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List of compositions by Ludwig van Beethoven

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List of compositions by Ludwig van Beethoven

The list of compositions of Ludwig van Beethoven consists of 722 works written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827. Beethoven composed works in all the main genres of classical music, including symphonies, concertos, string quartets, piano sonatas and opera. His compositions range from solo works to those requiring a large orchestra and chorus. Beethoven straddled both the Classical and Romantic periods, working in genres associated with Wolfgang Amadeus Mozart and his teacher Joseph Haydn, such as the piano concerto, string quartet and symphony, while on the other hand providing the groundwork for other Romantic composers, such as Hector Berlioz and Franz Liszt, with programmatic works such as his Pastoral Symphony and Piano Sonata "Les Adieux". Beethoven's work is typically divided into three periods: the "Early" period, where he composed in the "Viennese" style; the "Middle" or "Heroic" period, where his work is characterised by struggle and heroism, such as in the Eroica Symphony, the Fifth Symphony, the Appassionata Sonata and in his sole opera Fidelio; and the "Late" period, marked by intense personal expression and an emotional and intellectual profundity. Although his output greatly diminished in his later years, this period saw the composition of masterpieces such as the late string quartets, the final five piano sonatas, the Diabelli Variations, the Missa Solemnis and the Ninth Symphony. Beethoven's works are classified by both genre and various numbering systems. The best-known numbering system for Beethoven's works is that by opus number, assigned by Beethoven's publishers during his lifetime. Only 172 of Beethoven's works have opus numbers, divided among 138 opus numbers. Many works that were unpublished or published without opus numbers have been assigned one of "WoO" (Werke ohne Opuszahl—works without opus number), Hess or Biamonti numbers. For example, the short piano piece "Für Elise" is more fully known as the "Bagatelle in A minor, WoO 59 ('Für Elise')". Some works are also commonly referred to by their nicknames, such as the Kreutzer Violin Sonata, or the Archduke Piano Trio. Works are also often identified by their number within their genre. For example, the 14th string quartet, published as Opus 131, may be referenced either as "String Quartet No. 14" or "the Opus 131 String Quartet". The listings below include all of these relevant identifiers. While other catalogues of Beethoven's works exist, the numbers here represent the most commonly used.

Tables

· List of works by genre › Orchestral music › Symphonies
Op. 21
Op. 21
No.
Op. 21
Title, key
Symphony No. 1 in C major
Composition; first performance
1799–2 April 1800
Publication
p: Leipzig 1801
Dedication, remarks
Baron Gottfried van Swieten
GA
i/1
NA
i/1
Op. 36
Op. 36
No.
Op. 36
Title, key
Symphony No. 2 in D major
Composition; first performance
1801–5 April 1803
Publication
p: Vienna, 1804; for piano, violin, cello: Vienna, 1805
Dedication, remarks
Prince Karl von Lichnowsky
GA
i/2
NA
i/1
Op. 55
Op. 55
No.
Op. 55
Title, key
Symphony No. 3 "Eroica" in E♭ major
Composition; first performance
1803–7 April 1805
Publication
p: Vienna, 1806
Dedication, remarks
Prince Franz Joseph von Lobkowitz
GA
i/3
NA
i/2
Op. 60
Op. 60
No.
Op. 60
Title, key
Symphony No. 4 in B♭ major
Composition; first performance
1806–March 1807
Publication
p: Vienna, 1808
Dedication, remarks
Count Franz von Oppersdorff
GA
i/4
NA
i/2
Op. 67
Op. 67
No.
Op. 67
Title, key
Symphony No. 5 "Fate" in C minor
Composition; first performance
1807– 22 December 1808
Publication
p: Leipzig, 1809
Dedication, remarks
Prince Lobkowitz and Count Andreas Razumovsky
GA
i/5
NA
i/3
Op. 68
Op. 68
No.
Op. 68
Title, key
Symphony No. 6 "Pastoral" in F major
Composition; first performance
1808–22 December 1808
Publication
p: Leipzig, 1809
Dedication, remarks
Prince Lobkowitz and Count Razumovsky
GA
i/6
NA
i/3
Op. 92
Op. 92
No.
Op. 92
Title, key
Symphony No. 7 in A major
Composition; first performance
1811–8 December 1813
Publication
s, p: Vienna, 1816
Dedication, remarks
Count Moritz von Fries
GA
i/7
Op. 93
Op. 93
No.
Op. 93
Title, key
Symphony No. 8 in F major
Composition; first performance
1812–27 February 1814
Publication
s, p: Vienna, 1817
Dedication, remarks
shortened version of end of 1st movt, HS iv
GA
i/8
Op. 125
Op. 125
No.
Op. 125
Title, key
Symphony No. 9 "Choral" in D minor
Composition; first performance
1822–7 May 1824
Publication
s, p: Mainz, 1826
Dedication, remarks
Frederick William III of Prussia
GA
i/9
NA
i/5
No.
Title, key
Composition; first performance
Publication
Dedication, remarks
GA
NA
Op. 21
Symphony No. 1 in C major
1799–2 April 1800
p: Leipzig 1801
Baron Gottfried van Swieten
i/1
i/1
Op. 36
Symphony No. 2 in D major
1801–5 April 1803
p: Vienna, 1804; for piano, violin, cello: Vienna, 1805
Prince Karl von Lichnowsky
i/2
i/1
Op. 55
Symphony No. 3 "Eroica" in E♭ major
1803–7 April 1805
p: Vienna, 1806
Prince Franz Joseph von Lobkowitz
i/3
i/2
Op. 60
Symphony No. 4 in B♭ major
1806–March 1807
p: Vienna, 1808
Count Franz von Oppersdorff
i/4
i/2
Op. 67
Symphony No. 5 "Fate" in C minor
1807– 22 December 1808
p: Leipzig, 1809
Prince Lobkowitz and Count Andreas Razumovsky
i/5
i/3
Op. 68
Symphony No. 6 "Pastoral" in F major
1808–22 December 1808
p: Leipzig, 1809
Prince Lobkowitz and Count Razumovsky
i/6
i/3
Op. 92
Symphony No. 7 in A major
1811–8 December 1813
s, p: Vienna, 1816
Count Moritz von Fries
i/7
Op. 93
Symphony No. 8 in F major
1812–27 February 1814
s, p: Vienna, 1817
shortened version of end of 1st movt, HS iv
i/8
Op. 125
Symphony No. 9 "Choral" in D minor
1822–7 May 1824
s, p: Mainz, 1826
Frederick William III of Prussia
i/9
i/5
· List of works by genre › Orchestral music › Concertos
WoO 4
WoO 4
No.
WoO 4
Title, key
Piano Concerto No. 0 in E♭ major
Composition, first performance
1784
Publication
s: GA
Dedication, remarks
survives only in pf score (with orch cues in solo part)
GA
xxv/310
NA
iii/5
WoO 5
WoO 5
No.
WoO 5
Title, key
Violin Concerto in C major, (fragment)
Composition, first performance
1790–1792
Publication
Vienna, 1879
Dedication, remarks
part of 1st movt only; 1st edn ded. Gerhard von Breuning
GA
HS iii
Hess 12
Hess 12
No.
Hess 12
Title, key
Oboe Concerto in F major, (lost)
Composition, first performance
1792–1793?
Dedication, remarks
sent to Bonn from Vienna in late 1793; a few sketches survive
Op. 19
Op. 19
No.
Op. 19
Title, key
Piano Concerto No. 2 in B♭ major
Composition, first performance
begun c. 1788, rev. 1794–1829
Publication
p: Leipzig, 1801
Dedication, remarks
Carl Nicklas von Nickelsberg; score frag. rejected from early version, HS iii
GA
ix/66
NA
iii/2
Op. 15
Op. 15
No.
Op. 15
Title, key
Piano Concerto No. 1 in C major
Composition, first performance
18 December 1795 rev. 1800
Publication
p: Vienna, 1801
Dedication, remarks
Princess Barbara Odescalchi (née Countess von Keglevics)
GA
ix/65
NA
iii/2
Op. 37
Op. 37
No.
Op. 37
Title, key
Piano Concerto No. 3 in C minor
Composition, first performance
1800–5 April 1803?
Publication
p: Vienna, 1804
Dedication, remarks
Prince Louis Ferdinand of Prussia
GA
ix/67
NA
iii/2
Op. 56
Op. 56
No.
Op. 56
Title, key
Triple Concerto for Violin, Cello, and Piano in C major
Composition, first performance
1804–May 1808
Publication
p: Vienna, 1807
Dedication, remarks
Prince Lobkowitz
GA
ix/70
NA
iii/1
Op. 58
Op. 58
No.
Op. 58
Title, key
Piano Concerto No. 4 in G major
Composition, first performance
1804–22 December 1808
Publication
p: Vienna, 1808
Dedication, remarks
Archduke Rudolph of Austria
GA
ix/68
NA
iii/3
Op. 61
Op. 61
No.
Op. 61
Title, key
Violin Concerto in D major
Composition, first performance
23 December 1806
Publication
p: Vienna, 1808; London, 1810
Dedication, remarks
Stephan von Breuning
GA
iv/29; HSx
NA
iii/4
Op. 61a
Op. 61a
No.
Op. 61a
Title, key
Beethoven's arrangement of Opus 61 for Piano in D major
Composition, first performance
1807
Publication
p: Vienna, 1808; London, 1810
Dedication, remarks
Julie von Breuning
GA
ix/73 (solo part)
NA
iii/5
Op. 73
Op. 73
No.
Op. 73
Title, key
Piano Concerto No. 5 "Emperor" in E♭ major
Composition, first performance
1809–28 November 1811
Publication
p: London, 1810; Leipzig, 1811
Dedication, remarks
Archduke Rudolph
GA
ix/69
NA
iii/3
Hess 15
Hess 15
No.
Hess 15
Title, key
Piano Concerto No. 6 in D major, (fragment)
Composition, first performance
1814–1815
Dedication, remarks
unfinished (performing version completed by Nicholas Cook)
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 4
Piano Concerto No. 0 in E♭ major
1784
s: GA
survives only in pf score (with orch cues in solo part)
xxv/310
iii/5
WoO 5
Violin Concerto in C major, (fragment)
1790–1792
Vienna, 1879
part of 1st movt only; 1st edn ded. Gerhard von Breuning
HS iii
Hess 12
Oboe Concerto in F major, (lost)
1792–1793?
sent to Bonn from Vienna in late 1793; a few sketches survive
Op. 19
Piano Concerto No. 2 in B♭ major
begun c. 1788, rev. 1794–1829
p: Leipzig, 1801
Carl Nicklas von Nickelsberg; score frag. rejected from early version, HS iii
ix/66
iii/2
cadenza for first movement
1809
GA
ix/70a
vii/7
Op. 15
Piano Concerto No. 1 in C major
18 December 1795 rev. 1800
p: Vienna, 1801
Princess Barbara Odescalchi (née Countess von Keglevics)
ix/65
iii/2
3 cadenzas for first movement
1809
GA
ix/70a
vii/7
Op. 37
Piano Concerto No. 3 in C minor
1800–5 April 1803?
p: Vienna, 1804
Prince Louis Ferdinand of Prussia
ix/67
iii/2
cadenza for first movement
1809
GA
ix/70a
vii/7
Op. 56
Triple Concerto for Violin, Cello, and Piano in C major
1804–May 1808
p: Vienna, 1807
Prince Lobkowitz
ix/70
iii/1
Op. 58
Piano Concerto No. 4 in G major
1804–22 December 1808
p: Vienna, 1808
Archduke Rudolph of Austria
ix/68
iii/3
2 cadenzas for first movement, cadenza for finale
1809?
GA
ix/70a
vii/7
cadenza for first movement, 2 cadenzas for finale (Hess 81, 82, 83)
1809?
NA
HSx
vii/7
Op. 61
Violin Concerto in D major
23 December 1806
p: Vienna, 1808; London, 1810
Stephan von Breuning
iv/29; HSx
iii/4
Op. 61a
Beethoven's arrangement of Opus 61 for Piano in D major
1807
p: Vienna, 1808; London, 1810
Julie von Breuning
ix/73 (solo part)
iii/5
Cadenza for first movement, cadenza for finale
1809?
GA
ix/70a
vii/7
2 cadenzas for finale (Hess 84–85)
1809?
NA
HSx
vii/7
Op. 73
Piano Concerto No. 5 "Emperor" in E♭ major
1809–28 November 1811
p: London, 1810; Leipzig, 1811
Archduke Rudolph
ix/69
iii/3
Hess 15
Piano Concerto No. 6 in D major, (fragment)
1814–1815
unfinished (performing version completed by Nicholas Cook)
· List of works by genre › Orchestral music › Other works for soloist and orchestra
Hess 13
Hess 13
No.
Hess 13
Title, key
Romance Cantabile
Composition, first performance
1786?
Publication
Wiesbaden, 1952
Dedication, remarks
intended as slow movement of larger work
GA
HS iii
WoO 6
WoO 6
No.
WoO 6
Title, key
Rondo for Piano and Orchestra in B♭ major
Composition, first performance
1793
Publication
p: Vienna, 1829
Dedication, remarks
orig. finale of op.19; solo part completed by Carl Czerny for 1st ed.
GA
ix/72; HS iii
NA
iii/5
Op. 50
Op. 50
No.
Op. 50
Title, key
Romance for Violin and Orchestra No. 2 in F major
Composition, first performance
c. 1798–November 1798?
Publication
p: Vienna, 1805
GA
iv/31
NA
iii/4
Op. 40
Op. 40
No.
Op. 40
Title, key
Romance for Violin and Orchestra No. 1 in G major
Composition, first performance
1801–1802
Publication
p: Leipzig, 1803
GA
iv/30
NA
iii/4
Hess 11
Hess 11
No.
Hess 11
Title, key
Romance for Violin and Orchestra No. 3, (lost)
Composition, first performance
1816
Dedication, remarks
reported by W. Altmann in Preface to the Steiner edition of 1816 of the Violin Concerts
Op. 80
Op. 80
No.
Op. 80
Title, key
Choral Fantasy in C minor
Composition, first performance
22 December 1808, rev. 1809
Publication
p: London, 1810; Leipzig, 1811
Dedication, remarks
Maximilian Joseph, King of Bavaria;
GA
HS xix/71
NA
x/2
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
Hess 13
Romance Cantabile
1786?
Wiesbaden, 1952
intended as slow movement of larger work
HS iii
WoO 6
Rondo for Piano and Orchestra in B♭ major
1793
p: Vienna, 1829
orig. finale of op.19; solo part completed by Carl Czerny for 1st ed.
ix/72; HS iii
iii/5
Op. 50
Romance for Violin and Orchestra No. 2 in F major
c. 1798–November 1798?
p: Vienna, 1805
iv/31
iii/4
Op. 40
Romance for Violin and Orchestra No. 1 in G major
1801–1802
p: Leipzig, 1803
iv/30
iii/4
Hess 11
Romance for Violin and Orchestra No. 3, (lost)
1816
reported by W. Altmann in Preface to the Steiner edition of 1816 of the Violin Concerts
Op. 80
Choral Fantasy in C minor
22 December 1808, rev. 1809
p: London, 1810; Leipzig, 1811
Maximilian Joseph, King of Bavaria;
HS xix/71
x/2
· List of works by genre › Orchestral music › Overtures and incidental music
WoO 1
WoO 1
No.
WoO 1
Title, key
"Ritterballet" in D major
Composition, first performance
1790–Bonn, 6 March 1791
Publication
pf: Leipzig and Winterthur, 1872; s: GA
GA
xxv/286; HS viii
NA
ii/2
Op. 43
Op. 43
No.
Op. 43
Title, key
"The Creatures of Prometheus"
Composition, first performance
1800–Burgtheater, Vienna, 28 March 1801
Publication
for pf: Vienna, 1801; p: Leipzig, 1804 [ov. only]; s: GA
Dedication, remarks
Princess Christiane von Lichnowsky
GA
ii/11; HX viii
NA
ii/2
Op. 62
Op. 62
No.
Op. 62
Title, key
"Coriolan" Overture in C minor
Composition, first performance
March 1807
Publication
p: Vienna, 1808
Dedication, remarks
Heinrich Joseph von Collin
GA
iii/18
NA
ii/1
Op. 138
Op. 138
No.
Op. 138
Title, key
"Leonore" Overture No. 1 in C major
Composition, first performance
1807–7 February 1828
Publication
s, p: Vienna, 1838
GA
iii/19
NA
ix/1
Op. 72a
Op. 72a
No.
Op. 72a
Title, key
"Leonore" Overture No. 2 in C major
Composition, first performance
1804–Theater an der Wien, Vienna, 20 November 1805
Publication
s: HS
GA
HS ii. xi–xiii
NA
ix/1
Op. 72b
Op. 72b
No.
Op. 72b
Title, key
"Leonore" Overture No. 3 in C major
Composition, first performance
1805–Theater an der Wien, 29 March 1806
Publication
s: HS
GA
HS xi–xiii
NA
ix/1
Op. 84
Op. 84
No.
Op. 84
Title, key
"Egmont" in F minor
Composition, first performance
1809–15 June 1810
Publication
p: Leipzig, 1810 [ov.], Leipzig, 1812 [remainder]; vs: Leipzig, 1812 [without ov.]; s: Leipzig, 1831
GA
ii/12, iii/27; HS v (no.4)
NA
ix/7
Op. 113
Op. 113
No.
Op. 113
Title, key
"The Ruins of Athens" (Die Ruinen von Athen) in G major
Composition, first performance
1811–10 February 1812
Publication
s: Vienna, 1823 [ov. only], Vienna, 1846 [complete],
Dedication, remarks
ded. (by publisher) König Friedrich Wilhelm IV of Prussia
GA
xx/207, iii/28
NA
x/8
Op. 117
Op. 117
No.
Op. 117
Title, key
"King Stephen" (König Stephan) in Eb major
Composition, first performance
1811–10 February 1812
Publication
s: Vienna, 1826 [ov. only], GA [complete]
GA
xx/207b, iii/23
NA
ix/8
WoO 2a
WoO 2a
No.
WoO 2a
Title, key
Triumphal March, for Tarpeja in C major
Composition, first performance
26 March 1813
Publication
p: Vienna, 1840; s: GA
GA
ii/14
NA
ix/7
WoO 2b
WoO 2b
No.
WoO 2b
Title, key
Introduction to Act 2 of Leonore, 1805 version
Composition, first performance
1805, discarded
Dedication, remarks
s: Mainz, 1938
GA
HS iv
Op. 91
Op. 91
No.
