List of photographs considered the most important
Updated: 5/20/2026, 7:39:37 PM Wikipedia source
This is a list of photographs considered the most important in surveys where authoritative sources review the history of the medium not limited by time period, region, genre, topic, or other specific criteria. These images may be referred to as the most important, most iconic, or most influential—and are considered key images in the history of photography.
Tables
· 19th century › Before 1850
| Image | Title | Date | Photographer | Location | Format | Notes | Cited survey(s) |
| | View from the Window at Le Gras (French: Point de vue du Gras) | 1826 | Nicéphore Niépce | Saint-Loup-de-Varennes, France | Bitumen-coated pewter plate | Considered the oldest surviving camera photograph. | |
| | Windows from Inside South Gallery | August 1835 | William Henry Fox Talbot | Lacock, England, United Kingdom | Photogenic drawing negative | The earliest surviving photographic negative and the earliest surviving paper photograph. | |
| | The Artist’s Studio / Still Life with Plaster Casts | 1837 | Louis Daguerre | Paris, France | Daguerreotype | The earliest surviving photograph by Louis Daguerre, inventor of the daguerreotype. | |
| | Boulevard du Temple | 1838 | Louis Daguerre | Paris, France | Daguerreotype | The earliest surviving photograph depicting people: a person working as a shoeshiner and an individual having his shoes shined. | |
| | Self‐Portrait as a Drowned Man | 18 October 1840 | Hippolyte Bayard | Paris, France | Direct Positive | Possibly the earliest known staged photograph, created in protest to the French government's apparent neglect of the invention of his photographic process. | |
| | The Haystack | 1844 | William Henry Fox Talbot | Lacock, England, United Kingdom | Calotype | A photograph that appeared in The Pencil of Nature, the first photographically illustrated book to be commercially published. |
· 19th century › 1850s
| Image | Title | Date | Photographer | Location | Format | Notes | Cited survey(s) |
| | The Mime Charles Deburau as Pierrot | 1854 | Nadar | Paris, France | Salt print | The photograph is part of a series taken during the 1850s. | |
| | The Cook House of the 8th Hussars | April 1855 | Roger Fenton | Crimea | Albumen print | Photograph of soldiers from the 8th Hussars gathered around an open air kitchen during the Crimean War. | |
| | Valley of the Shadow of Death | 23 April 1855 | Roger Fenton | Sevastopol, Crimea | Wet collodion negative | Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. | |
| | Sergeant Dawson and his Daughter | 1855 | Unknown; attributed to John Jabez Edwin Mayall | Unknown | Salt print | Photograph of Sergeant Thomas Dawson who lost his left arm at the Battle of Inkerman. One of a series of Crimean War veteran portraits acquired by Queen Victoria, who later met Dawson amongst other injured men. | |
| | The Brig | 1856 | Gustave Le Gray | Normandy, France | Albumen print | One of the most famous and widely distributed photographs of the 19th Century, potentially the first to achieve both commercial success and critical acclaim as fine art. | |
| | Portrait of Nariakira Shimazu | 17 September 1857 | Shiro Ichiki | Satsuma Domain, Japan | Daguerreotype | Oldest daguerreotype by a Japanese author; first photo designated an Important Cultural Property by the government of Japan in 1999. | |
| | Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern | November 1857 | Robert Howlett | London, England | Glass plate | Landmark environmental portraiture and iconography of the Industrial Revolution and 19th century. | |
| | Two Ways of Life | 1857 | Oscar Gustave Rejlander | Wolverhampton, England | Albumen print | One of the most controversial photographs of the 19th Century, with its composition and allegorical subject matter sparking debate about nudity, and photography as an artistic form rather than its existing factual nature. | |
| | La Vallée de l'Huisne (River Scene) | 1858 | Camille Silvy | Nogent-le-Rotrou, France | Albumen print | Photographer Camille Silvy directed people to pose in specific places and retouched the negative with clouds, reflections and foliage. An example of photography's balance between reality and artifice. | |
| | Fading Away | 1858 | Henry Peach Robinson | Warwickshire, England, United Kingdom | Albumen print | One of the most famous and controversial composite photographs of the Victorian era due its composite creation, and depiction of the death of a young girl. Made author Robinson the leader of the Pictoralist movement. |
· 19th century › 1860s
| Image | Title | Date | Photographer | Location | Format | Notes | Cited survey(s) |
| | Abraham Lincoln | 27 February 1860 | Mathew Brady | New York City, United States | Gelatin silver print | Taken shortly before Lincoln's Cooper Institute speech. Widely used in his campaign during the 1860 presidential election, both Brady's photo and the speech helped him become president. | |
| | Guardian Angel, One Person Praying | c. 1860 | Unknown | London, England, United Kingdom | Albumen print | ||
| | Boston, As the Eagle and the Wild Goose See It | 13 October 1860 | James Walice Black | Boston, Massachusetts, United States | Glass plate | Oldest extant aerial photograph. | |
| | Cathedral Rock | 1861 | Carleton Watkins | Yosemite National Park, California, United States | Albumen print | ||
| | The Dead of Antietam | 1862 | Alexander Gardner | Antietam, Maryland, United States | Large-format glass plate | Showing the aftermath of the Battle of Antietam—the deadliest single day in the American Civil War | |
