Leaf 1978, pp. 85–86.
301. Granata 2003, p. 123.
302. Rock Cellar Magazine
     https://web.archive.org/web/20140714111352/http://www.rockcellarmagazine.com/2013/04/02/al-jardine-smile-beach-boys-interview/
303. Pet Sounds
     https://web.archive.org/web/20170210144947/http://beachboysfanclub.com/ps-liner.html
304. Granata 2003, pp. 168, 172.
305. The Pet Sounds Sessions
     http://albumlinernotes.com/The_Making_of_Pet_Sounds.html
306. Granata 2003, pp. 133–134.
307. Everett 2008, p. 24.
308. The Pet Sounds Sessions
     http://albumlinernotes.com/Interview_w_Brian_Wilson.html
309. Doe & Tobler 2009, p. 24.
310. Granata 2003, p. 179.
311. Lowe 2007, pp. 38, 219.
312. Granata 2003, p. 180.
313. Leaf 1978, p. 82.
314. Granata 2003, pp. 126–127.
315. Wilson & Greenman 2016, p. 138.
316. Dillon 2012, p. 106.
317. Granata 2003, pp. 145, 149.
318. Granata 2003, p. 91.
319. Granata 2003, p. 92.
320. Granata 2003, p. 150.
321. Hit Parader
     https://www.rocksbackpages.com/Library/Article/dennis-wilson-we-just-want-to-be-a-good-group
322. Fusilli 2005, pp. 55–56.
323. AllMusic
     http://www.allmusic.com/song/thats-not-me-t6417939
324. Granata 2003, p. 93.
325. Lambert 2008, p. 123.
326. Granata 2003, p. 94.
327. Granata 2003, pp. 94, 154.
328. Granata 2003, p. 155.
329. Lambert 2007, pp. 242–244.
330. Fusilli 2005, p. 92.
331. Granata 2003, p. 96.
332. Granata 2003, p. 95.
333. Granata 2003, pp. 96–97.
334. Granata 2003, p. 149.
335. Granata 2003, p. 98.
336. HuffPost
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337. DeRogatis 2003, p. 35.
338. Fusilli 2005, p. [page needed].
339. Zak 2001, p. 88.
340. Lambert 2008, p. 127.
341. Granata 2003, pp. 100–101.
342. Downes 2014, pp. 36–38.
343. Granata 2003, pp. 104–105.
344. Fusilli 2005, p. 90.
345. Love 2016, pp. 105, 131–132.
346. Carlin 2006, pp. 174–175.
347. Magnet
     https://groups.google.com/forum/#!topic/rec.music.artists.beach-boys/gI4CokP5A7Q
348. Wilson & Greenman 2016, pp. 179–180.
349. Lambert 2008, p. 128.
350. Granata 2003, p. 105.
351. Granata 2003, p. 163.
352. Lambert 2007, p. 248.
353. Perone 2012, p. 29.
354. Granata 2003, pp. 106–107.
355. Granata 2003, p. 108.
356. Granata 2003, pp. 151–152.
357. Lambert 2008, p. 130.
358. Lambert 2008, pp. 114–115, 131.
359. Granata 2003, p. 110.
360. Granata 2003, p. 111.
361. Granata 2003, p. 112.
362. Rolling Stone
     https://www.rollingstone.com/music/music-news/beach-boys-pet-sounds-15-things-you-didnt-know-186297/
363. Umphred 1997, p. 36.
364. Dillon 2012, p. 71.
365. Badman 2004, p. 103.
366. Record Collector
367. Granata 2003, p. 102.
368. Granata 2003, pp. 112, 205.
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374. Badman 2004, pp. 93, 116–117.
375. HuffPost
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376. Rock Cellar Magazine
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379. KCRW
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380. The San Diego Union-Tribune
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381. Bellagio 10452
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382. Badman 2004, pp. 115–116.
383. "Discovered: Lost footage of Beach Boys at the San Diego Zoo in 1966"
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384. Badman 2004, p. 117.
385. AllMusic
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386. Granata 2003, p. 165.
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388. Preiss 1979, p. 54.
389. Granata 2003, p. 82.
390. The Pet Sounds Sessions
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391. Harrison 1997, p. 54.
392. Rolling Stone
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393. Badman 2004, p. 124.
394. Kent 2009, p. 23.
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398. Badman 2004, p. 134.
399. Granata 2003, p. 184.
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401. Butler 2012, pp. 231–232.
402. The Pet Sounds Sessions
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403. Jones 2008, p. 47.
404. Carlin 2006, pp. 85–86.
405. The Pet Sounds Sessions
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406. Badman 2004, p. 141.
407. Badman 2004, p. 142.
408. Rosenberg 2009, p. 230.
409. Rolling Stone
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410. Badman 2004, p. 120.
411. Butler 2012, p. 231.
412. Sanchez 2014, pp. 91–93.
413. Kent 2009, p. 27.
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433. UNT Digital Library
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440. Uncut
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444. Granata 2003, p. 204.