Op. 91
Title, key
Wellington's Victory "Battle Symphony"
Composition, first performance
8 December 1813
Publication
s, p: Vienna, 1816; for pf: London and Vienna, 1816
Dedication, remarks
Prince Regent of England (later King George IV)
GA
ii/10; HS viii (for pf)
NA
ii/1
Op. 115
Op. 115
No.
Op. 115
Title, key
"Zur Namensfeier" (Feastday) in C major
Composition, first performance
1814–25 December 1815
Publication
s, p: Vienna, 1825
Dedication, remarks
Prince Antoni Radziwiłł
GA
iii/22
NA
ii/1
WoO 96
WoO 96
No.
WoO 96
Title, key
Leonore Prohaska
Composition, first performance
1815
Publication
s: GA
GA
xxv/272
NA
ix/7
Op. 114
Op. 114
No.
Op. 114
Title, key
March and Chorus for "The Consecration of the House"
Composition, first performance
1822
Op. 124
Op. 124
No.
Op. 124
Title, key
"The Consecration of the House" (Die Weihe des Hauses) in C
Composition, first performance
Josefstadt-Theater, 3 October 1822
Publication
s: Mainz, 1825
Dedication, remarks
Prince Nikolay Golitsïn
GA
iii/24
NA
ii/1
WoO 98
WoO 98
No.
WoO 98
Title, key
Wo sich die Pulse, chorus for "The Consecration of the House"
Composition, first performance
1822
Publication
s:GA
GA
xxv/266
NA
ix/8
WoO 3
WoO 3
No.
WoO 3
Title, key
Gratulations-Minuet in E♭
Composition, first performance
3 November 1822
Publication
p: Vienna, 1832
Dedication, remarks
written for Carl Friedrich Hensler, ded. (by publisher) Karl Holz
GA
ii/13
NA
ii/3
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 1
"Ritterballet" in D major
1790–Bonn, 6 March 1791
pf: Leipzig and Winterthur, 1872; s: GA
xxv/286; HS viii
ii/2
Op. 43
"The Creatures of Prometheus"
1800–Burgtheater, Vienna, 28 March 1801
for pf: Vienna, 1801; p: Leipzig, 1804 [ov. only]; s: GA
Princess Christiane von Lichnowsky
ii/11; HX viii
ii/2
Op. 62
"Coriolan" Overture in C minor
March 1807
p: Vienna, 1808
Heinrich Joseph von Collin
iii/18
ii/1
Op. 138
"Leonore" Overture No. 1 in C major
1807–7 February 1828
s, p: Vienna, 1838
iii/19
ix/1
Op. 72a
"Leonore" Overture No. 2 in C major
1804–Theater an der Wien, Vienna, 20 November 1805
s: HS
HS ii. xi–xiii
ix/1
Op. 72b
"Leonore" Overture No. 3 in C major
1805–Theater an der Wien, 29 March 1806
s: HS
HS xi–xiii
ix/1
Op. 84
"Egmont" in F minor
1809–15 June 1810
p: Leipzig, 1810 [ov.], Leipzig, 1812 [remainder]; vs: Leipzig, 1812 [without ov.]; s: Leipzig, 1831
ii/12, iii/27; HS v (no.4)
ix/7
Op. 113
"The Ruins of Athens" (Die Ruinen von Athen) in G major
1811–10 February 1812
s: Vienna, 1823 [ov. only], Vienna, 1846 [complete],
ded. (by publisher) König Friedrich Wilhelm IV of Prussia
xx/207, iii/28
x/8
Op. 117
"King Stephen" (König Stephan) in Eb major
1811–10 February 1812
s: Vienna, 1826 [ov. only], GA [complete]
xx/207b, iii/23
ix/8
WoO 2a
Triumphal March, for Tarpeja in C major
26 March 1813
p: Vienna, 1840; s: GA
ii/14
ix/7
WoO 2b
Introduction to Act 2 of Leonore, 1805 version
1805, discarded
s: Mainz, 1938
HS iv
Op. 91
Wellington's Victory "Battle Symphony"
8 December 1813
s, p: Vienna, 1816; for pf: London and Vienna, 1816
Prince Regent of England (later King George IV)
ii/10; HS viii (for pf)
ii/1
Op. 115
"Zur Namensfeier" (Feastday) in C major
1814–25 December 1815
s, p: Vienna, 1825
Prince Antoni Radziwiłł
iii/22
ii/1
WoO 96
Leonore Prohaska
1815
s: GA
xxv/272
ix/7
Op. 114
March and Chorus for "The Consecration of the House"
1822
Op. 124
"The Consecration of the House" (Die Weihe des Hauses) in C
Josefstadt-Theater, 3 October 1822
s: Mainz, 1825
Prince Nikolay Golitsïn
iii/24
ii/1
WoO 98
Wo sich die Pulse, chorus for "The Consecration of the House"
1822
s:GA
xxv/266
ix/8
WoO 3
Gratulations-Minuet in E♭
3 November 1822
p: Vienna, 1832
written for Carl Friedrich Hensler, ded. (by publisher) Karl Holz
ii/13
ii/3
· List of works by genre › Chamber music › Chamber music for strings › String quartets
Op. 18/3
Op. 18/3
No.
Op. 18/3
Title, key
String Quartet No. 3 in D major
Composition, first performance
1798–1799
Publication
Vienna, 1801
Dedication, remarks
Prince Lobkowitz
GA
vi/39
NA
vi/3
Op. 18/1
Op. 18/1
No.
Op. 18/1
Title, key
String Quartet No. 1 in F major
Composition, first performance
1799
Publication
Vienna, 1801
Dedication, remarks
Prince Lobkowitz
GA
vi/37
NA
vi/3
Op. 18/2
Op. 18/2
No.
Op. 18/2
Title, key
String Quartet No. 2 in G major
Composition, first performance
1799
Publication
Vienna, 1801
Dedication, remarks
Prince Lobkowitz
GA
vi/38
NA
vi/3
Op. 18/5
Op. 18/5
No.
Op. 18/5
Title, key
String Quartet No. 5 in A major
Composition, first performance
1799
Publication
Vienna, 1801
Dedication, remarks
Prince Lobkowitz
GA
vi/41
NA
vi/3
Op. 18/4
Op. 18/4
No.
Op. 18/4
Title, key
String Quartet No. 4 in C minor
Composition, first performance
1799
Publication
Vienna, 1801
Dedication, remarks
Prince Lobkowitz
GA
vi/40
NA
vi/3
Op. 18/6
Op. 18/6
No.
Op. 18/6
Title, key
String Quartet No. 6 in B♭ major
Composition, first performance
1800
Publication
Vienna, 1801
Dedication, remarks
Prince Lobkowitz
GA
vi/42
NA
vi/3
Op. 59/1
Op. 59/1
No.
Op. 59/1
Title, key
String Quartet No. 7 "Razumovsky" in F major
Composition, first performance
1806
Publication
Vienna, 1808
Dedication, remarks
Count Razumovsky
GA
vi/43
NA
vi/4
Op. 59/2
Op. 59/2
No.
Op. 59/2
Title, key
String Quartet No. 8 "Razumovsky" in E minor
Composition, first performance
1806
Publication
Vienna, 1808
Dedication, remarks
Count Razumovsky
GA
vi/44
NA
vi/4
Op. 59/3
Op. 59/3
No.
Op. 59/3
Title, key
String Quartet No. 9 "Razumovsky" C major
Composition, first performance
1806
Publication
Vienna, 1808
Dedication, remarks
Count Razumovsky
GA
vi/45
NA
vi/4
Op. 74
Op. 74
No.
Op. 74
Title, key
String Quartet No. 10 "Harp" in E♭ major
Composition, first performance
1809
Publication
London and Leipzig, 1810
Dedication, remarks
Prince Lobkowitz
GA
vi/46
NA
vi/4
Op. 95
Op. 95
No.
Op. 95
Title, key
String Quartet No. 11 "Serioso" (Serious) in F minor
Composition, first performance
1810–11 May 1814
Publication
Vienna, 1816
Dedication, remarks
Nikolaus Zmeskall von Domanovecz
GA
vi/47
NA
vi/4
Op. 127
Op. 127
No.
Op. 127
Title, key
String Quartet No. 12 in E♭ major
Composition, first performance
1824–6 March 1825
Publication
Mainz, 1826
Dedication, remarks
Prince Golitsïn
GA
vi/48
NA
vi/5
Op. 132
Op. 132
No.
Op. 132
Title, key
String Quartet No. 15 in A minor
Composition, first performance
6 November 1825
Publication
Paris and Berlin, 1826
Dedication, remarks
Prince Golitsïn
GA
vi/51
NA
vi/5
Op. 130
Op. 130
No.
Op. 130
Title, key
String Quartet No. 13 in B♭ major
Composition, first performance
1825–22 April 1827 (with new finale)
Publication
Vienna, 1827
Dedication, remarks
Prince Golitsïn
GA
vi/49
NA
vi/5
Op. 133
Op. 133
No.
Op. 133
Title, key
Große Fuge in B♭ major
Composition, first performance
1825–21 March 1826
Publication
Vienna, 1827
Dedication, remarks
Archduke Rudolph; original ending of Op. 130
GA
vi/53
NA
vi/5
Op. 131
Op. 131
No.
Op. 131
Title, key
String Quartet No. 14 in C♯ minor
Composition, first performance
1825–1826
Publication
Mainz, 1827
Dedication, remarks
Baron Joseph von Stutterheim
GA
vi/50
NA
vi/5
Op. 135
Op. 135
No.
Op. 135
Title, key
String Quartet No. 16 in F major
Composition, first performance
1826–23 March 1828
Publication
Berlin and Paris, 1827
Dedication, remarks
Johann Wolfmayer
GA
vi/52
NA
vi/5
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
Op. 18/3
String Quartet No. 3 in D major
1798–1799
Vienna, 1801
Prince Lobkowitz
vi/39
vi/3
Op. 18/1
String Quartet No. 1 in F major
1799
Vienna, 1801
Prince Lobkowitz
vi/37
vi/3
Op. 18/2
String Quartet No. 2 in G major
1799
Vienna, 1801
Prince Lobkowitz
vi/38
vi/3
Op. 18/5
String Quartet No. 5 in A major
1799
Vienna, 1801
Prince Lobkowitz
vi/41
vi/3
Op. 18/4
String Quartet No. 4 in C minor
1799
Vienna, 1801
Prince Lobkowitz
vi/40
vi/3
Op. 18/6
String Quartet No. 6 in B♭ major
1800
Vienna, 1801
Prince Lobkowitz
vi/42
vi/3
Op. 59/1
String Quartet No. 7 "Razumovsky" in F major
1806
Vienna, 1808
Count Razumovsky
vi/43
vi/4
Op. 59/2
String Quartet No. 8 "Razumovsky" in E minor
1806
Vienna, 1808
Count Razumovsky
vi/44
vi/4
Op. 59/3
String Quartet No. 9 "Razumovsky" C major
1806
Vienna, 1808
Count Razumovsky
vi/45
vi/4
Op. 74
String Quartet No. 10 "Harp" in E♭ major
1809
London and Leipzig, 1810
Prince Lobkowitz
vi/46
vi/4
Op. 95
String Quartet No. 11 "Serioso" (Serious) in F minor
1810–11 May 1814
Vienna, 1816
Nikolaus Zmeskall von Domanovecz
vi/47
vi/4
Op. 127
String Quartet No. 12 in E♭ major
1824–6 March 1825
Mainz, 1826
Prince Golitsïn
vi/48
vi/5
Op. 132
String Quartet No. 15 in A minor
6 November 1825
Paris and Berlin, 1826
Prince Golitsïn
vi/51
vi/5
Op. 130
String Quartet No. 13 in B♭ major
1825–22 April 1827 (with new finale)
Vienna, 1827
Prince Golitsïn
vi/49
vi/5
Op. 133
Große Fuge in B♭ major
1825–21 March 1826
Vienna, 1827
Archduke Rudolph; original ending of Op. 130
vi/53
vi/5
Op. 131
String Quartet No. 14 in C♯ minor
1825–1826
Mainz, 1827
Baron Joseph von Stutterheim
vi/50
vi/5
Op. 135
String Quartet No. 16 in F major
1826–23 March 1828
Berlin and Paris, 1827
Johann Wolfmayer
vi/52
vi/5
· List of works by genre › Chamber music › Chamber music for strings › Other chamber music for strings
WoO 209 (Hess 33)
WoO 209 (Hess 33)
No.
WoO 209 (Hess 33)
Title, key
Minuet for String Quartet in A♭ major
Composition, first performance
1790–1792
Publication
HS
GA
HS vi
NA
KB vi/4
Op. 3
Op. 3
No.
Op. 3
Title, key
String Trio No. 1 in E♭ major
Composition, first performance
before 1794?
Publication
Vienna, 1796
GA
vii/54
NA
vi/6
Op. 4
Op. 4
No.
Op. 4
Title, key
String Quintet in E♭ major
Composition, first performance
1795
Publication
Vienna, 1796
Dedication, remarks
thoroughly recomposed version of Octet Op. 103
GA
v/36
NA
vi/2
WoO 32
WoO 32
No.
WoO 32
Title, key
Duo for Viola and Cello, "mit zwei obligaten Augengläsern" ("with two obbligato eyeglasses")
Composition, first performance
1796–1797
Publication
1st movt: Leipzig, 1912; minuet: Frankfurt, London and New York, 1952
Dedication, remarks
probably written for Zmeskall von Domanovecz
GA
HS vi
NA
vi/6
Op. 8
Op. 8
No.
Op. 8
Title, key
Serenade for string trio, (String Trio No. 2) in D major
Composition, first performance
1796–1797
Publication
Vienna, 1797
GA
vii/58
NA
vi/6
Op. 9/1
Op. 9/1
No.
Op. 9/1
Title, key
String Trio No. 3 in G major
Composition, first performance
1797–1798
Publication
Vienna, 1798
Dedication, remarks
Count Johann Georg von Browne
GA
vii/55
NA
vi/6
Op. 9/2
Op. 9/2
No.
Op. 9/2
Title, key
String Trio No. 4 in D major
Composition, first performance
1797–1798
Publication
Vienna, 1798
Dedication, remarks
Count Johann Georg von Browne
GA
vii/56
NA
vi/6
Op. 9/3
Op. 9/3
No.
Op. 9/3
Title, key
String Trio No. 5 in C minor
Composition, first performance
1797–1798
Publication
Vienna, 1798
Dedication, remarks
Count Johann Georg von Browne
GA
vii/57
NA
vi/6
Op. 29
Op. 29
No.
Op. 29
Title, key
String Quintet in C major "Storm"
Composition, first performance
1801
Publication
Leipzig, 1802
Dedication, remarks
Count Fries
GA
v/34
NA
vi/2
Hess 34
Hess 34
No.
Hess 34
Title, key
String Quartet in F major
Composition, first performance
1801–1802
Publication
Vienna, 1802
Dedication, remarks
Baroness Josefine von Braun; arrangement of Piano Sonata No. 9
GA
HS vi
NA
vi/3
Op. 104
Op. 104
No.
Op. 104
Title, key
String Quintet in C minor
Composition, first performance
1817-10 December 1818
Publication
Vienna and London, 1819
Dedication, remarks
arr. of Piano Trio Op. 1/3; arr. corrected by Beethoven, but largely the work of Kaufmann
GA
v/36a
NA
vi/2
Hess 40
Hess 40
No.
Hess 40
Title, key
Prelude for string quintet in D minor
Composition, first performance
1817
Publication
SMz, xcv (1955)
GA
HS vi
NA
vi/2
Op. 137
Op. 137
No.
Op. 137
Title, key
Fugue for String Quintet in D major
Composition, first performance
November 1817
Publication
Vienna, 1827
GA
v/35
NA
vi/2
WoO 34
WoO 34
No.
WoO 34
Title, key
Duet for two violins in A major
Composition, first performance
April 29 1822
Publication
T. von Frimmel: Ludwig van Beethoven (Berlin, 1901)
Dedication, remarks
Alexandre Boucher
GA
HS vi
WoO 35
WoO 35
No.
WoO 35
Title, key
Canon for two violins in A major
Composition, first performance
August 1825
Publication
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
Dedication, remarks
Otto de Boer
GA
HS vi
Hess 41
Hess 41
No.
Hess 41
Title, key
String Quintet in C major
Composition, first performance
1826–1827
Publication
Vienna, 1838
Dedication, remarks
survives only in piano transcription, WoO 62, last published piece.
GA
HS viii
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 209 (Hess 33)
Minuet for String Quartet in A♭ major
1790–1792
HS
HS vi
KB vi/4
Op. 3
String Trio No. 1 in E♭ major
before 1794?
Vienna, 1796
vii/54
vi/6
Op. 4
String Quintet in E♭ major
1795
Vienna, 1796
thoroughly recomposed version of Octet Op. 103
v/36
vi/2
WoO 32
Duo for Viola and Cello, "mit zwei obligaten Augengläsern" ("with two obbligato eyeglasses")
1796–1797
1st movt: Leipzig, 1912; minuet: Frankfurt, London and New York, 1952
probably written for Zmeskall von Domanovecz
HS vi
vi/6
Op. 8
Serenade for string trio, (String Trio No. 2) in D major
1796–1797
Vienna, 1797
vii/58
vi/6
Op. 9/1
String Trio No. 3 in G major
1797–1798
Vienna, 1798
Count Johann Georg von Browne
vii/55
vi/6
Op. 9/2
String Trio No. 4 in D major
1797–1798
Vienna, 1798
Count Johann Georg von Browne
vii/56
vi/6
Op. 9/3
String Trio No. 5 in C minor
1797–1798
Vienna, 1798
Count Johann Georg von Browne
vii/57
vi/6
Op. 29
String Quintet in C major "Storm"
1801
Leipzig, 1802
Count Fries
v/34
vi/2
Hess 34
String Quartet in F major
1801–1802
Vienna, 1802
Baroness Josefine von Braun; arrangement of Piano Sonata No. 9
HS vi
vi/3
Op. 104
String Quintet in C minor
1817-10 December 1818
Vienna and London, 1819
arr. of Piano Trio Op. 1/3; arr. corrected by Beethoven, but largely the work of Kaufmann
v/36a
vi/2
Hess 40
Prelude for string quintet in D minor
1817
SMz, xcv (1955)
HS vi
vi/2
Op. 137
Fugue for String Quintet in D major
November 1817
Vienna, 1827
v/35
vi/2
WoO 34
Duet for two violins in A major
April 29 1822
T. von Frimmel: Ludwig van Beethoven (Berlin, 1901)
Alexandre Boucher
HS vi
WoO 35
Canon for two violins in A major
August 1825
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
Otto de Boer
HS vi
Hess 41
String Quintet in C major
1826–1827
Vienna, 1838
survives only in piano transcription, WoO 62, last published piece.