| | The Scourged Back | c. 2 April 1863 | McPherson & Oliver | Baton Rouge, Louisiana, United States | Albumen print | One of the most widely distributed photos of the abolitionist movement. | |
| | Cartes de Visite | May - August 1863 | Andre Adolphe Disderi | Paris, France | Albumen print | ||
| | The Home of a Rebel Sharpshooter, Gettysburg | July 1863 | Alexander Gardner | Gettysburg, Pennsylvania, United States | Large-format glass plate | ||
| | Sarah Bernhardt | 1864 | Nadar | Paris, France | Glass plate | ||
| | Wanted Poster | 20 April 1865 | Unknown | United States | Unknown | Broadside advertising reward for capture of Lincoln assassination conspirators, illustrated with photographic prints of John H. Surratt, John Wilkes Booth, and David E. Herold. | |
| | Execution of the Lincoln Conspirators at Washington Arsenal | 7 July 1865 | Alexander Gardner | Washington, D ., United States | Albumen print | ||
| | Portrait of Sir John Herschel | 1867 | Julia Margaret Cameron | Hawkhurst, England, United Kingdom | Carbon print | Herschel would later be the godfather to Cameron's firstborn. | |
| | Call, I Follow, I Follow, Let Me Die! | 1867 | Julia Margaret Cameron | Hawkhurst, England, United Kingdom | Carbon print | ||
| | Close No. 193 High Street | 1868 | Thomas Annan | Glasgow, Scotland, United Kingdom | Photogravure | ||
| | East and West Shaking Hands at Laying Last Rail | 10 May 1869 | Andrew J. Russell | Promontory, Utah, United States | Glass plate | The ceremony for the driving of the golden spike at Promontory Summit, Utah, on May 10, 1869; completion of the First Transcontinental Railroad. Central Pacific Railroad (left), meets Union Pacific Railroad (right) and exchange bottles of water from the Pacific and Atlantic Oceans. |
· 19th century › 1870s
| Image | Title | Date | Photographer | Location | Format | Notes | Cited survey(s) |
| | Old Faithful | 1870 | William Henry Jackson | Yellowstone National Park, Wyoming, United States | Mammoth-format plate | ||
| | Great Falls of the Yellowstone River | 1871 | William Henry Jackson | Yellowstone National Park, Wyoming, United States | Albumen print | ||
| | Chicago Fire | October 1871 | Unknown | Chicago, Illinois, United States | Unknown | ||
| | Ancient Ruins in the Canyon de Chelly | 1873 | Timothy O'Sullivan | Canyon de Chelly National Monument, Arizona, United States | Albumen print | ||
| | Steinway Hall | 2 December 1873 | Unknown | New York City, United States | Halftone print | Steinway Hall on East 14th Street, between University Place and Fifth Avenue in Manhattan. The first halftone print of a photo used in a periodical in the United States. | |
| | Composite Portraits of Criminal Types | 1877 | Francis Galton | London, England, United Kingdom | Unknown | ||
| | The Horse in Motion | June 1878 | Eadweard Muybridge | Palo Alto, California, United States | Composite from multiple glass plates | Series of cabinet cards regarded as a precursor to motion pictures. Pictured left is the variant Sallie Gardner at a Gallop, which further captured a horse's motion. |
· 19th century › 1880s
| Image | Title | Date | Photographer | Location | Format | Notes | Cited survey(s) |
| | Street Arabs in the Area of Mulberry Street | 1880 | Jacob Riis | New York City, United States | Gelatin silver print | ||
| | Water Rats | 1886 | Frank Meadow Sutcliffe | Whitby, England, United Kingdom | Albumen print | ||
| | Bandits' Roost, 59 1/2 Mulberry Street | 1888 | Jacob Riis | Mulberry Bend, New York City, United States | Gelatin silver print | Part of How the Other Half Lives, an early photojournalist publication pursuing better conditions for the lower class of New York City. The photo and publication's impact was such that they contributed to the crime-ridden Bend's replacement with Columbus Park. |
References
- Talbot's 1835 photograph has also been referred to as Lacock Oriel Window (Latticed Window) or simply Latticed Window.
- Also known as Le Noyé (lit. 'The drowned man').
- The Metropolitan Museum of Art dates their copy of Talbot's Haystack as "probably 1841". The National Gallery of Canada
- View full collection of photographs at Wikimedia Commons.https://commons.wikimedia.org/wiki/Category:Photographs_of_Charles_Deburau_by_Nadar
- If the photographer is Mayall, then the location would be London, England as he was present there at the time.
- Gustave Le Grey's The Brig is also referred to as Brig on the Water and The Brig in Moonlight.
- Robert Howlett's image is referred to as Isambard Kingdom Brunel before the Launch of the Leviathan in The Oxford Compan
- Alexander Gardener's 1862 The Dead of Antietam is also referred to as Civil War Battlefield or Bodies on the battlefield
- Also titled Cotton Mill Girl. The collection item for the Library of Congress gives a much longer title that includes co
- Also titled Grand Prix of the Automobile Club de France, 1912 or Automobile Delage, Grand Prix de l'Automobile-Club de F
- Also referred to as Abstraction, Porch Shadows, Connecticut and Abstraction, Shadows of a Veranda, Connecticut.
- Also dated to 1913 and 1915.
- Originally captioned "test".
- Oxford Companion to the Photographhttps://www.oxfordreference.com/view/10.1093/acref/9780198662716.001.0001/acref-9780198662716-miscMatter-0009
- Lifehttps://digitaljournalist.org/issue0309/lm_index.html
- Timehttps://web.archive.org/web/20200219213527/http://100photos.time.com/
- Lifehttps://www.life.com/history/the-100-most-important-photos-ever/
- The Atlantichttps://www.theatlantic.com/magazine/archive/2018/01/what-was-the-most-influential-photograph-in-history/546596/
- CNNhttps://www.cnn.com/2013/09/01/world/gallery/iconic-images/index.html
- Esquirehttps://www.esquire.com/news-politics/news/gmp2689/most-powerful-photos/