445. Badman 2004, p. 150.
446. The A.V. Club
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460. "Brian Wilson To Perform Pet Sounds With Symphony Orchestra"
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464. Rolling Stone
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465. Rolling Stone
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482. Tablet
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503. Nordstedt 2004, p. 27.
504. The Observer
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509. Lost in the Grooves: Scram's Capricious Guide to the Music You Missed
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510. Granata 2003, pp. 115–116.
511. Howard 2004, p. 69.
512. Stanley 2013, pp. 178–179.
513. The A.V. Club
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514. Granata 2003, p. 238.
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517. Grunge
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519. Starr 2007, p. 330.
520. Daily Tribune
521. Mojo
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522. Fusilli 2005, pp. 116–119.
523. Los Angeles Times
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524. Hit Parader
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525. The History of Rock
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527. Johnson 2009, p. 197.
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529. Cleveland.com
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530. Martin 1998, pp. 39–42.
531. Far Out Magazine
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532. Pinch & Trocco 2009, p. 155.
533. "An interview with Robert Kirby"
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534. Death and Taxes Mag
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535. Stanley 2013, p. 187.
536. Consequence
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537. Romano 2010, p. 6.
538. New Music Box
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539. Classic Rock
540. RockProg
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541. Stereogum
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542. Pittsburgh Post-Gazette
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543. The Bulletin
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544. New York Magazine
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545. DeRogatis 2003, p. 39.
546. DeRogatis 2003, p. 526.
547. Encyclopedia.com
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548. Dusk at Cubist Castle
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550. Roberts 2019, pp. 6, 58–59, 61, 66–67.
551. Uncut
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552. Audiences Everywhere
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553. Treblezine
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554. BBC Online
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555. Upset
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556. Roberts 2019, p. 66.
557. Beach Boys: The Complete Guide
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558. "J Dilla vs. The Beach Boys"
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559. Forbes
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560. Dillon 2012, p. 95.
561. Lambert 2007, pp. 223, 391–392.
562. Hitfix
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563. PopMatters
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564. brianwilson.com
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565. Melody Maker
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567. Jazz & Pop
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568. Rolling Stone
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569. NME
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570. Granata 2003, pp. 216, 235.
571. Marsh & Swenson 1983, p. 30.
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575. Blender
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576. Chicago Sun-Times
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577. Chicago Tribune
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578. Larkin 2007, "Beach Boys".
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580. Q
581. Rolling Stone
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582. Fine 2004, pp. 46–49.
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583. Slant Magazine
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584. Granata 2003, p. 235.
585. Doe & Tobler 2009, p. 19.
586. NME
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587. The Times
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588. Uncut
589. Larkin 1994, pp. 4–6, 8, 365.
590. Larkin 2000, p. 42.
591. "The Grammy Hall of Fame Award"
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593. Williams & Hartwell 2000, p. 75.
594. Unterberger & Hicks 1999, p. 382.
595. "The National Recording Registry 2004"
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596. "The Beach Boys' Pet Sounds and "Good Vibrations 40 Anniversaries Feted by Capitol/EMI"
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597. Pitchfork
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598. Rolling Stone
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599. Nordstedt 2004, pp. 22, 24–27.
600. Art That Shook the World
601. Forbes
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602. "Atticus Ross talks Brian Wilson, 'Pet Sounds,' 'Portlandia' and his Beach Boys mash-up"
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603. Los Angeles Times
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604. Granata 2003, p. 218.
605. The Westmorland Gazette
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606. Granata 2003, p. 219.
607. Granata 2003, p. 220.
608. Granata 2003, pp. 220–221.
609. "Pet Sounds: Complete Album"
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610. Ultimate Classic Rock
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611. Grammy
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612. Love 2016, pp. 366–367.
613. Disc and Music Echo
614. Official Charts
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615. Cash Box
616. Record World
617. Offizielle Deutsche Charts
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618. Kent 2005, [verification needed].
619. RPM
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620. Billboard
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623. Bellagio 10452
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624. Oricon
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625. Billboard
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626. Bellagio 10452
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627. Ultratop Flanders
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628. Ultratop Wallonia
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629. Dutch Charts
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630. Les Charts
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631. Offizielle Deutsche Charts
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632. Oricon
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634. Gaon Music Chart
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635. Schweizer Hitparade
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636. Official Charts
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637. Billboard
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638. Cash Box
639. "British album certifications – The Beach Boys – Pet Sounds"
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640. "American album certifications – The Beach Boys – Pet Sounds"
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641. Mojo
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642. The Guardian
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643. ""Channel 4" 100 Greatest Albums"
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644. BBC
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645. VH1
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646. "BBC 6 Music: Best Albums of All Time"
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647. Q
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648. The Observer
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649. Rolling Stone
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650. Platendraaier
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651. Pitchfork
     https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-1960s/?page=10
652. Rolling Stone
     https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/the-beach-boys-pet-sounds-2-1063231/
653. Rolling Stone
     https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/the-beach-boys-pet-sounds-2-1063231
654. Paste
     https://www.pastemagazine.com/music/greatest-albums/the-300-greatest-albums-of-all-time-2