HS viii
· List of works by genre › Chamber music › Chamber music with piano › Solo instrument and piano
Hess 46
Hess 46
No.
Hess 46
Title, key
Violin Sonata in A major, (fragments)
Composition, first performance
c. 1790–1792
Publication
HS
Dedication, remarks
authenticity no longer in doubt
GA
HS ix
Anh. 4
Anh. 4
No.
Anh. 4
Title, key
Flute Sonata in B♭ major
Composition, first performance
c. 1790–1792?
Publication
Leipzig, 1906
Dedication, remarks
Manuscript copy found among Beethoven's papers after his death, authenticity not certain
GA
HS ix
WoO 40
WoO 40
No.
WoO 40
Title, key
Variations for violin and piano on Se vuol ballare from Mozart's The Marriage of Figaro in F major
Composition, first performance
1792–1793
Publication
Vienna, 1793
Dedication, remarks
Eleonore von Breuning
GA
xii/103
NA
v/2
WoO 41
WoO 41
No.
WoO 41
Title, key
Rondo for Violin and Piano in G major
Composition, first performance
1793–1794
Publication
Bonn, 1808
GA
xii/102
NA
v/2
WoO 43a
WoO 43a
No.
WoO 43a
Title, key
Sonatina for mandolin and piano in C minor
Composition, first performance
1796
Publication
Grove1 ("Mandoline")
Dedication, remarks
probably written for Countess Josephine de Clary
GA
xxv/295
NA
v/4
WoO 43b
WoO 43b
No.
WoO 43b
Title, key
Adagio for mandolin and piano in E♭ major
Composition, first performance
1796
Publication
GA
Dedication, remarks
probably for Countess de Clary
GA
xxv/296
NA
v/4
WoO 44a
WoO 44a
No.
WoO 44a
Title, key
Sonatina for mandolin and piano in C major
Composition, first performance
1796
Publication
Der Merker, iii (1912)
Dedication, remarks
probably for Countess de Clary
GA
HS ix
NA
v/4
WoO 44b
WoO 44b
No.
WoO 44b
Title, key
Andante and Variations for mandolin and piano in D major
Composition, first performance
1796
Publication
Sudetendeutsches Musikarchiv (1940), no.1
Dedication, remarks
probably for Countess de Clary
GA
HS ix
NA
v/4
Op. 5/1
Op. 5/1
No.
Op. 5/1
Title, key
Cello Sonata No. 1 in F major
Composition, first performance
1796
Publication
Vienna, 1797
Dedication, remarks
Friedrich Wilhelm II of Prussia
GA
xiii/105
NA
v/3
Op. 5/2
Op. 5/2
No.
Op. 5/2
Title, key
Cello Sonata No. 2 in G minor
Composition, first performance
1796
Publication
Vienna, 1797
Dedication, remarks
Friedrich Wilhelm II of Prussia
GA
xiii/106
NA
v/3
WoO 45
WoO 45
No.
WoO 45
Title, key
Variations for cello and piano on "See the counquering hero comes" from Handel's Judas Maccabaeus in G major
Composition, first performance
1796
Publication
Vienna, 1797
Dedication, remarks
Princess Christiane von Lichnowsky
GA
xiii/110
NA
v/3
Op. 66
Op. 66
No.
Op. 66
Title, key
Variations for cello and piano on "Ein Mädchen oder Weibchen" from Mozart's The Magic Flute in F major
Composition, first performance
1796?
Publication
Vienna, 1798
GA
xiii/111
NA
v/3
Op. 12/1
Op. 12/1
No.
Op. 12/1
Title, key
Violin Sonata No. 1 in D major
Composition, first performance
1798
Publication
Vienna, 1799
Dedication, remarks
Antonio Salieri
GA
xii/92
NA
v/1
Op. 12/2
Op. 12/2
No.
Op. 12/2
Title, key
Violin Sonata No. 2 in A major
Composition, first performance
1798
Publication
Vienna, 1799
Dedication, remarks
Antonio Salieri
GA
xii/93
NA
v/1
Op. 12/3
Op. 12/3
No.
Op. 12/3
Title, key
Violin Sonata No. 3 in E♭ major
Composition, first performance
1798
Publication
Vienna, 1799
Dedication, remarks
Antonio Salieri
GA
xii/94
NA
v/1
Op. 17
Op. 17
No.
Op. 17
Title, key
Horn Sonata in F major
Composition, first performance
18 April 1800
Publication
Vienna, 1801
Dedication, remarks
Baroness Josefine von Braun
GA
xiv/112
NA
v/4
Op. 23
Op. 23
No.
Op. 23
Title, key
Violin Sonata No. 4 in A minor
Composition, first performance
1800
Publication
Vienna, 1801
Dedication, remarks
Count Fries
GA
xii/95
NA
v/1
Op. 24
Op. 24
No.
Op. 24
Title, key
Violin Sonata No. 5 in F major, "Spring"
Composition, first performance
1800–1801
Publication
Vienna, 1801
Dedication, remarks
Count Fries
GA
xii/96
NA
v/1
WoO 46
WoO 46
No.
WoO 46
Title, key
Variations for cello and piano on "Bei Männern, welche Liebe fühlen" from Mozart's The Magic Flute in E♭ major
Composition, first performance
1801
Publication
Vienna, 1802
Dedication, remarks
Count von Browne
GA
xiii/111a
NA
v/3
Op. 30/1
Op. 30/1
No.
Op. 30/1
Title, key
Violin Sonata No. 6 in A major
Composition, first performance
1801–1802
Publication
Vienna, 1803
Dedication, remarks
Alexander I, Tsar of Russia
GA
xii/97
NA
v/2
Op. 30/2
Op. 30/2
No.
Op. 30/2
Title, key
Violin Sonata No. 7 in C minor
Composition, first performance
1801–1802
Publication
Vienna, 1803
Dedication, remarks
Alexander I, Tsar of Russia
GA
xii/98
NA
v/2
Op. 30/3
Op. 30/3
No.
Op. 30/3
Title, key
Violin Sonata No. 8 in G major
Composition, first performance
1801–1802
Publication
Vienna, 1803
Dedication, remarks
Alexander I, Tsar of Russia
GA
xii/99
NA
v/2
Op. 47
Op. 47
No.
Op. 47
Title, key
Violin Sonata No. 9 in A major, "Kreutzer"
Composition, first performance
1802–24 May 1803
Publication
Bonn and London, 1805
Dedication, remarks
written for George P. Bridgetower, ded. Rodolphe Kreutzer
GA
xii/100
NA
v/2
Op. 41
Op. 41
No.
Op. 41
Title, key
Serenade for flute (or violin) and piano in D major
Composition, first performance
1803
Publication
Leipzig, 1803
Dedication, remarks
arr. of Serenade op.25; arr. approved and corrected by Beethoven but largely the work of someone else
GA
HS ix
Op. 42
Op. 42
No.
Op. 42
Title, key
Notturno for Viola and Piano in D major
Composition, first performance
1803
Publication
Leipzig, 1804
Dedication, remarks
arr. of Serenade op.8; arr. approved and corrected by Beethoven but largely the work of someone else
GA
HS ix
Op. 69
Op. 69
No.
Op. 69
Title, key
Cello Sonata No. 3 in A major
Composition, first performance
1807
Publication
Leipzig, 1809
Dedication, remarks
Baron Ignaz von Gleichenstein
GA
xiii/107
NA
v/3
Op. 96
Op. 96
No.
Op. 96
Title, key
Violin Sonata No. 10 in G major
Composition, first performance
29 December 1812 Vienna, probably rev. 1814–1815
Publication
Vienna and London, 1816
Dedication, remarks
written for Pierre Rode, ded. Archduke Rudolph
GA
xii/101
NA
v/2
Op. 102/1
Op. 102/1
No.
Op. 102/1
Title, key
Cello Sonata No. 4 in C major
Composition, first performance
1815
Publication
Bonn, 1817
Dedication, remarks
Countess Marie Erdödy
GA
xiii/108
NA
v/3
Op. 102/2
Op. 102/2
No.
Op. 102/2
Title, key
Cello Sonata No. 5 in D major
Composition, first performance
1815
Publication
Bonn, 1817
Dedication, remarks
Countess Erdödy
GA
xiii/109
NA
v/3
Op. 105
Op. 105
No.
Op. 105
Title, key
Six National Airs with Variations for flute (or violin) and piano in G major
Composition, first performance
1818–1819
Publication
London, Edinburgh and Vienna, 1819
GA
xiv/113–114
NA
v/4
Op. 107
Op. 107
No.
Op. 107
Title, key
Ten National Airs with Variations for flute (or violin) and piano in A minor
Composition, first performance
1818–1819
Publication
London and Edinburgh, 1819 [nos. 2, 6, 7]; Bonn and Cologne, 1820 [complete]
GA
xiv/115–119
NA
v/4
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
Hess 46
Violin Sonata in A major, (fragments)
c. 1790–1792
HS
authenticity no longer in doubt
HS ix
Anh. 4
Flute Sonata in B♭ major
c. 1790–1792?
Leipzig, 1906
Manuscript copy found among Beethoven's papers after his death, authenticity not certain
HS ix
WoO 40
Variations for violin and piano on Se vuol ballare from Mozart's The Marriage of Figaro in F major
1792–1793
Vienna, 1793
Eleonore von Breuning
xii/103
v/2
WoO 41
Rondo for Violin and Piano in G major
1793–1794
Bonn, 1808
xii/102
v/2
WoO 43a
Sonatina for mandolin and piano in C minor
1796
Grove1 ("Mandoline")
probably written for Countess Josephine de Clary
xxv/295
v/4
WoO 43b
Adagio for mandolin and piano in E♭ major
1796
GA
probably for Countess de Clary
xxv/296
v/4
WoO 44a
Sonatina for mandolin and piano in C major
1796
Der Merker, iii (1912)
probably for Countess de Clary
HS ix
v/4
WoO 44b
Andante and Variations for mandolin and piano in D major
1796
Sudetendeutsches Musikarchiv (1940), no.1
probably for Countess de Clary
HS ix
v/4
Op. 5/1
Cello Sonata No. 1 in F major
1796
Vienna, 1797
Friedrich Wilhelm II of Prussia
xiii/105
v/3
Op. 5/2
Cello Sonata No. 2 in G minor
1796
Vienna, 1797
Friedrich Wilhelm II of Prussia
xiii/106
v/3
WoO 45
Variations for cello and piano on "See the counquering hero comes" from Handel's Judas Maccabaeus in G major
1796
Vienna, 1797
Princess Christiane von Lichnowsky
xiii/110
v/3
Op. 66
Variations for cello and piano on "Ein Mädchen oder Weibchen" from Mozart's The Magic Flute in F major
1796?
Vienna, 1798
xiii/111
v/3
Op. 12/1
Violin Sonata No. 1 in D major
1798
Vienna, 1799
Antonio Salieri
xii/92
v/1
Op. 12/2
Violin Sonata No. 2 in A major
1798
Vienna, 1799
Antonio Salieri
xii/93
v/1
Op. 12/3
Violin Sonata No. 3 in E♭ major
1798
Vienna, 1799
Antonio Salieri
xii/94
v/1
Op. 17
Horn Sonata in F major
18 April 1800
Vienna, 1801
Baroness Josefine von Braun
xiv/112
v/4
Op. 23
Violin Sonata No. 4 in A minor
1800
Vienna, 1801
Count Fries
xii/95
v/1
Op. 24
Violin Sonata No. 5 in F major, "Spring"
1800–1801
Vienna, 1801
Count Fries
xii/96
v/1
WoO 46
Variations for cello and piano on "Bei Männern, welche Liebe fühlen" from Mozart's The Magic Flute in E♭ major
1801
Vienna, 1802
Count von Browne
xiii/111a
v/3
Op. 30/1
Violin Sonata No. 6 in A major
1801–1802
Vienna, 1803
Alexander I, Tsar of Russia
xii/97
v/2
Op. 30/2
Violin Sonata No. 7 in C minor
1801–1802
Vienna, 1803
Alexander I, Tsar of Russia
xii/98
v/2
Op. 30/3
Violin Sonata No. 8 in G major
1801–1802
Vienna, 1803
Alexander I, Tsar of Russia
xii/99
v/2
Op. 47
Violin Sonata No. 9 in A major, "Kreutzer"
1802–24 May 1803
Bonn and London, 1805
written for George P. Bridgetower, ded. Rodolphe Kreutzer
xii/100
v/2
Op. 41
Serenade for flute (or violin) and piano in D major
1803
Leipzig, 1803
arr. of Serenade op.25; arr. approved and corrected by Beethoven but largely the work of someone else
HS ix
Op. 42
Notturno for Viola and Piano in D major
1803
Leipzig, 1804
arr. of Serenade op.8; arr. approved and corrected by Beethoven but largely the work of someone else
HS ix
Op. 69
Cello Sonata No. 3 in A major
1807
Leipzig, 1809
Baron Ignaz von Gleichenstein
xiii/107
v/3
Op. 96
Violin Sonata No. 10 in G major
29 December 1812 Vienna, probably rev. 1814–1815
Vienna and London, 1816
written for Pierre Rode, ded. Archduke Rudolph
xii/101
v/2
Op. 102/1
Cello Sonata No. 4 in C major
1815
Bonn, 1817
Countess Marie Erdödy
xiii/108
v/3
Op. 102/2
Cello Sonata No. 5 in D major
1815
Bonn, 1817
Countess Erdödy
xiii/109
v/3
Op. 105
Six National Airs with Variations for flute (or violin) and piano in G major
1818–1819
London, Edinburgh and Vienna, 1819
xiv/113–114
v/4
Op. 107
Ten National Airs with Variations for flute (or violin) and piano in A minor
1818–1819
London and Edinburgh, 1819 [nos. 2, 6, 7]; Bonn and Cologne, 1820 [complete]
xiv/115–119
v/4
· List of works by genre › Chamber music › Chamber music with piano › Piano trios
WoO 38
WoO 38
No.
WoO 38
Title, key
Piano Trio in E♭ major
Composition, first performance
1791?
Publication
Frankfurt, 1830
GA
xi/86
NA
iv/3
Hess 48
Hess 48
No.
Hess 48
Title, key
Allegretto in E♭ major
Composition, first performance
1791?
Publication
Frankfurt, 1830
GA
xi/86
NA
iv/3
Op. 1/1
Op. 1/1
No.
Op. 1/1
Title, key
Piano Trio No. 1 in E♭ major
Composition, first performance
probably 1794-1795
Publication
Vienna, 1795
Dedication, remarks
Prince Lichnowsky
GA
xi/79
Op. 1/2
Op. 1/2
No.
Op. 1/2
Title, key
Piano Trio No. 2 in G major
Composition, first performance
1794–1795
Publication
Vienna, 1795
Dedication, remarks
Prince Lichnowsky
GA
xi/80
Op. 1/3
Op. 1/3
No.
Op. 1/3
Title, key
Piano Trio No. 3, C minor
Composition, first performance
1794–95
Publication
Vienna, 1795
Dedication, remarks
Prince Lichnowsky
GA
xi/81
Op. 11
Op. 11
No.
Op. 11
Title, key
Piano Trio No. 4 in B♭ major (Gassenhauer) (additional version for clarinet, violoncello, and piano)
Composition, first performance
1797
Publication
Vienna, 1798
Dedication, remarks
Countess Maria Wilhelmine von Thun
GA
xi/89
Op. 44
Op. 44
No.
Op. 44
Title, key
Variations on an original theme in E♭ major
Composition, first performance
1792
Publication
Leipzig, 1804
GA
xi/88
NA
iv/3
Op. 121a
Op. 121a
No.
Op. 121a
Title, key
Variations on Wenzel Müller's "Ich bin der Schneider Kakadu", "Kakadu Variations" in G major
Composition, first performance
1803? rev. 1816
Publication
Vienna and London, 1824
GA
xi/87
NA
iv/3
Op. 70/1
Op. 70/1
No.
Op. 70/1
Title, key
Piano Trio No. 5 in D major "Ghost"
Composition, first performance
1808
Publication
Leipzig, 1809
Dedication, remarks
Countess Erdödy
GA
xi/82
Op. 70/2
Op. 70/2
No.
Op. 70/2
Title, key
Piano Trio No. 6 in E♭ major
Composition, first performance
1808
Publication
Leipzig, 1809
Dedication, remarks
Countess Erdödy
GA
xi/83
Op. 97
Op. 97
No.
Op. 97
Title, key
Piano Trio No. 7 in Bb major, "Archduke"
Composition, first performance
1810–11 April 1814
Publication
Vienna and London, 1816
Dedication, remarks
Archduke Rudolph
GA
xi/84
Op. 38
Op. 38
No.
Op. 38
Title, key
Piano Trio in E♭ major (additional version for clarinet, violoncello, and piano)
Composition, first performance
1802–1803
Publication
Vienna, 1805
Dedication, remarks
Professor Johann Adam Schmidt; arr. of Septet Op. 20
GA
xi/91
NA
iv/3
WoO 39
WoO 39
No.
WoO 39
Title, key
Allegretto for piano trio in B♭ major
Composition, first performance
June 1812
Publication
Frankfurt, 1830
Dedication, remarks
Maximiliane Brentano
GA
xi/85
NA
iv/3
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 38
Piano Trio in E♭ major
1791?
Frankfurt, 1830
xi/86
iv/3
Hess 48
Allegretto in E♭ major
1791?
Frankfurt, 1830
xi/86
iv/3
Op. 1/1
Piano Trio No. 1 in E♭ major
probably 1794-1795
Vienna, 1795
Prince Lichnowsky
xi/79
Op. 1/2
Piano Trio No. 2 in G major
1794–1795
Vienna, 1795
Prince Lichnowsky
xi/80
Op. 1/3
Piano Trio No. 3, C minor
1794–95
Vienna, 1795
Prince Lichnowsky
xi/81
Op. 11
Piano Trio No. 4 in B♭ major (Gassenhauer) (additional version for clarinet, violoncello, and piano)
1797
Vienna, 1798
Countess Maria Wilhelmine von Thun
xi/89
Op. 44
Variations on an original theme in E♭ major
1792
Leipzig, 1804
xi/88
iv/3
Op. 121a
Variations on Wenzel Müller's "Ich bin der Schneider Kakadu", "Kakadu Variations" in G major
1803? rev. 1816
Vienna and London, 1824
xi/87
iv/3
Op. 70/1
Piano Trio No. 5 in D major "Ghost"
1808
Leipzig, 1809
Countess Erdödy
xi/82
Op. 70/2
Piano Trio No. 6 in E♭ major
1808
Leipzig, 1809
Countess Erdödy
xi/83
Op. 97
Piano Trio No. 7 in Bb major, "Archduke"
1810–11 April 1814
Vienna and London, 1816
Archduke Rudolph
xi/84
Op. 38
Piano Trio in E♭ major (additional version for clarinet, violoncello, and piano)
1802–1803
Vienna, 1805
Professor Johann Adam Schmidt; arr. of Septet Op. 20
xi/91
iv/3
WoO 39
Allegretto for piano trio in B♭ major
June 1812
Frankfurt, 1830
Maximiliane Brentano
xi/85
iv/3
· List of works by genre › Chamber music › Chamber music with piano › Other chamber music with piano
WoO 36/1
WoO 36/1
No.
WoO 36/1
Title, key
Piano Quartet No. 1 in E♭ major
Composition, first performance
1785
Publication
Vienna, 1828
GA
x/75
NA
iv/1
WoO 36/2
WoO 36/2
No.
WoO 36/2
Title, key
Piano Quartet No. 2 in D major
Composition, first performance
1785
Publication
Vienna, 1828
GA
x/76
NA
iv/1
WoO 36/3
WoO 36/3
No.
WoO 36/3
Title, key
Piano Quartet No. 3 in C major
Composition, first performance
1785
Publication
Vienna, 1828
GA
x/77
NA
iv/1
WoO 37
WoO 37
No.
WoO 37
Title, key
Trio for piano, flute and bassoon in G major
Composition, first performance
1786
Publication
GA
GA
xxv/294
NA
iv/3
Op. 16
Op. 16
No.
Op. 16
Title, key
Quintet for piano and winds in E♭ major
Composition, first performance
1796-6 April 1797
Publication
Vienna, 1801
Dedication, remarks
Prince Joseph zu Schwarzenberg
GA
x/74
NA
iv/1
Op. 16b
Op. 16b
No.
Op. 16b
Title, key
Piano Quartet in E♭ major/minor
Composition, first performance
unknown
Publication
Vienna, 1801
Dedication, remarks
arr. of Op. 16; authenticity affirmed in Wegeler and Ries (D1838)
GA
x/78
NA
iv/1
Op. 11
Op. 11
No.
Op. 11
Title, key
Trio for clarinet (or violin), cello and piano, ("Gassenhauer") (version with violin instead of clarinet is considered Piano Trio No. 4) in B♭ major
Composition, first performance
1797
Publication
Vienna, 1798
Dedication, remarks
Countess Maria Wilhelmine von Thun
GA
xi/89
Op. 38
Op. 38
No.
Op. 38
Title, key
Trio for clarinet (or violin), cello and piano in E♭ major
Composition, first performance
1802–1803
Publication
Vienna, 1805
Dedication, remarks
Professor Johann Adam Schmidt; arr. of Septet Op. 20
GA
xi/91
NA
iv/3
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 36/1
Piano Quartet No. 1 in E♭ major
1785
Vienna, 1828
x/75
iv/1
WoO 36/2
Piano Quartet No. 2 in D major
1785
Vienna, 1828
x/76
iv/1
WoO 36/3
Piano Quartet No. 3 in C major
1785
Vienna, 1828
x/77
iv/1
WoO 37
Trio for piano, flute and bassoon in G major
1786
GA
xxv/294
iv/3
Op. 16
Quintet for piano and winds in E♭ major
1796-6 April 1797
Vienna, 1801
Prince Joseph zu Schwarzenberg
x/74
iv/1
Op. 16b
Piano Quartet in E♭ major/minor
unknown
Vienna, 1801
arr. of Op. 16; authenticity affirmed in Wegeler and Ries (D1838)
x/78
iv/1
Op. 11
Trio for clarinet (or violin), cello and piano, ("Gassenhauer") (version with violin instead of clarinet is considered Piano Trio No. 4) in B♭ major
1797
Vienna, 1798
Countess Maria Wilhelmine von Thun
xi/89
Op. 38
Trio for clarinet (or violin), cello and piano in E♭ major
1802–1803
Vienna, 1805
Professor Johann Adam Schmidt; arr. of Septet Op. 20
xi/91
iv/3
· List of works by genre › Chamber music › Chamber music for winds
WoO 26
WoO 26
No.
WoO 26
Title, key
Allegro and Minuet for two flutes in G major
Composition, first performance
August 1792
Publication
A.W. Thayer: Ludwig van Beethovens Leben, ed. H. Deiters, ii (Berlin, 1901)
Dedication, remarks
J.M. Degenhart
GA
HS vii
NA
vi/1
Op. 103
Op. 103
No.
Op. 103
Title, key
Octet for oboes, clarinets, horns, and bassoons in E♭ major
Composition, first performance
before November 1792
Publication
Vienna, 1830
GA
viii/59
NA
vi/1
WoO 25
WoO 25
No.
WoO 25
Title, key
Rondino for oboes, clarinets, horns and bassoons in E♭ major
Composition, first performance
1793
Publication
Vienna, 1830
Dedication, remarks
intended as finale to Op. 103
GA
viii/60
NA
vi/1
Hess 19
Hess 19
No.
Hess 19
Title, key
Quintet for oboe, 3 horns and bassoon in E♭ major, (fragment)
Composition, first performance
1793?
Publication
Mainz, 1954
Dedication, remarks
In 1862, Leopold Zellner completed a performing version from the fragments. In 1954, Willy Hess edited this and Schott published it.
GA
HS vii
NA
vi/1
Op. 87
Op. 87
No.
Op. 87
Title, key
Trio for two oboes and English horn in C major
Composition, first performance
1794
Publication
Vienna, 1806
GA
viii/63
NA
vi/1
WoO 28
WoO 28
No.
WoO 28
Title, key
Variations for two oboes and English horn on "Là ci darem la mano" from Mozart's opera Don Giovanni in C major
Composition, first performance
1795
Publication
Leipzig, 1914
GA
HS vii
NA
vi/1
Op. 81b
Op. 81b
No.
Op. 81b
Title, key
Sextet for Horns and String Quartet in E♭ major
Composition, first performance
1795
Publication
Bonn, 1810
GA
v/33
NA
vi/1
Op. 71
Op. 71
No.
Op. 71
Title, key
Sextet for clarinets, horns and bassoons in E♭ major
Composition, first performance
1796
Publication
Leipzig, 1810
GA
viii/61
NA
vi/1
Op. 20
Op. 20
No.
Op. 20
Title, key
Septet in E♭ major
Composition, first performance
2 April 1800
Publication
Leipzig, 1802
Dedication, remarks
Empress Maria Theresa
GA
v/32
NA
vi/1
Op. 25
Op. 25
No.
Op. 25
Title, key
Serenade for flute, violin and viola in D major
Composition, first performance
1801
Publication
Vienna, 1802
GA
viii/62
NA
vi/1
WoO 30
WoO 30
No.
WoO 30
Title, key
Three Equali for 4 trombones in D minor
Composition, first performance
November 1812
Publication
GA
Dedication, remarks
transcr. for 4 male voices by Ignaz von Seyfried perf. at Beethoven's funeral, pubd Vienna, 1827
GA
xxv/293
NA
vi/1
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 26
Allegro and Minuet for two flutes in G major
August 1792
Thayer: Ludwig van Beethovens Leben, ed. H. Deiters, ii (Berlin, 1901)
Degenhart
HS vii
vi/1
Op. 103
Octet for oboes, clarinets, horns, and bassoons in E♭ major
before November 1792
Vienna, 1830
viii/59
vi/1
WoO 25
Rondino for oboes, clarinets, horns and bassoons in E♭ major
1793
Vienna, 1830
intended as finale to Op. 103
viii/60
vi/1
Hess 19
Quintet for oboe, 3 horns and bassoon in E♭ major, (fragment)
1793?
Mainz, 1954
In 1862, Leopold Zellner completed a performing version from the fragments. In 1954, Willy Hess edited this and Schott published it.
HS vii
vi/1
Op. 87
Trio for two oboes and English horn in C major
1794
Vienna, 1806
viii/63
vi/1
WoO 28
Variations for two oboes and English horn on "Là ci darem la mano" from Mozart's opera Don Giovanni in C major
1795
Leipzig, 1914
HS vii
vi/1
Op. 81b
Sextet for Horns and String Quartet in E♭ major
1795
Bonn, 1810
v/33
vi/1
Op. 71
Sextet for clarinets, horns and bassoons in E♭ major
1796
Leipzig, 1810
viii/61
vi/1
Op. 20
Septet in E♭ major
2 April 1800
Leipzig, 1802
Empress Maria Theresa
v/32
vi/1
Op. 25
Serenade for flute, violin and viola in D major
1801
Vienna, 1802
viii/62
vi/1
WoO 30
Three Equali for 4 trombones in D minor
November 1812
GA
transcr. for 4 male voices by Ignaz von Seyfried perf. at Beethoven's funeral, pubd Vienna, 1827
xxv/293
vi/1
· List of works by genre › Solo piano music › Piano sonatas
WoO 47/1
WoO 47/1
No.
WoO 47/1
Title, key
Three early Kurfürstensonatas, No. 1 in E♭ major
Composition, first performance
1782-1783
Publication
Speyer, 1783
Dedication, remarks
Archbishop Maximilian Friedrich, Elector of Cologne
GA
xvi/156
WoO 47/2
WoO 47/2
No.
WoO 47/2
Title, key
Three early Kurfürstensonatas, No. 2 in F minor
Composition, first performance
1782-1783
Publication
Speyer, 1783
Dedication, remarks
Archbishop Maximilian Friedrich, Elector of Cologne
GA
xvi/157
WoO 47/3
WoO 47/3
No.
WoO 47/3
Title, key
Three early Kurfürstensonatas, No. 3 in D major
Composition, first performance
1782-1783
Publication
Speyer, 1783
Dedication, remarks
Archbishop Maximilian Friedrich, Elector of Cologne
GA
xvi/158
WoO 50
WoO 50
No.
WoO 50
Title, key
Piano Sonata in F major
Composition, first performance
c. 1790–1792
Publication
Munich and Duisburg, 1950
Dedication, remarks
Franz Gerhard Wegeler; facs. pubd in L. Schmidt: Beethoven-Briefe (Berlin, 1909)
GA
HS ix
Op. 2/1
Op. 2/1
No.
Op. 2/1
Title, key
Piano Sonata No. 1 in F minor
Composition, first performance
1793–1795
Publication
Vienna, 1796
Dedication, remarks
Joseph Haydn
GA
xvi/124
NA
vii/2
Op. 2/2
Op. 2/2
No.
Op. 2/2
Title, key
Piano Sonata No. 2 in A major
Composition, first performance
1794–1795
Publication
Vienna, 1796
Dedication, remarks
Joseph Haydn
GA
xvi/125
NA
vii/2
Op. 2/3
Op. 2/3
No.
Op. 2/3
Title, key
Piano Sonata No. 3 in C major
Composition, first performance
1794–1795
Publication
Vienna, 1796
Dedication, remarks
Joseph Haydn
GA
xvi/126
NA
vii/2
Op. 49/1
Op. 49/1
No.
Op. 49/1
Title, key
Piano Sonata No. 19 in G minor
Composition, first performance
1797
Publication
Vienna, 1805
GA
xvi/142
NA
vii/3
Op. 49/2
Op. 49/2
No.
Op. 49/2
Title, key
Piano Sonata No. 20 in G major
Composition, first performance
1795–1796
Publication
Vienna, 1805
GA
xvi/143
NA
vii/3
Op. 7
Op. 7
No.
Op. 7
Title, key
Piano Sonata No. 4 "Grand Sonata" in E♭ major
Composition, first performance
1797–1798
Publication
Vienna, 1798
Dedication, remarks
Countess Barbara von Keglevics
GA
xvi/127
NA
vii/2
Op. 10/1
Op. 10/1
No.
Op. 10/1
Title, key
Piano Sonata No. 5 in C minor "Little Pathétique"
Composition, first performance
1795–1797
Publication
Vienna, 1798
Dedication, remarks
Countess Anna Margaret von Browne
GA
xvi/128
NA
vii/2
Op. 10/2
Op. 10/2
No.
Op. 10/2
Title, key
Piano Sonata No. 6 in F major
Composition, first performance
1796–1797
Publication
Vienna, 1798
Dedication, remarks
Countess von Browne
GA
xvi/129
NA
vii/2
Op. 10/3
Op. 10/3
No.
Op. 10/3
Title, key
Piano Sonata No. 7 in D major
Composition, first performance
1797–1798
Publication
Vienna, 1798
Dedication, remarks
Countess von Browne
GA
xvi/130
NA
vii/2
WoO 51
WoO 51
No.
WoO 51
Title, key
Piano Sonata in C major, (fragment)
Composition, first performance
1797–1798
Publication
Frankfurt, 1830
Dedication, remarks
Eleonore von Breuning; completed by Ferdinand Ries
GA
xvi/159
Op. 13
Op. 13
No.
Op. 13
Title, key
Piano Sonata No. 8 "Pathétique" in C minor
Composition, first performance
1797–1798
Publication
Vienna, 1799
Dedication, remarks
Prince Lichnowsky
GA
xvi/131
NA
vii/2
Op. 14/1
Op. 14/1
No.
Op. 14/1
Title, key
Piano Sonata No. 9 in E major
Composition, first performance
1798
Publication
Vienna, 1799
Dedication, remarks
Baroness Josefine von Braun
GA
xvi/132
NA
vii/2
Op. 14/2
Op. 14/2
No.
Op. 14/2
Title, key
Piano Sonata No. 10 in G major
Composition, first performance
1799
Publication
Vienna, 1799
Dedication, remarks
Baroness Josefine von Braun
GA
xvi/133
NA
vii/2
Op. 22
Op. 22
No.
Op. 22
Title, key
Piano Sonata No. 11 in B♭ major
Composition, first performance
1800
Publication
Leipzig, 1802
Dedication, remarks
Count von Braun
GA
xvi/134
NA
vii/2
Op. 26
Op. 26
No.
Op. 26
Title, key
Piano Sonata No. 12 in A♭ major
Composition, first performance
1800–1801
Publication
Vienna, 1802
Dedication, remarks
Prince Lichnowsky
GA
xvi/135
NA
vii/2
Op. 27/1
Op. 27/1
No.
Op. 27/1
Title, key
Piano Sonata No. 13 "Quasi una fantasia" in E♭ major
Composition, first performance
1801
Publication
Vienna, 1802
Dedication, remarks
Princess Josephine von Liechtenstein
GA
xvi/136
NA
vii/3
Op. 27/2
Op. 27/2
No.
Op. 27/2
Title, key
Piano Sonata No. 14 "Moonlight" in C♯ minor
Composition, first performance
1801
Publication
Vienna, 1802
Dedication, remarks
Countess Giulietta Guicciardi
GA
xvi/137
NA
vii/3
Op. 28
Op. 28
No.
Op. 28
Title, key
Piano Sonata No. 15 "Pastoral" in D major
Composition, first performance
1801
Publication
Vienna, 1802
Dedication, remarks
Joseph von Sonnenfels
GA
xvi/138
NA
vii/3
Op. 31/1
Op. 31/1
No.
Op. 31/1
Title, key
Piano Sonata No. 16 in G major
Composition, first performance
1802
Publication
Zürich, 1803
GA
xvi/139
NA
vii/3
Op. 31/2
Op. 31/2
No.
Op. 31/2
Title, key
Piano Sonata No. 17 in D minor, "Tempest"
Composition, first performance
1802
Publication
Zürich, 1803
GA
xvi/140
NA
vii/3
Op. 31/3
Op. 31/3
No.
Op. 31/3
Title, key
Piano Sonata No. 18 ("The Hunt"), E♭
Composition, first performance
1802
Publication
Zürich and London, 1804
GA
xvi/141
NA
vii/3
Op. 53
Op. 53
No.
Op. 53
Title, key
Piano Sonata No. 21 ("Waldstein"), C
Composition, first performance
1803–04
Publication
Vienna, 1805
Dedication, remarks
Count Ferdinand von Waldstein
GA
xvi/144
NA
vii/3
Op. 54
Op. 54
No.
Op. 54
Title, key
Piano Sonata No. 22, F
Composition, first performance
1804
Publication
Vienna, 1806
GA
xvi/145
NA
vii/3
Op. 57
Op. 57
No.
Op. 57
Title, key
Piano Sonata No. 23 ("Appassionata"), F minor
Composition, first performance
1804–05
Publication
Vienna, 1807
Dedication, remarks
Count Franz von Brunsvik
GA
xvi/146
NA
vii/3
Op. 78
Op. 78
No.
Op. 78
Title, key
Piano Sonata No. 24 ("À Thérèse"), F♯
Composition, first performance
1809
Publication
Leipzig and London, 1810
Dedication, remarks
Countess Therese von Brunsvik
GA
xvi/147
Op. 79
Op. 79
No.
Op. 79
Title, key
Piano Sonata No. 25, G
Composition, first performance
1809
Publication
Leipzig and London, 1810
GA
xvi/148
Op. 81a
Op. 81a
No.
Op. 81a
Title, key
Piano Sonata No. 26 ("Les Adieux"), E♭
Composition, first performance
1809–10
Publication
Leipzig and London, 1811
Dedication, remarks
Archduke Rudolph
GA
xvi/149
Op. 90
Op. 90
No.
Op. 90
Title, key
Piano Sonata No. 27, E minor
Composition, first performance
1814
Publication
Vienna, 1815
Dedication, remarks
Count Moritz Lichnowsky
GA
xvi/150
Op. 101
Op. 101
No.
Op. 101
Title, key
Piano Sonata No. 28, A
Composition, first performance
1816
Publication
Vienna, 1817
Dedication, remarks
Baroness Dorothea Ertmann
GA
xvi/151
Op. 106
Op. 106
No.
Op. 106
Title, key
Piano Sonata No. 29 ("Hammerklavier"), B♭
Composition, first performance
1817–18
Publication
Vienna and London, 1819
Dedication, remarks
Archduke Rudolph
GA
xvi/152
Op. 109
Op. 109
No.
Op. 109
Title, key
Piano Sonata No. 30, E
Composition, first performance
1820
Publication
Berlin, 1821
Dedication, remarks
Maximiliane Brentano
GA
xvi/153
Op. 110
Op. 110
No.
Op. 110
Title, key
Piano Sonata No. 31, A♭
Composition, first performance
1821–22
Publication
Paris, Berlin, Vienna, 1822; London 1823
GA
xvi/154
Op. 111
Op. 111
No.
Op. 111
Title, key
Piano Sonata No. 32, C minor
Composition, first performance
1821–22
Publication
Paris, Berlin, Vienna and London, 1823
Dedication, remarks
Archduke Rudolph; London edn ded. Antonie Brentano
GA
xvi/155
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 47/1
Three early Kurfürstensonatas, No. 1 in E♭ major
1782-1783
Speyer, 1783
Archbishop Maximilian Friedrich, Elector of Cologne
xvi/156
WoO 47/2
Three early Kurfürstensonatas, No. 2 in F minor
1782-1783
Speyer, 1783
Archbishop Maximilian Friedrich, Elector of Cologne
xvi/157
WoO 47/3
Three early Kurfürstensonatas, No. 3 in D major
1782-1783
Speyer, 1783
Archbishop Maximilian Friedrich, Elector of Cologne
xvi/158
WoO 50
Piano Sonata in F major
c. 1790–1792
Munich and Duisburg, 1950
Franz Gerhard Wegeler; facs. pubd in L. Schmidt: Beethoven-Briefe (Berlin, 1909)
HS ix
Op. 2/1
Piano Sonata No. 1 in F minor
1793–1795
Vienna, 1796
Joseph Haydn
xvi/124
vii/2
Op. 2/2
Piano Sonata No. 2 in A major
1794–1795
Vienna, 1796
Joseph Haydn
xvi/125
vii/2
Op. 2/3
Piano Sonata No. 3 in C major
1794–1795
Vienna, 1796
Joseph Haydn
xvi/126
vii/2
Op. 49/1
Piano Sonata No. 19 in G minor
1797
Vienna, 1805
xvi/142
vii/3
Op. 49/2
Piano Sonata No. 20 in G major
1795–1796
Vienna, 1805
xvi/143
vii/3
Op. 7
Piano Sonata No. 4 "Grand Sonata" in E♭ major
1797–1798
Vienna, 1798
Countess Barbara von Keglevics
xvi/127
vii/2
Op. 10/1
Piano Sonata No. 5 in C minor "Little Pathétique"
1795–1797
Vienna, 1798
Countess Anna Margaret von Browne
xvi/128
vii/2
Op. 10/2
Piano Sonata No. 6 in F major
1796–1797
Vienna, 1798
Countess von Browne
xvi/129
vii/2
Op. 10/3
Piano Sonata No. 7 in D major
1797–1798
Vienna, 1798
Countess von Browne
xvi/130
vii/2
WoO 51
Piano Sonata in C major, (fragment)
1797–1798
Frankfurt, 1830
Eleonore von Breuning; completed by Ferdinand Ries
xvi/159
Op. 13
Piano Sonata No. 8 "Pathétique" in C minor
1797–1798
Vienna, 1799
Prince Lichnowsky
xvi/131
vii/2
Op. 14/1
Piano Sonata No. 9 in E major
1798
Vienna, 1799
Baroness Josefine von Braun
xvi/132
vii/2
Op. 14/2
Piano Sonata No. 10 in G major
1799
Vienna, 1799
Baroness Josefine von Braun
xvi/133
vii/2
Op. 22
Piano Sonata No. 11 in B♭ major
1800
Leipzig, 1802
Count von Braun
xvi/134
vii/2
Op. 26
Piano Sonata No. 12 in A♭ major
1800–1801
Vienna, 1802
Prince Lichnowsky
xvi/135
vii/2
Op. 27/1
Piano Sonata No. 13 "Quasi una fantasia" in E♭ major
1801
Vienna, 1802
Princess Josephine von Liechtenstein
xvi/136
vii/3
Op. 27/2
Piano Sonata No. 14 "Moonlight" in C♯ minor
1801
Vienna, 1802
Countess Giulietta Guicciardi
xvi/137
vii/3
Op. 28
Piano Sonata No. 15 "Pastoral" in D major
1801
Vienna, 1802
Joseph von Sonnenfels
xvi/138
vii/3
Op. 31/1
Piano Sonata No. 16 in G major
1802
Zürich, 1803
xvi/139
vii/3
Op. 31/2
Piano Sonata No. 17 in D minor, "Tempest"
1802
Zürich, 1803
xvi/140
vii/3
Op. 31/3
Piano Sonata No. 18 ("The Hunt"), E♭
1802
Zürich and London, 1804
xvi/141
vii/3
Op. 53
Piano Sonata No. 21 ("Waldstein"), C
1803–04
Vienna, 1805
Count Ferdinand von Waldstein
xvi/144
vii/3
Op. 54
Piano Sonata No. 22, F
1804
Vienna, 1806
xvi/145
vii/3
Op. 57
Piano Sonata No. 23 ("Appassionata"), F minor
1804–05
Vienna, 1807
Count Franz von Brunsvik
xvi/146
vii/3
Op. 78
Piano Sonata No. 24 ("À Thérèse"), F♯
1809
Leipzig and London, 1810
Countess Therese von Brunsvik
xvi/147
Op. 79
Piano Sonata No. 25, G
1809
Leipzig and London, 1810
xvi/148
Op. 81a
Piano Sonata No. 26 ("Les Adieux"), E♭
1809–10
Leipzig and London, 1811
Archduke Rudolph
xvi/149
Op. 90
Piano Sonata No. 27, E minor
1814
Vienna, 1815
Count Moritz Lichnowsky
xvi/150
Op. 101
Piano Sonata No. 28, A
1816
Vienna, 1817
Baroness Dorothea Ertmann
xvi/151
Op. 106
Piano Sonata No. 29 ("Hammerklavier"), B♭
1817–18
Vienna and London, 1819
Archduke Rudolph
xvi/152
Op. 109
Piano Sonata No. 30, E
1820
Berlin, 1821
Maximiliane Brentano
xvi/153
Op. 110
Piano Sonata No. 31, A♭
1821–22
Paris, Berlin, Vienna, 1822; London 1823
xvi/154
Op. 111
Piano Sonata No. 32, C minor
1821–22
Paris, Berlin, Vienna and London, 1823
Archduke Rudolph; London edn ded. Antonie Brentano
xvi/155
· List of works by genre › Solo piano music › Piano variations
WoO 63
WoO 63
No.
WoO 63
Title, key
Nine variations on a march by Ernst Christoph Dressler in C minor
Composition, first performance
1782
Publication
Mannheim, 1782–83
Dedication, remarks
Countess Felice von Wolf-Metternich; First published composition
GA
xvii/166
NA
vii/5
WoO 65
WoO 65
No.
WoO 65
Title, key
Twenty-four variations on Vincenzo Righini's aria "Vieni amore", D
Composition, first performance
c. 1790–91
Publication
Mainz, 1791; Vienna, 1802
Dedication, remarks
Countess Maria Anna Hortensia von Hatzfeld
GA
xvii/178
NA
vii/5
WoO 66
WoO 66
No.
WoO 66
Title, key
Thirteen variations on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen, A
Composition, first performance
1792
Publication
Bonn, 1793
GA
xvii/175
NA
vii/5
WoO 64
WoO 64
No.
WoO 64
Title, key
Six variations on a Swiss song for piano or harp, F
Composition, first performance
c. 1790–92
Publication
Bonn, ?1798
GA
xvii/177
NA
vii/5
WoO 68
WoO 68
No.
WoO 68
Title, key
Twelve variations on the "Menuet a la Viganò" from Jakob Haibel's ballet Le nozze disturbate, C
Composition, first performance
1795
Publication
Vienna, 1796
GA
xvii/169
NA
vii/5
WoO 69
WoO 69
No.
WoO 69
Title, key
Nine variations on "Quant'è più bello" from Giovanni Paisiello's opera La Molinara, A
Composition, first performance
1795
Publication
Vienna, 1795
Dedication, remarks
Prince Lichnowsky
GA
xvii/167
NA
vii/5
WoO 70
WoO 70
No.
WoO 70
Title, key
Six variations on "Nel cor più non mi sento" from Giovanni Paisiello's opera La Molinara, G
Composition, first performance
1795
Publication
Vienna, 1796
GA
xvii/168
NA
vii/5
WoO 72
WoO 72
No.
WoO 72
Title, key
Eight variations on "Une fièvre brûlante" from André Grétry's opera Richard Cœur-de-Lion, C
Composition, first performance
?1795
Publication
Vienna, 1798
GA
xvii/171
NA
vii/5
WoO 71
WoO 71
No.
WoO 71
Title, key
Twelve variations on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen, A
Composition, first performance
1796–97
Publication
Vienna, 1797
Dedication, remarks
Countess von Browne
GA
xvii/170
NA
vii/5
WoO 73
WoO 73
No.
WoO 73
Title, key
Ten variations on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff, B♭
Composition, first performance
1799
Publication
Vienna, 1799
Dedication, remarks
Countess von Keglevics
GA
xvii/172
NA
vii/5
WoO 76
WoO 76
No.
WoO 76
Title, key
Eight variations on "Tändeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II, F
Composition, first performance
1799
Publication
Vienna, 1799
Dedication, remarks
Countess von Browne
GA
xvii/174
NA
vii/5
WoO 75
WoO 75
No.
WoO 75
Title, key
Seven variations on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest, F
Composition, first performance
1799
Publication
Vienna, 1799
GA
xvii/173
NA
vii/5
WoO 77
WoO 77
No.
WoO 77
Title, key
Six easy variations on an original theme, G
Composition, first performance
1800
Publication
Vienna, 1800
GA
xvii/176
NA
vii/5
Op. 34
Op. 34
No.
Op. 34
Title, key
Six variations on an original theme, F
Composition, first performance
1802
Publication
Leipzig, 1803
Dedication, remarks
Princess Odescalchi
GA
xvii/162
NA
vii/5
Op. 35
Op. 35
No.
Op. 35
Title, key
Fifteen variations and a fugue on an original theme, ("Eroica Variations") E♭
Composition, first performance
1802
Publication
Leipzig, 1803
Dedication, remarks
Count Moritz Lichnowsky
GA
xvii/163
NA
vii/5
WoO 78
WoO 78
No.
WoO 78
Title, key
Seven variations on "God Save the King", C
Composition, first performance
1802–03
Publication
Vienna, 1804
GA
xvii/179
NA
vii/5
WoO 79
WoO 79
No.
WoO 79
Title, key
Five variations on "Rule, Britannia!", D
Composition, first performance
1803
Publication
Vienna, 1804
GA
xvii/180
NA
vii/5
WoO 80
WoO 80
No.
WoO 80
Title, key
Thirty-two variations on an original theme, C minor
Composition, first performance
1806
Publication
Vienna, 1807
GA
xvii/181
NA
vii/5
Op. 76
Op. 76
No.
Op. 76
Title, key
Six variations on an original theme (the Turkish March from The Ruins of Athens), D
Composition, first performance
1809
Publication
Leipzig and London, 1810
Dedication, remarks
Franz Oliva
GA
xvii/164
NA
vii/5
Op. 120
Op. 120
No.
Op. 120
Title, key
Thirty-three variations on a waltz by Diabelli ("Diabelli Variations"), C
Composition, first performance
1819–23
Publication
Vienna, 1823
Dedication, remarks
Antonie Brentano
GA
xvii/165
NA
vii/5
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 63
Nine variations on a march by Ernst Christoph Dressler in C minor
1782
Mannheim, 1782–83
Countess Felice von Wolf-Metternich; First published composition
xvii/166
vii/5
WoO 65
Twenty-four variations on Vincenzo Righini's aria "Vieni amore", D
c. 1790–91
Mainz, 1791; Vienna, 1802
Countess Maria Anna Hortensia von Hatzfeld
xvii/178
vii/5
WoO 66
Thirteen variations on the aria "Es war einmal ein alter Mann" from Carl Ditters von Dittersdorf's opera Das rote Käppchen, A
1792
Bonn, 1793
xvii/175
vii/5
WoO 64
Six variations on a Swiss song for piano or harp, F
c. 1790–92
Bonn, ?1798
xvii/177
vii/5
WoO 68
Twelve variations on the "Menuet a la Viganò" from Jakob Haibel's ballet Le nozze disturbate, C
1795
Vienna, 1796
xvii/169
vii/5
WoO 69
Nine variations on "Quant'è più bello" from Giovanni Paisiello's opera La Molinara, A
1795
Vienna, 1795
Prince Lichnowsky
xvii/167
vii/5
WoO 70
Six variations on "Nel cor più non mi sento" from Giovanni Paisiello's opera La Molinara, G
1795
Vienna, 1796
xvii/168
vii/5
WoO 72
Eight variations on "Une fièvre brûlante" from André Grétry's opera Richard Cœur-de-Lion, C
?1795
Vienna, 1798
xvii/171
vii/5
WoO 71
Twelve variations on the Russian dance from Paul Wranitzky's ballet Das Waldmädchen, A
1796–97
Vienna, 1797
Countess von Browne
xvii/170
vii/5
WoO 73
Ten variations on "La stessa, la stessissima" from Antonio Salieri's opera Falstaff, B♭
1799
Vienna, 1799
Countess von Keglevics
xvii/172
vii/5
WoO 76
Eight variations on "Tändeln und scherzen" from Franz Xaver Süssmayr's opera Soliman II, F
1799
Vienna, 1799
Countess von Browne
xvii/174
vii/5
WoO 75
Seven variations on "Kind, willst du ruhig schlafen" from Peter Winter's opera Das unterbrochene Opferfest, F
1799
Vienna, 1799
xvii/173
vii/5
WoO 77
Six easy variations on an original theme, G
1800
Vienna, 1800
xvii/176
vii/5
Op. 34
Six variations on an original theme, F
1802
Leipzig, 1803
Princess Odescalchi
xvii/162
vii/5
Op. 35
Fifteen variations and a fugue on an original theme, ("Eroica Variations") E♭
1802
Leipzig, 1803
Count Moritz Lichnowsky
xvii/163
vii/5
WoO 78
Seven variations on "God Save the King", C
1802–03
Vienna, 1804
xvii/179
vii/5
WoO 79
Five variations on "Rule, Britannia!", D
1803
Vienna, 1804
xvii/180
vii/5
WoO 80
Thirty-two variations on an original theme, C minor
1806
Vienna, 1807
xvii/181
vii/5
Op. 76
Six variations on an original theme (the Turkish March from The Ruins of Athens), D
1809
Leipzig and London, 1810
Franz Oliva
xvii/164
vii/5
Op. 120
Thirty-three variations on a waltz by Diabelli ("Diabelli Variations"), C
1819–23
Vienna, 1823
Antonie Brentano
xvii/165
vii/5
· List of works by genre › Solo piano music › Shorter piano pieces
WoO 48
WoO 48
No.
WoO 48
Title, key
Rondo, C
Composition, first performance
1783
Publication
H.P. Bossler: Blumenlese für Klavierliebhaber, ii (Speyer, 1783)
GA
HS ix
WoO 49
WoO 49
No.
WoO 49
Title, key
Rondo, A
Composition, first performance
?1783
Publication
H.P. Bossler: Neue Blumenlese für Klavierliebhaber, ii (Speyer, 1784)
GA
xviii/196
Op. 39
Op. 39
No.
Op. 39
Title, key
Two preludes through all twelve major keys for piano or organ
Composition, first performance
?1789
Publication
Leipzig, 1803
GA
xviii/184
WoO 81
WoO 81
No.
WoO 81
Title, key
Allemande, A
Composition, first performance
c. 1793, rev. 1822
Publication
GA
GA
xxv/307
Op. 129
Op. 129
No.
Op. 129
Title, key
Rondo a capriccio ("Rage Over a Lost Penny"), G
Composition, first performance
1795
Publication
Vienna, 1828
Dedication, remarks
autograph completed by unknown ed. (probably Diabelli), 1828
GA
xviii/191
Hess 64
Hess 64
No.
Hess 64
Title, key
Fugue, C
Composition, first performance
1795
Publication
MT, xcvi (1955)
GA
HS ix
WoO 52
WoO 52
No.
WoO 52
Title, key
Presto (Bagatelle), C minor
Composition, first performance
c. 1795, rev. 1798 and 1822
Publication
GA
Dedication, remarks
Originally intended for Sonata Op.10/1
GA
xxv/297/1
WoO 53
WoO 53
No.
WoO 53
Title, key
Allegretto (Bagatelle), C minor
Composition, first performance
1796–97
Publication
GA
Dedication, remarks
Originally intended for Sonata Op.10/1
GA
xxv/299
Hess 69
Hess 69
No.
Hess 69
Title, key
Allegretto, C minor
Composition, first performance
c. 1795–96, rev. 1822
Publication
HS
Dedication, remarks
probably orig. intended for Sonata op.10/1
GA
HS ix
Op. 51/1
Op. 51/1
No.
Op. 51/1
Title, key
Rondos, C,
Composition, first performance
c. 1796–97
Publication
London and Leipzig, 1810
Dedication, remarks
Prince Lobkowitz
GA
vi/46
Op. 51/2
Op. 51/2
No.
Op. 51/2
Title, key
Rondos, G
Composition, first performance
c. 1798
Publication
Vienna, 1802
Dedication, remarks
Countess Henriette Lichnowsky
GA
xviii/186
Op. 33
Op. 33
No.
Op. 33
Title, key
Seven Bagatelles
Composition, first performance
1801–02
Publication
Vienna and London, 1803
GA
xviii/183
WoO 54
WoO 54
No.
WoO 54
Title, key
Lustig-Traurig (Bagatelle), C
Composition, first performance
?1802
Publication
GA
GA
xxv/300
WoO 55
WoO 55
No.
WoO 55
Title, key
Prelude, F minor
Composition, first performance
c. 1803
Publication
Vienna, 1805
GA
xviii/195
WoO 56
WoO 56
No.
WoO 56
Title, key
Allegretto (Bagatelle), C
Composition, first performance
1803, rev. 1822
Publication
GA
Dedication, remarks
Originally intended for sonata Op. 53
GA
xxv/297/2
WoO 57
WoO 57
No.
WoO 57
Title, key
Andante ("Andante favori"), F
Composition, first performance
1803
Publication
Vienna, 1805
Dedication, remarks
Originally intended for sonata Op. 53
GA
xviii/192
WoO 82
WoO 82
No.
WoO 82
Title, key
Minuet, E♭
Composition, first performance
c. 1803
Publication
Vienna, 1805
GA
xviii/193
Op. 77
Op. 77
No.
Op. 77
Title, key
Fantasia, G minor
Composition, first performance
1809
Publication
Leipzig and London, 1810
Dedication, remarks
Count Franz von Brunsvik
GA
xviii/187
WoO 59
WoO 59
No.
WoO 59
Title, key
Für Elise (Bagatelle), A minor
Composition, first performance
1808–10
Publication
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
GA
xxv/298
Op. 89
Op. 89
No.
Op. 89
Title, key
Polonaise, C
Composition, first performance
1814
Publication
Vienna, 1815
Dedication, remarks
Empress Elisabeth Alexeyerna of Russia
GA
xviii/188
WoO 60
WoO 60
No.
WoO 60
Title, key
Bagatelle, B♭
Composition, first performance
1818
Publication
Berliner allgemeine musikalische Zeitung, i (1824)
GA
xxv/301
Hess 65
Hess 65
No.
Hess 65
Title, key
"Concert Finale", C
Composition, first performance
1820–21
Publication
in F. Starke, ed.: Wiener Piano-Forte-Schule, iii (Vienna, 1821)
Dedication, remarks
arr. of coda to finale of Piano Concerto No. 3
GA
HS ix
WoO 61
WoO 61
No.
WoO 61
Title, key
Allegretto, B minor
Composition, first performance
1821
Publication
Robitschek: Deutscher Kunst- und Musikzeitung (15 March 1893)
Dedication, remarks
Ferdinand Piringer
GA
HS ix
Op. 119
Op. 119
No.
Op. 119
Title, key
Eleven Bagatelles
Composition, first performance
1820–2
Publication
nos. 7–11 in F. Starke, ed.: Wiener Piano-Forte-Schule, iii (Vienna, 1821); all 11, London, 1823
GA
xviii/189
Op. 126
Op. 126
No.
Op. 126
Title, key
Six Bagatelles
Composition, first performance
1824
Publication
Mainz, 1825
GA
xviii/190
WoO 84
WoO 84
No.
WoO 84
Title, key
Waltz, E♭
Composition, first performance
1824
Publication
Vienna, 1824
Dedication, remarks
Friedrich Demmer (publisher's ded.)
GA
xxv/303
WoO 61a
WoO 61a
No.
WoO 61a
Title, key
Allegretto quasi andante, G minor
Composition, first performance
1825
Publication
NZM, cxvii (1956)
Dedication, remarks
Sarah Burney Payne
GA
HS ix
WoO 85
WoO 85
No.
WoO 85
Title, key
Waltz, D
Composition, first performance
1825
Publication
Vienna, 1825
Dedication, remarks
Duchess Sophie of Austria (publisher's ded.)
GA
xxv/304
WoO 86
WoO 86
No.
WoO 86
Title, key
Ecossaise, E♭
Composition, first performance
1825
Publication
Vienna, 1825
Dedication, remarks
Duchess Sophie of Austria (publisher's ded.)
GA
xxv/305
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 48
Rondo, C
1783
Bossler: Blumenlese für Klavierliebhaber, ii (Speyer, 1783)
HS ix
WoO 49
Rondo, A
?1783
Bossler: Neue Blumenlese für Klavierliebhaber, ii (Speyer, 1784)
xviii/196
Op. 39
Two preludes through all twelve major keys for piano or organ
?1789
Leipzig, 1803
xviii/184
WoO 81
Allemande, A
c. 1793, rev. 1822
GA
xxv/307
Op. 129
Rondo a capriccio ("Rage Over a Lost Penny"), G
1795
Vienna, 1828
autograph completed by unknown ed. (probably Diabelli), 1828
xviii/191
Hess 64
Fugue, C
1795
MT, xcvi (1955)
HS ix
WoO 52
Presto (Bagatelle), C minor
c. 1795, rev. 1798 and 1822
GA
Originally intended for Sonata Op.10/1
xxv/297/1
WoO 53
Allegretto (Bagatelle), C minor
1796–97
GA
Originally intended for Sonata Op.10/1
xxv/299
Hess 69
Allegretto, C minor
c. 1795–96, rev. 1822
HS
probably orig. intended for Sonata op.10/1
HS ix
Op. 51/1
Rondos, C,
c. 1796–97
London and Leipzig, 1810
Prince Lobkowitz
vi/46
Op. 51/2
Rondos, G
c. 1798
Vienna, 1802
Countess Henriette Lichnowsky
xviii/186
Op. 33
Seven Bagatelles
1801–02
Vienna and London, 1803
xviii/183
WoO 54
Lustig-Traurig (Bagatelle), C
?1802
GA
xxv/300
WoO 55
Prelude, F minor
c. 1803
Vienna, 1805
xviii/195
WoO 56
Allegretto (Bagatelle), C
1803, rev. 1822
GA
Originally intended for sonata Op. 53
xxv/297/2
WoO 57
Andante ("Andante favori"), F
1803
Vienna, 1805
Originally intended for sonata Op. 53
xviii/192
WoO 82
Minuet, E♭
c. 1803
Vienna, 1805
xviii/193
Op. 77
Fantasia, G minor
1809
Leipzig and London, 1810
Count Franz von Brunsvik
xviii/187
WoO 59
Für Elise (Bagatelle), A minor
1808–10
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
xxv/298
Op. 89
Polonaise, C
1814
Vienna, 1815
Empress Elisabeth Alexeyerna of Russia
xviii/188
WoO 60
Bagatelle, B♭
1818
Berliner allgemeine musikalische Zeitung, i (1824)
xxv/301
Hess 65
"Concert Finale", C
1820–21
in F. Starke, ed.: Wiener Piano-Forte-Schule, iii (Vienna, 1821)
arr. of coda to finale of Piano Concerto No. 3
HS ix
WoO 61
Allegretto, B minor
1821
Robitschek: Deutscher Kunst- und Musikzeitung (15 March 1893)
Ferdinand Piringer
HS ix
Op. 119
Eleven Bagatelles
1820–2
nos. 7–11 in F. Starke, ed.: Wiener Piano-Forte-Schule, iii (Vienna, 1821); all 11, London, 1823
xviii/189
Op. 126
Six Bagatelles
1824
Mainz, 1825
xviii/190
WoO 84
Waltz, E♭
1824
Vienna, 1824
Friedrich Demmer (publisher's ded.)
xxv/303
WoO 61a
Allegretto quasi andante, G minor
1825
NZM, cxvii (1956)
Sarah Burney Payne
HS ix
WoO 85
Waltz, D
1825
Vienna, 1825
Duchess Sophie of Austria (publisher's ded.)
xxv/304
WoO 86
Ecossaise, E♭
1825
Vienna, 1825
Duchess Sophie of Austria (publisher's ded.)
xxv/305
· List of works by genre › Solo piano music › Piano four hands
WoO 67
WoO 67
No.
WoO 67
Title, key
Eight Variations on a Theme by Count Waldstein, C
Composition, first performance
?1792
Publication
Bonn, 1794
GA
xv/122
NA
vii/1
Op. 6
Op. 6
No.
Op. 6
Title, key
Sonata for Piano, Four Hands, D
Composition, first performance
1796–97
Publication
Vienna, 1797
GA
xv/120
NA
vii/1
WoO 74
WoO 74
No.
WoO 74
Title, key
Six Variations on Beethoven's "Ich denke dein", D
Composition, first performance
1799, 1803
Publication
Vienna, 1805
Dedication, remarks
Countess Therese von Brunsvik and Josephine Deym (née Brunsvik)
GA
xv/123
NA
vii/1
Op. 45
Op. 45
No.
Op. 45
Title, key
Three marches
Composition, first performance
1803
Publication
Vienna, 1804
Dedication, remarks
Princess Maria Esterházy
GA
xv/121
NA
vii/1
Op. 134
Op. 134
No.
Op. 134
Title, key
Fugue for Piano, four hands, B♭
Composition, first performance
1826
Publication
Vienna, 1827
Dedication, remarks
Archduke Rudolph; arr. of Große Fuge Op. 133
GA
HS viii
NA
vii/1
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 67
Eight Variations on a Theme by Count Waldstein, C
?1792
Bonn, 1794
xv/122
vii/1
Op. 6
Sonata for Piano, Four Hands, D
1796–97
Vienna, 1797
xv/120
vii/1
WoO 74
Six Variations on Beethoven's "Ich denke dein", D
1799, 1803
Vienna, 1805
Countess Therese von Brunsvik and Josephine Deym (née Brunsvik)
xv/123
vii/1
Op. 45
Three marches
1803
Vienna, 1804
Princess Maria Esterházy
xv/121
vii/1
Op. 134
Fugue for Piano, four hands, B♭
1826
Vienna, 1827
Archduke Rudolph; arr. of Große Fuge Op. 133
HS viii
vii/1
· List of works by genre › Vocal music › Operas
WoO 91
WoO 91
No.
WoO 91
Title
Two arias for Umlauf's Singspiel Die schöne Schusterin
Composition, first performance
?1795–96
Publication
s:GA
GA
xxv/270
NA
x/3
Hess 115
Hess 115
No.
Hess 115
Title
Vestas Feuer, fragment
Composition, first performance
1803
Publication
s: Wiesbaden, 1953
GA
HS xiii
Op. 72
Op. 72
No.
Op. 72
Title
Fidelio
Composition, first performance
1st version (with op.72a: Leonore Overture no. 2), 1804–05; Theater an der Wien, Vienna, 20 November 1805
Publication
vs: Leipzig, 1905; s: HS
GA
HS ii. xi–xiii
WoO 94
WoO 94
No.
WoO 94
Title
Germania, finale of Die gute Nachricht (Singspiel, G.F. Treitschke)
Composition, first performance
1814; Kärntnertor, 11 April 1814
Publication
vs: Vienna, 1814; s: GA
GA
xx/207d
NA
ix/7
WoO 97
WoO 97
No.
WoO 97
Title
Es ist vollbracht, finale of Die Ehrenpforten (Singspiel, Treitschke)
Composition, first performance
1815; Kärntnertor, 15 July 1815
Publication
vs: Vienna, 1815; s: GA
GA
xx/207c
NA
ix/7
Unv. 16
Unv. 16
No.
Unv. 16
Title
Macbeth (Singspiel?)
Composition, first performance
1808-1811
Publication
Musikalisches Wochenblatt No. 10 1879
Dedication, remarks
Unfinished, only overture fragment Biamonti 454.
No.
Title
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 91
Two arias for Umlauf's Singspiel Die schöne Schusterin
?1795–96
s:GA
xxv/270
x/3
Hess 115
Vestas Feuer, fragment
1803
s: Wiesbaden, 1953
HS xiii
Op. 72
Fidelio
1st version (with op.72a: Leonore Overture no. 2), 1804–05; Theater an der Wien, Vienna, 20 November 1805
vs: Leipzig, 1905; s: HS
HS ii. xi–xiii
2nd version (with op.72b: Leonore Overture no.3), 1805–06; Theater an der Wien, 29 March 1806
vs: Leipzig, 1810; s: HS
HS xi–xiii
final version (with op.72c: Fidelio Overture), 1814; Kärntnertor, Vienna, 23 May 1814
vs: Vienna, 1814; s: Paris, 1826, Bonn, 1847
xx/206
WoO 94
Germania, finale of Die gute Nachricht (Singspiel, G.F. Treitschke)
1814; Kärntnertor, 11 April 1814
vs: Vienna, 1814; s: GA
xx/207d
ix/7
WoO 97
Es ist vollbracht, finale of Die Ehrenpforten (Singspiel, Treitschke)
1815; Kärntnertor, 15 July 1815
vs: Vienna, 1815; s: GA
xx/207c
ix/7
Unv. 16
Macbeth (Singspiel?)
1808-1811
Musikalisches Wochenblatt No. 10 1879
Unfinished, only overture fragment Biamonti 454.
· List of works by genre › Vocal music › Choral works with orchestra
WoO 87
WoO 87
No.
WoO 87
Title, key
Cantata on the Death of Emperor Joseph II
Composition, first performance
March 1790
Publication
GA
GA
xxv/264
NA
x/1
WoO 88
WoO 88
No.
WoO 88
Title, key
Cantata on the accession of Emperor Leopold II
Composition, first performance
September–October 1790
Publication
GA
GA
xxv/265
NA
x/1
Op. 85
Op. 85
No.
Op. 85
Title, key
Christus am Ölberge (Christ on the Mount of Olives)
Composition, first performance
1803, rev. 1804; 5 April 1803
Publication
Leipzig, 1811
GA
xix/205
NA
viii/1
Op. 86
Op. 86
No.
Op. 86
Title, key
Mass in C major
Composition, first performance
1807; 13 September 1807
Publication
Leipzig, 1812
Dedication, remarks
Prince Ferdinand Kinsky
GA
xix/204
NA
viii/2
Op. 80
Op. 80
No.
Op. 80
Title, key
Choral Fantasy, C minor
Composition, first performance
1808, rev. 1809; 22 December 1808
Publication
p: London, 1810; Leipzig, 1811
Dedication, remarks
Maximilian Joseph, King of Bavaria;
GA
HS xix/71
NA
x/2
WoO 95
WoO 95
No.
WoO 95
Title, key
Chor auf die verbündeten Fürsten "Ihr weisen Gründer"
Composition, first performance
September 1814
Publication
GA
Dedication, remarks
for Congress of Vienna
GA
xxv/267
NA
x/2
Op. 136
Op. 136
No.
Op. 136
Title, key
Der glorreiche Augenblick (The glorious moment)
Composition, first performance
1814; 29 November 1814
Publication
Vienna, 1837
Dedication, remarks
for Congress of Vienna
GA
xxi/208
NA
x/1
Op. 112
Op. 112
No.
Op. 112
Title, key
Meeresstille und glückliche Fahrt ("Calm Sea and Prosperous Voyage")
Composition, first performance
1814–15; 25 December 1815
Publication
Vienna, 1822
Dedication, remarks
Johann Wolfgang von Goethe
GA
xxi/209
NA
x/2
Op. 123
Op. 123
No.
Op. 123
Title, key
Missa solemnis, D
Composition, first performance
1819–23; 7 April 1824
Publication
Mainz, 1827
Dedication, remarks
Archduke Rudolph (orig. intended for Rudolph's installation as archbishop, 9 March 1820)
GA
xxi/203
NA
viii/3
Op. 121b
Op. 121b
No.
Op. 121b
Title, key
Opferlied, 2nd version
Composition, first performance
1824
Publication
Mainz, 1824
GA
xxii/212
NA
x/2
Op. 122
Op. 122
No.
Op. 122
Title, key
Bundeslied "In allen guten Stunden"
Composition, first performance
1823–24
Publication
Mainz, 1825
GA
xxii/213
NA
x/2
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 87
Cantata on the Death of Emperor Joseph II
March 1790
GA
xxv/264
x/1
WoO 88
Cantata on the accession of Emperor Leopold II
September–October 1790
GA
xxv/265
x/1
Op. 85
Christus am Ölberge (Christ on the Mount of Olives)
1803, rev. 1804; 5 April 1803
Leipzig, 1811
xix/205
viii/1
Op. 86
Mass in C major
1807; 13 September 1807
Leipzig, 1812
Prince Ferdinand Kinsky
xix/204
viii/2
Op. 80
Choral Fantasy, C minor
1808, rev. 1809; 22 December 1808
p: London, 1810; Leipzig, 1811
Maximilian Joseph, King of Bavaria;
HS xix/71
x/2
WoO 95
Chor auf die verbündeten Fürsten "Ihr weisen Gründer"
September 1814
GA
for Congress of Vienna
xxv/267
x/2
Op. 136
Der glorreiche Augenblick (The glorious moment)
1814; 29 November 1814
Vienna, 1837
for Congress of Vienna
xxi/208
x/1
Op. 112
Meeresstille und glückliche Fahrt ("Calm Sea and Prosperous Voyage")
1814–15; 25 December 1815
Vienna, 1822
Johann Wolfgang von Goethe
xxi/209
x/2
Op. 123
Missa solemnis, D
1819–23; 7 April 1824
Mainz, 1827
Archduke Rudolph (orig. intended for Rudolph's installation as archbishop, 9 March 1820)
xxi/203
viii/3
Opferlied "Die Flamme lodert"
1822; 23 December 1822
GA
xxv/268
Op. 121b
Opferlied, 2nd version
1824
Mainz, 1824
xxii/212
x/2
Op. 122
Bundeslied "In allen guten Stunden"
1823–24
Mainz, 1825
xxii/213
x/2
· List of works by genre › Vocal music › Other choral works
WoO 102
WoO 102
No.
WoO 102
Title
Abschiedsgesang "Die Stunde schlägt", for male voices
Composition, first performance
1814
Publication
GA
Dedication, remarks
Leopold Weiss; at the request of Mathias Tuscher
GA
xxv/273
WoO 103
WoO 103
No.
WoO 103
Title
Cantata campestre "Un lieto brindisi", for four voices and piano
Composition, first performance
1814; 24 June 1814
Publication
Jb der Literarischen Vereinigung Winterthur 1945
Dedication, remarks
Giovanni Malfatti
GA
HS v
NA
xii/1
WoO 104
WoO 104
No.
WoO 104
Title
Gesang der Mönche "Rasch tritt der Tod", from Wilhelm Tell (Schiller), for two tenors and bass
Composition, first performance
1817
Publication
NZM, vi (1839)
Dedication, remarks
in memory of Franz Sales Kandler and Wenzel Krumpholz
GA
xxiii/255
WoO 105
WoO 105
No.
WoO 105
Title
Hochzeitslied "Auf Freunde, singt dem Gott der Ehen", for tenor (or male solo), chorus and piano
Composition, first performance
1819
Publication
Der Bär 1927 for tenor; London, 1858 for male solo
Dedication, remarks
Anna Giannatasio del Rio
GA
HS v
NA
xii/1
WoO 106
WoO 106
No.
WoO 106
Title
Birthday Cantata for Prince Lobkowitz "Es lebe unser theurer Fürst", for soprano, chorus and piano
Composition, first performance
April 1823
Publication
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
Dedication, remarks
Prince Lobkowitz
GA
xxv/274
NA
xii/1
No.
Title
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 102
Abschiedsgesang "Die Stunde schlägt", for male voices
1814
GA
Leopold Weiss; at the request of Mathias Tuscher
xxv/273
WoO 103
Cantata campestre "Un lieto brindisi", for four voices and piano
1814; 24 June 1814
Jb der Literarischen Vereinigung Winterthur 1945
Giovanni Malfatti
HS v
xii/1
WoO 104
Gesang der Mönche "Rasch tritt der Tod", from Wilhelm Tell (Schiller), for two tenors and bass
1817
NZM, vi (1839)
in memory of Franz Sales Kandler and Wenzel Krumpholz
xxiii/255
WoO 105
Hochzeitslied "Auf Freunde, singt dem Gott der Ehen", for tenor (or male solo), chorus and piano
1819
Der Bär 1927 for tenor; London, 1858 for male solo
Anna Giannatasio del Rio
HS v
xii/1
WoO 106
Birthday Cantata for Prince Lobkowitz "Es lebe unser theurer Fürst", for soprano, chorus and piano
April 1823
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
Prince Lobkowitz
xxv/274
xii/1
· List of works by genre › Vocal music › Solo voices and orchestra
WoO 89
WoO 89
No.
WoO 89
Title
Prüfung des Küssens, aria for bass
Composition, first performance
c. 1790–92
Publication
GA
GA
xxv/269/1
NA
x/3
WoO 90
WoO 90
No.
WoO 90
Title
Mit Mädeln sich vertragen, aria for bass
Composition, first performance
c. 1790–92
Publication
GA
GA
xxv/269/2
NA
x/3
WoO 92
WoO 92
No.
WoO 92
Title
Primo amore, scena and aria for soprano
Composition, first performance
c. 1790–92
Publication
GA
GA
xxv/271
NA
x/3
Op. 65
Op. 65
No.
Op. 65
Title
Ah! perfido, scena and aria for soprano
Composition, first performance
early 1796
Publication
p, vs: Leipzig, 1805; s: GA;
Dedication, remarks
Countess Josephine de Clary (ded. in MS, not in 1st edition; text of recitative by Pietro Metastasio from Achille in Sciro
GA
xxii/210
NA
x/3
WoO 92a
WoO 92a
No.
WoO 92a
Title
No, non turbarti, scena and aria for soprano
Composition, first performance
early 1802
Publication
Wiesbaden, 1949
GA
HS ii
NA
x/3
WoO 93
WoO 93
No.
WoO 93
Title
Ne' giorni tuoi felici, duet for soprano and tenor
Composition, first performance
late 1802
Publication
Leipzig, 1939
GA
HS ii, xiv
NA
x/3
Op. 116
Op. 116
No.
Op. 116
Title
Tremate, empi, tremate, for soprano, tenor and bass
Composition, first performance
1802; 1814
Publication
p, vs: Vienna, 1826; s: GA
GA
xxii:211
NA
x/3
Op. 118
Op. 118
No.
Op. 118
Title
Elegiac song ("Sanft wie du lebtest"), for soprano, alto, tenor, bass and string quartet
Composition, first performance
July 1814
Publication
Vienna, 1814
Dedication, remarks
Baron Johann von Pasqualati
GA
xxii/214
NA
x/2
No.
Title
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 89
Prüfung des Küssens, aria for bass
c. 1790–92
GA
xxv/269/1
x/3
WoO 90
Mit Mädeln sich vertragen, aria for bass
c. 1790–92
GA
xxv/269/2
x/3
WoO 92
Primo amore, scena and aria for soprano
c. 1790–92
GA
xxv/271
x/3
Op. 65
Ah! perfido, scena and aria for soprano
early 1796
p, vs: Leipzig, 1805; s: GA;
Countess Josephine de Clary (ded. in MS, not in 1st edition; text of recitative by Pietro Metastasio from Achille in Sciro
xxii/210
x/3
WoO 92a
No, non turbarti, scena and aria for soprano
early 1802
Wiesbaden, 1949
HS ii
x/3
WoO 93
Ne' giorni tuoi felici, duet for soprano and tenor
late 1802
Leipzig, 1939
HS ii, xiv
x/3
Op. 116
Tremate, empi, tremate, for soprano, tenor and bass
1802; 1814
p, vs: Vienna, 1826; s: GA
xxii:211
x/3
Op. 118
Elegiac song ("Sanft wie du lebtest"), for soprano, alto, tenor, bass and string quartet
July 1814
Vienna, 1814
Baron Johann von Pasqualati
xxii/214
x/2
· List of works by genre › Vocal music › Songs
WoO 107
WoO 107
No.
WoO 107
Title
Schilderung eines Mädchens
Composition, first performance
?1783
Publication
H.P. Bossler: Blumenlese für Klavierliebhaber, ii (Speyer, 1783)
GA
xxiii/228
NA
xii/1
WoO 108
WoO 108
No.
WoO 108
Title
An einen Säugling
Composition, first performance
?1784
Publication
H.P. Bossler: Neue Blumenlese für Klavierliebhaber, ii (Speyer, 1784)
GA
xxiii/229
NA
xii/1
WoO 110
WoO 110
No.
WoO 110
Title
Elegie auf den Tod eines Pudels
Composition, first performance
?c. 1790
Publication
?GA
GA
xxv/284
NA
xii/1
WoO 113
WoO 113
No.
WoO 113
Title
Klage
Composition, first performance
c. 1790
Publication
GA
GA
xxv/283
NA
xii/1
Hess 151
Hess 151
No.
Hess 151
Title
Traute Henriette
Composition, first performance
c. 1790–1792
Publication
ÖMz, iv (1949)
GA
HS v
NA
xii/1
Op. 52
Op. 52
No.
Op. 52
Title
Eight Songs Urians Reise um die WeltFeuerfarbDas Liedchen von der RuheMaigesangMollys AbschiedDie LiebeMarmotteDas Blümchen Wunderhold
Composition, first performance
1790–96
Publication
Vienna, 1805
GA
xxiii/218
NA
xii/1
WoO 111
WoO 111
No.
WoO 111
Title
Punschlied
Composition, first performance
c. 1791
Publication
L. Schiedermair: Der junge Beethoven (Leipzig, 1925/R,3/1951)
GA
HS v
NA
xii/1
WoO 109
WoO 109
No.
WoO 109
Title
Trinklied
Composition, first performance
c. 1792
Publication
GA
GA
xxv/282
NA
xii/1
WoO 112
WoO 112
No.
WoO 112
Title
An Laura
Composition, first performance
c. 1792
Publication
G. Kinsky: Musik historisches Museum von Wilhelm Heyer in Cöln: Katalog, iv (Cologne, 1916)
GA
HS v
NA
xii/1
WoO 114
WoO 114
No.
WoO 114
Title
Selbstgespräch
Composition, first performance
c. 1792
Publication
GA
GA
xxv/275
NA
xii/1
WoO 115
WoO 115
No.
WoO 115
Title
An Minna
Composition, first performance
c. 1792
Publication
GA
GA
xxv/280
NA
xii/1
WoO 117
WoO 117
No.
WoO 117
Title
Der freie Mann
Composition, first performance
1792, rev. 1794
Publication
Bonn, 1808
GA
xxiii/232; HS v
NA
xii/1
WoO 116
WoO 116
No.
WoO 116
Title
Que le temps dure
NA
xii/1
Hess 129
Hess 129
No.
Hess 129
Composition, first performance
?early 1794
Publication
Die Musik, i (1901–02)
Dedication, remarks
1st version of WoO 116
GA
HS v
Hess 130
Hess 130
No.
Hess 130
Composition, first performance
?1794
Publication
GA
Dedication, remarks
2nd version of WoO 116
GA
HS v
WoO 119
WoO 119
No.
WoO 119
Title
O care selve
Composition, first performance
c. 1794
Publication
GA
GA
xxv/279
NA
xii/1
WoO 126
WoO 126
No.
WoO 126
Title
Opferlied
Composition, first performance
1794–95, rev. 1801–02
Publication
Bonn, 1808
GA
xxiii/233; HS v
NA
xii/1
WoO 118
WoO 118
No.
WoO 118
Title
Two Songs Seufzer eines UngeliebtenGegenliebe
Composition, first performance
1794–95
Publication
Vienna, 1837
GA
xxiii/253
NA
xii/1
Op. 46
Op. 46
No.
Op. 46
Title
Adelaide
Composition, first performance
1794–95
Publication
Vienna, 1797
Dedication, remarks
Friedrich von Matthisson
GA
xxiii/216
NA
xii/1
WoO 123
WoO 123
No.
WoO 123
Title
Zärtliche Liebe
Composition, first performance
c. 1795
Publication
Vienna, 1803
GA
xxiii/249
NA
xii/1
WoO 124
WoO 124
No.
WoO 124
Title
La partenza
Composition, first performance
c. 1795–1796
Publication
Vienna, 1803
GA
xxiii/251
NA
xii/1
WoO 121
WoO 121
No.
WoO 121
Title
Abschiedsgesang an Wiens Bürger
Composition, first performance
1796
Publication
Vienna, 1796
Dedication, remarks
Obrist Wachtmeister von Kövesdy
GA
xxiii/230
NA
xii/1
WoO 122
WoO 122
No.
WoO 122
Title
Kriegslied der Österreicher
Composition, first performance
1797
Publication
Vienna, 1797
GA
xxiii/231
NA
xii/1
WoO 125
WoO 125
No.
WoO 125
Title
La tiranna
Composition, first performance
1798–99
Publication
London, 1799
Dedication, remarks
ded. (by W. Wennington) Mrs Tschoffen
GA
HS v
NA
xii/1
WoO 128
WoO 128
No.
WoO 128
Title
Plaisir d'aimer
Composition, first performance
1798–99
Publication
Die Musik, i (1901–02)
GA
HS v
NA
xii/1
WoO 127
WoO 127
No.
WoO 127
Title
Neue Liebe, neues Leben
Composition, first performance
1798–99
Publication
Bonn, 1808
GA
HS v
NA
xii/1
WoO 74
WoO 74
No.
WoO 74
Title
Ich denke dein
Op. 48
Op. 48
No.
Op. 48
Title
Six Songs BittenDie Liebe des NächstenVom TodeDie Himmel rühmen des Ewigen EhreGottes Macht und VorsehungBusslied
Composition, first performance
c. 1801 – early 1802
Publication
Vienna, 1803
Dedication, remarks
Count von Browne
GA
xxiii/217
NA
xii/1
WoO 120
WoO 120
No.
WoO 120
Title
Man strebt die Flamme zu verhehlen
Composition, first performance
c. 1802
Publication
GA
Dedication, remarks
Frau von Weissenthurn
GA
xxv/278
NA
xii/1
WoO 129
WoO 129
No.
WoO 129
Title
Der Wachtelschlag
Composition, first performance
1803
Publication
Vienna, 1804
Dedication, remarks
Count von Browne
GA
xxiii/234
NA
xii/1
Op. 88
Op. 88
No.
Op. 88
Title
Das Glück der Freundschaft
Composition, first performance
1803
Publication
Vienna, 1803
GA
xxiii/222
NA
xii/1
Op. 32
Op. 32
No.
Op. 32
Title
An die Hoffnung
Composition, first performance
1805
Publication
Vienna, 1805
Dedication, remarks
for Josephine Deym
GA
xxiii/215
NA
xii/1
WoO 130
WoO 130
No.
WoO 130
Title
Gedenke mein
Composition, first performance
?1804–05, rev. 1819–20
Publication
Vienna, 1844
GA
xxv/281
NA
xii/1
WoO 132
WoO 132
No.
WoO 132
Title
Als die Geliebte sich trennen wollte
Composition, first performance
1806
Publication
AMZ, xii (1809–10)
GA
xxiii/235
NA
xii/1
WoO 133
WoO 133
No.
WoO 133
Title
In questa tomba oscura
Composition, first performance
1806–07
Publication
Vienna, 1808
Dedication, remarks
ded. (by publisher) Prince Lobkowitz
GA
xxiii/252
NA
xii/1
WoO 134
WoO 134
No.
WoO 134
Title
Sehnsucht (4 settings)
Composition, first performance
1807–08
Publication
Vienna, 1810
GA
xxiii/250
NA
xii/1
WoO 136
WoO 136
No.
WoO 136
Title
Andenken
Composition, first performance
1805
Publication
Leipzig and London 1810
Dedication, remarks
for Josephine Deym
GA
xxiii/248
NA
xii/1
WoO 137
WoO 137
No.
WoO 137
Title
Lied aus der Ferne
Composition, first performance
1809
Publication
Leipzig and London, 1810
GA
xxiii/236
NA
xii/1
WoO 138
WoO 138
No.
WoO 138
Title
Der Jüngling in der Fremde
Composition, first performance
1809
Publication
Vienna, 1810
Dedication, remarks
ded. (by Reissig) Archduke Rudolph
GA
xxiii/237
NA
xii/1
WoO 139
WoO 139
No.
WoO 139
Title
Der Liebende
Composition, first performance
1809
Publication
Vienna and London, 1810
Dedication, remarks
ded. (by Reissig) Archduke Rudolph
GA
xxiii/238
NA
xii/1
Op. 75
Op. 75
No.
Op. 75
Title
Six Songs MignonNeue Liebe, neues LebenAus Goethes FaustGretels WarnungAn den fernen GeliebtenDer Zufriedene
Composition, first performance
1809
Publication
Leipzig and London, 1810
Dedication, remarks
Princess Caroline Kinsky
GA
xxiii/219
NA
xii/1
Op. 82
Op. 82
No.
Op. 82
Title
Four Ariettas and a Duet HoffnungLiebes-KlageL'amante impatienteL'amante impatienteLebens-Genuss
Composition, first performance
?1809
Publication
Leipzig and London, 1811
GA
xxiii/220
NA
xii/1
Op. 83
Op. 83
No.
Op. 83
Title
Three Songs Wonne der WehmutSehnsuchtMit einem gemalten Band
Composition, first performance
1810
Publication
Leipzig, 1811
Dedication, remarks
Princess Caroline Kinsky
GA
xxiii/221
NA
xii/1
WoO 140
WoO 140
No.
WoO 140
Title
An die Geliebte (2 versions)
Composition, first performance
December 1811, rev. 1814
Publication
1st version: Augsburg, c. 1826; 2nd version: Friedensblätter (12 July 1814)
GA
xxiii/243a
NA
xii/1
WoO 141
WoO 141
No.
WoO 141
Title
Der Gesang der Nachtigall
Composition, first performance
May 1813
Publication
GA
GA
xxv/227
NA
xii/1
WoO 142
WoO 142
No.
WoO 142
Title
Der Bardengeist
Composition, first performance
November 1813
Publication
Erichson: Musen-Almanach für das Jahr 1814 (Vienna, 1813–14)
GA
xxiii/241
NA
xii/1
Op. 94
Op. 94
No.
Op. 94
Title
An die Hoffnung
Composition, first performance
1813–15
Publication
Vienna, 1816
Dedication, remarks
Princess Kinsky
GA
xxiii/223
NA
xii/1
WoO 143
WoO 143
No.
WoO 143
Title
Des Kriegers Abschied
Composition, first performance
1814
Publication
Vienna, 1815
Dedication, remarks
ded. (by Reissig) Caroline von Bernath
GA
xxiii/240
NA
xii/1
WoO 144
WoO 144
No.
WoO 144
Title
Merkenstein
Composition, first performance
1814
Publication
Selam: ein Almanach für Freunde des Mannigfaltigen auf das Schaltjahr 1816 (Vienna, 1815–16)
GA
xxv/276
NA
xii/1
Op. 100
Op. 100
No.
Op. 100
Title
Merkenstein
Composition, first performance
1814
Publication
Vienna, 1816
Dedication, remarks
Count Joseph Karl von Dietrichstein
GA
xxiii/226
NA
xii/1
WoO 135
WoO 135
No.
WoO 135
Title
Die laute Klage
Composition, first performance
?c. 1815
Publication
Vienna, 1837
GA
xxiii/254
NA
xii/1
WoO 145
WoO 145
No.
WoO 145
Title
Das Geheimnis
Composition, first performance
1815
Publication
Wiener Zeitschrift für Kunst, Literatur, Theater und Mode, i (1816)
GA
xxiii/245
NA
xii/1
WoO 146
WoO 146
No.
WoO 146
Title
Sehnsucht
Composition, first performance
early 1816
Publication
Vienna, 1816
GA
xxiii/239
NA
xii/1
Op. 98
Op. 98
No.
Op. 98
Title
An die ferne Geliebte Auf dem Hügel sitz ich spähendWo die Berge so blauLeichte Segler in den HöhenDiese Wolken in den HöhenEs kehret der MaienNimm sie hin denn diese Lieder
Composition, first performance
1816
Publication
Vienna, 1816
Dedication, remarks
Prince Lobkowitz
GA
xxiii/224
NA
xii/1
Op. 99
Op. 99
No.
Op. 99
Title
Der Mann von Wort
Composition, first performance
?May 1816
Publication
Vienna, 1816
GA
xxiii/225
NA
xii/1
WoO 147
WoO 147
No.
WoO 147
Title
Ruf von Berge
Composition, first performance
December 1816
Publication
Gedichte von Friedrich Treitschke (Vienna, 1817)
GA
xxiii/242
NA
xii/1
WoO 148
WoO 148
No.
WoO 148
Title
So oder so
Composition, first performance
1817
Publication
Wiener Zeitschrift für Kunst, ii (1817)
GA
xxiii/224
NA
xii/1
WoO 149
WoO 149
No.
WoO 149
Title
Resignation
Composition, first performance
1817
Publication
Wiener Zeitschrift für Kunst, iii (1818)
GA
xxiii/246
NA
xii/1
WoO 150
WoO 150
No.
WoO 150
Title
Abendlied unterm gestirnten Himmel
Composition, first performance
March 1820
Publication
Wiener Zeitschrift für Kunst, v (1817)
GA
xxiii/247
NA
xii/1
Op. 128
Op. 128
No.
Op. 128
Title
Der Kuss
Composition, first performance
November–December 1822
Publication
Mainz, 1825
GA
xxiii/227
NA
xii/1
WoO 151
WoO 151
No.
WoO 151
Title
Der edle Mensche sei hülfreich und gut
Composition, first performance
January 1823
Publication
G. Lange: Musikgeschichtliches (Berlin, 1900)
Dedication, remarks
Baroness Cäcilie von Eskeles
GA
HS v
No.
Title
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 107
Schilderung eines Mädchens
?1783
Bossler: Blumenlese für Klavierliebhaber, ii (Speyer, 1783)
xxiii/228
xii/1
WoO 108
An einen Säugling
?1784
Bossler: Neue Blumenlese für Klavierliebhaber, ii (Speyer, 1784)
xxiii/229
xii/1
WoO 110
Elegie auf den Tod eines Pudels
?c. 1790
?GA
xxv/284
xii/1
WoO 113
Klage
c. 1790
GA
xxv/283
xii/1
Hess 151
Traute Henriette
c. 1790–1792
ÖMz, iv (1949)
HS v
xii/1
Op. 52
Eight Songs Urians Reise um die WeltFeuerfarbDas Liedchen von der RuheMaigesangMollys AbschiedDie LiebeMarmotteDas Blümchen Wunderhold
1790–96
Vienna, 1805
xxiii/218
xii/1
WoO 111
Punschlied
c. 1791
L. Schiedermair: Der junge Beethoven (Leipzig, 1925/R,3/1951)
HS v
xii/1
WoO 109
Trinklied
c. 1792
GA
xxv/282
xii/1
WoO 112
An Laura
c. 1792
G. Kinsky: Musik historisches Museum von Wilhelm Heyer in Cöln: Katalog, iv (Cologne, 1916)
HS v
xii/1
WoO 114
Selbstgespräch
c. 1792
GA
xxv/275
xii/1
WoO 115
An Minna
c. 1792
GA
xxv/280
xii/1
WoO 117
Der freie Mann
1792, rev. 1794
Bonn, 1808
xxiii/232; HS v
xii/1
WoO 116
Que le temps dure
xii/1
Hess 129
?early 1794
Die Musik, i (1901–02)
1st version of WoO 116
HS v
Hess 130
?1794
GA
2nd version of WoO 116
HS v
WoO 119
O care selve
c. 1794
GA
xxv/279
xii/1
WoO 126
Opferlied
1794–95, rev. 1801–02
Bonn, 1808
xxiii/233; HS v
xii/1
WoO 118
Two Songs Seufzer eines UngeliebtenGegenliebe
1794–95
Vienna, 1837
xxiii/253
xii/1
Op. 46
Adelaide
1794–95
Vienna, 1797
Friedrich von Matthisson
xxiii/216
xii/1
WoO 123
Zärtliche Liebe
c. 1795
Vienna, 1803
xxiii/249
xii/1
WoO 124
La partenza
c. 1795–1796
Vienna, 1803
xxiii/251
xii/1
WoO 121
Abschiedsgesang an Wiens Bürger
1796
Vienna, 1796
Obrist Wachtmeister von Kövesdy
xxiii/230
xii/1
WoO 122
Kriegslied der Österreicher
1797
Vienna, 1797
xxiii/231
xii/1
WoO 125
La tiranna
1798–99
London, 1799
ded. (by W. Wennington) Mrs Tschoffen
HS v
xii/1
WoO 128
Plaisir d'aimer
1798–99
Die Musik, i (1901–02)
HS v
xii/1
WoO 127
Neue Liebe, neues Leben
1798–99
Bonn, 1808
HS v
xii/1
WoO 74
Ich denke dein
Op. 48
Six Songs BittenDie Liebe des NächstenVom TodeDie Himmel rühmen des Ewigen EhreGottes Macht und VorsehungBusslied
c. 1801 – early 1802
Vienna, 1803
Count von Browne
xxiii/217
xii/1
WoO 120
Man strebt die Flamme zu verhehlen
c. 1802
GA
Frau von Weissenthurn
xxv/278
xii/1
WoO 129
Der Wachtelschlag
1803
Vienna, 1804
Count von Browne
xxiii/234
xii/1
Op. 88
Das Glück der Freundschaft
1803
Vienna, 1803
xxiii/222
xii/1
Op. 32
An die Hoffnung
1805
Vienna, 1805
for Josephine Deym
xxiii/215
xii/1
WoO 130
Gedenke mein
?1804–05, rev. 1819–20
Vienna, 1844
xxv/281
xii/1
WoO 132
Als die Geliebte sich trennen wollte
1806
AMZ, xii (1809–10)
xxiii/235
xii/1
WoO 133
In questa tomba oscura
1806–07
Vienna, 1808
ded. (by publisher) Prince Lobkowitz
xxiii/252
xii/1
WoO 134
Sehnsucht (4 settings)
1807–08
Vienna, 1810
xxiii/250
xii/1
WoO 136
Andenken
1805
Leipzig and London 1810
for Josephine Deym
xxiii/248
xii/1
WoO 137
Lied aus der Ferne
1809
Leipzig and London, 1810
xxiii/236
xii/1
WoO 138
Der Jüngling in der Fremde
1809
Vienna, 1810
ded. (by Reissig) Archduke Rudolph
xxiii/237
xii/1
WoO 139
Der Liebende
1809
Vienna and London, 1810
ded. (by Reissig) Archduke Rudolph
xxiii/238
xii/1
Op. 75
Six Songs MignonNeue Liebe, neues LebenAus Goethes FaustGretels WarnungAn den fernen GeliebtenDer Zufriedene
1809
Leipzig and London, 1810
Princess Caroline Kinsky
xxiii/219
xii/1
Op. 82
Four Ariettas and a Duet HoffnungLiebes-KlageL'amante impatienteL'amante impatienteLebens-Genuss
?1809
Leipzig and London, 1811
xxiii/220
xii/1
Op. 83
Three Songs Wonne der WehmutSehnsuchtMit einem gemalten Band
1810
Leipzig, 1811
Princess Caroline Kinsky
xxiii/221
xii/1
WoO 140
An die Geliebte (2 versions)
December 1811, rev. 1814
1st version: Augsburg, c. 1826; 2nd version: Friedensblätter (12 July 1814)
xxiii/243a
xii/1
WoO 141
Der Gesang der Nachtigall
May 1813
GA
xxv/227
xii/1
WoO 142
Der Bardengeist
November 1813
Erichson: Musen-Almanach für das Jahr 1814 (Vienna, 1813–14)
xxiii/241
xii/1
Op. 94
An die Hoffnung
1813–15
Vienna, 1816
Princess Kinsky
xxiii/223
xii/1
WoO 143
Des Kriegers Abschied
1814
Vienna, 1815
ded. (by Reissig) Caroline von Bernath
xxiii/240
xii/1
WoO 144
Merkenstein
1814
Selam: ein Almanach für Freunde des Mannigfaltigen auf das Schaltjahr 1816 (Vienna, 1815–16)
xxv/276
xii/1
· List of works by genre › Vocal music › Folksongs
WoO 152
WoO 152
No.
WoO 152
Title
Twenty-five Irish Songs The Return to UlsterSweet power of songOnce more I hail theeThe morning air plays on my faceThe Massacre of GlencoeWhat shall I do to shew how much I love her?His boat comes on the sunny tideCome draw we round a cheerful ringThe Soldier's DreamThe DeserterThou emblem of faithEnglish BullsMusing on the roaring oceanDermot and ShelahLet brain-spinning swainsHide not thy anguishIn vain to this desert, dueThey bid me slight my Dermot dearWife, Children and FriendsFarewell bliss and farewell NancyMorning a cruel turmoiler isFrom Garyone, my happy homeA wand'ring gypsy, Sirs am IThe Traugh WelcomeOh harp of Erin
Composition, first performance
1810–12
Publication
London and Edinburgh, 1814
GA
xxiv/261
WoO 153
WoO 153
No.
WoO 153
Title
Twenty Irish songs When eve's last raysNo riches from his scanty storeThe British Light DragoonsSince greybeards inform usI dream'd I lay where flow'rs were springingSad and luckless was the seasonO soothe me, my lyreNorah of BalamagairyThe kiss, dear maid, thy lip has leftOh! thou hapless soldierWhen far from the homeI'll praise the Saints'Tis sunshine at lastPaddy O'Rafferty'Tis but in vainO might I but my Patrick loveCome, Darby dearNo more, my MaryJudy, lovely, matchless creatureThy ship must sail
Composition, first performance
1810–15
Publication
London and Edinburgh, 1814 [nos. 1–4], 1816 [nos. 5–10]; GA
GA
xxiv/262
WoO 154
WoO 154
No.
WoO 154
Title
Twelve Irish songs The Elfin FairiesOh harp of ErinThe Farewell SongThe pulse of an IrishmanOh! who, my dear DermotPut round the bright wineFrom Garyone, my happy homeSave me from the grave and wiseOh! would I were but that sweet linnetThe hero may perishThe Soldier in a Foreign LandHe promised me at parting
Composition, first performance
1812–13
Publication
(London and Edinburgh, 1816 [without nos. 2 and 7]); GA
GA
xxiv/258
WoO 155
WoO 155
No.
WoO 155
Title
Twenty-six Welsh songs Sion, the son of EvanThe Monks of Bangor's MarchThe Cottage MaidLove without HopeA golden robe my love shall wearThe fair Maid of MonaOh let the night my blushes hideFarewell, thou noisy townTo the Aeolian HarpNed Pugh's FarewellMerch MeganWaken lords and ladies gayHelpless WomanThe DreamWhen mortals all to rest retireThe Damsels of CardiganThe Dairy HouseSweet RichardThe Vale of ClwydTo the BlackbirdCupid's KindnessConstancyThe Old StrainThree Hundred PoundsThe Parting KissGood Night
Composition, first performance
1809
Publication
London and Edinburgh, 1817
GA
xxiii/219
NA
xi/1
Op. 108
Op. 108
No.
Op. 108
Title
Twenty-five Scottish Songs Music, Love and WineSunsetOh! sweet were the hoursThe Maid of IslaThe sweetest lad was JamieDim, dim is my eyeBonnie laddie, highland ladddieThe lovely lass of InvernessBehond my love how green the grovesSympathyOh! thou art the ladOh, had my fateCome fill, fill, my good fellowO, how can I be blitheO cruel was my fatherCould this ill worldO Mary, at thy windowEnchantress, farewellO swiftly glides the bonny boatFaithfu' JohnieJeannie's DistressThe Highland WatchThe Shepherd's SongAgain my lyreSally in our Alley
Composition, first performance
1815–18
Publication
London and Edinburgh, 1818
GA
xxiv/257
NA
xi/1
WoO 156
WoO 156
No.
WoO 156
Title
Twelve Scottish songs The Banner of BuccleuchDuncan GrayUp! Quit thy bowerYe shepherds of this pleasant valeCease your funningHighland HarryPolly StewartWomankindLochnagarGlencoeAuld lang syneThe Quaker's Wife
Composition, first performance
1815–19
Publication
London and Edinburgh, 1822 [no.1],1824–25 [nos. 2–4, 8, 9, 12],1839 [nos. 5–6],1841 [nos. 7, 10, 11); GA
GA
xxiv/260
NA
xi/1
WoO 157
WoO 157
No.
WoO 157
Title
Twelve songs of various nationalities God Save the KingThe SoldierO Charlie is my darlingO sanctissimaThe Miller of the DeeA health to the braveSince all thy vows, false maidBy the side of the ShannonHighlander's LamentSir Johnie CopeThe wandering minstrelLa gondoletta
Composition, first performance
1815–20
Publication
London and Edinburgh, 1816 [nos. 2, 6, 8, 11],1822 [no. 3],1824–25 [no. 5],1839 [no. 1]); GA
GA
xxiv/259
NA
xi/1, xi/3
WoO 158a
WoO 158a
No.
WoO 158a
Title
Twenty-three songs of various nationality Ridder Stig tjener i Kongens GaardHorch auf, mein LiebchenWegen meiner bleib d'FräulaWann i in der Früh aufstehI bin a Tyroler BuaA Madel, ja a MadelWer solche Buema afipacktIh mag di nitOj upiłem sie w karczmiePoszła baba po popiółYo no quiero embarcarmeSeus lindos olhosIm Walde sind viele Mücklein geborenAch Bächlein, Bächlein, kühle WasserUnsere Mädchen gingen in den WaldSchöne Minka, ich muss scheidenLilla Carl, sov sött i fridAn ä Bergli bin i gesässeUna paloma blancaComo la mariposaLa tirana se embarcaÉdes kinos emlékezetDa brava
Composition, first performance
1816–17
Publication
Die Musik, ii (1902–03) [no. 19], J. Schmidt-Görg: Unbekannte Manuskripte zu Beethovens weltlicher und geistlicher Gesangsmusik (Bonn, 1928) [no. 17],complete (Leipzig, 1943)
GA
HS xiv
NA
xi/3
WoO 158b
WoO 158b
No.
WoO 158b
Title
Seven British songs Adieu my lov'd harpCastle O'NeillOh was not I a weary wightRed gleams the sunErin! oh, Erin!O Mary ye's be clad in silkLament for Owen Roe O'Neill
Composition, first performance
1813–17
GA
HS xiv
NA
xi/1, xi/3
WoO 158c
WoO 158c
No.
WoO 158c
Title
Six songs of various nationality When my hero in court appearsNon, non, Collette n'est point trompeuseMark yonder pomp of costly fashionBonnie wee thingFrom thee, Eliza, I must goText unidentified
Composition, first performance
1817–20
GA
HS xiv
NA
xi/1, xi/3
Hess 168
Hess 168
No.
Hess 168
Title
Air français
Composition, first performance
1817
GA
HS xiv
NA
xi/3
Hess 133–134
Hess 133–134
No.
Hess 133–134
Title
Two Austrian folksongs Das liebe KätzchenDer Knabe auf dem Berge
Composition, first performance
1820
Publication
Niederrheinische Musikzeitung, xiii (1865)
NA
xi/3
No.
Title
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 152
Twenty-five Irish Songs The Return to UlsterSweet power of songOnce more I hail theeThe morning air plays on my faceThe Massacre of GlencoeWhat shall I do to shew how much I love her?His boat comes on the sunny tideCome draw we round a cheerful ringThe Soldier's DreamThe DeserterThou emblem of faithEnglish BullsMusing on the roaring oceanDermot and ShelahLet brain-spinning swainsHide not thy anguishIn vain to this desert, dueThey bid me slight my Dermot dearWife, Children and FriendsFarewell bliss and farewell NancyMorning a cruel turmoiler isFrom Garyone, my happy homeA wand'ring gypsy, Sirs am IThe Traugh WelcomeOh harp of Erin
1810–12
London and Edinburgh, 1814
xxiv/261
WoO 153
Twenty Irish songs When eve's last raysNo riches from his scanty storeThe British Light DragoonsSince greybeards inform usI dream'd I lay where flow'rs were springingSad and luckless was the seasonO soothe me, my lyreNorah of BalamagairyThe kiss, dear maid, thy lip has leftOh! thou hapless soldierWhen far from the homeI'll praise the Saints'Tis sunshine at lastPaddy O'Rafferty'Tis but in vainO might I but my Patrick loveCome, Darby dearNo more, my MaryJudy, lovely, matchless creatureThy ship must sail
1810–15
London and Edinburgh, 1814 [nos. 1–4], 1816 [nos. 5–10]; GA
xxiv/262
WoO 154
Twelve Irish songs The Elfin FairiesOh harp of ErinThe Farewell SongThe pulse of an IrishmanOh! who, my dear DermotPut round the bright wineFrom Garyone, my happy homeSave me from the grave and wiseOh! would I were but that sweet linnetThe hero may perishThe Soldier in a Foreign LandHe promised me at parting
1812–13
(London and Edinburgh, 1816 [without nos. 2 and 7]); GA
xxiv/258
WoO 155
Twenty-six Welsh songs Sion, the son of EvanThe Monks of Bangor's MarchThe Cottage MaidLove without HopeA golden robe my love shall wearThe fair Maid of MonaOh let the night my blushes hideFarewell, thou noisy townTo the Aeolian HarpNed Pugh's FarewellMerch MeganWaken lords and ladies gayHelpless WomanThe DreamWhen mortals all to rest retireThe Damsels of CardiganThe Dairy HouseSweet RichardThe Vale of ClwydTo the BlackbirdCupid's KindnessConstancyThe Old StrainThree Hundred PoundsThe Parting KissGood Night
1809
London and Edinburgh, 1817
xxiii/219
xi/1
Op. 108
Twenty-five Scottish Songs Music, Love and WineSunsetOh! sweet were the hoursThe Maid of IslaThe sweetest lad was JamieDim, dim is my eyeBonnie laddie, highland ladddieThe lovely lass of InvernessBehond my love how green the grovesSympathyOh! thou art the ladOh, had my fateCome fill, fill, my good fellowO, how can I be blitheO cruel was my fatherCould this ill worldO Mary, at thy windowEnchantress, farewellO swiftly glides the bonny boatFaithfu' JohnieJeannie's DistressThe Highland WatchThe Shepherd's SongAgain my lyreSally in our Alley
1815–18
London and Edinburgh, 1818
xxiv/257
xi/1
WoO 156
Twelve Scottish songs The Banner of BuccleuchDuncan GrayUp! Quit thy bowerYe shepherds of this pleasant valeCease your funningHighland HarryPolly StewartWomankindLochnagarGlencoeAuld lang syneThe Quaker's Wife
1815–19
London and Edinburgh, 1822 [no.1],1824–25 [nos. 2–4, 8, 9, 12],1839 [nos. 5–6],1841 [nos. 7, 10, 11); GA
xxiv/260
xi/1
WoO 157
Twelve songs of various nationalities God Save the KingThe SoldierO Charlie is my darlingO sanctissimaThe Miller of the DeeA health to the braveSince all thy vows, false maidBy the side of the ShannonHighlander's LamentSir Johnie CopeThe wandering minstrelLa gondoletta
1815–20
London and Edinburgh, 1816 [nos. 2, 6, 8, 11],1822 [no. 3],1824–25 [no. 5],1839 [no. 1]); GA
xxiv/259
xi/1, xi/3
WoO 158a
Twenty-three songs of various nationality Ridder Stig tjener i Kongens GaardHorch auf, mein LiebchenWegen meiner bleib d'FräulaWann i in der Früh aufstehI bin a Tyroler BuaA Madel, ja a MadelWer solche Buema afipacktIh mag di nitOj upiłem sie w karczmiePoszła baba po popiółYo no quiero embarcarmeSeus lindos olhosIm Walde sind viele Mücklein geborenAch Bächlein, Bächlein, kühle WasserUnsere Mädchen gingen in den WaldSchöne Minka, ich muss scheidenLilla Carl, sov sött i fridAn ä Bergli bin i gesässeUna paloma blancaComo la mariposaLa tirana se embarcaÉdes kinos emlékezetDa brava
1816–17
Die Musik, ii (1902–03) [no. 19], J. Schmidt-Görg: Unbekannte Manuskripte zu Beethovens weltlicher und geistlicher Gesangsmusik (Bonn, 1928) [no. 17],complete (Leipzig, 1943)
HS xiv
xi/3
WoO 158b
Seven British songs Adieu my lov'd harpCastle O'NeillOh was not I a weary wightRed gleams the sunErin! oh, Erin!O Mary ye's be clad in silkLament for Owen Roe O'Neill
1813–17
HS xiv
xi/1, xi/3
WoO 158c
Six songs of various nationality When my hero in court appearsNon, non, Collette n'est point trompeuseMark yonder pomp of costly fashionBonnie wee thingFrom thee, Eliza, I must goText unidentified
1817–20
HS xiv
xi/1, xi/3
Hess 168
Air français
1817
HS xiv
xi/3
Hess 133–134
Two Austrian folksongs Das liebe KätzchenDer Knabe auf dem Berge
1820
Niederrheinische Musikzeitung, xiii (1865)
xi/3
· List of works by genre › Wind band
WoO 29
WoO 29
No.
WoO 29
Title, key
March for clarinets, horns and bassoons, B♭
Composition, first performance
1797–98
Publication
GA
GA
xxv/292
NA
vi/1
WoO 18
WoO 18
No.
WoO 18
Title, key
March No. 1 for Military Band Yorckscher Marsch, F
Composition, first performance
1809, rev. 1810
Publication
pf red.: Prague, ?1809; s: Berlin, 1818–19
Dedication, remarks
Archduke Anton of Austria (on autograph)
GA
xxv/287/1; HS iv; HS Viii (pf)
NA
ii/4
WoO 19
WoO 19
No.
WoO 19
Title, key
March No 2. for Military Band, F
Composition, first performance
1810
Publication
pf red.: Vienna, 1810
Dedication, remarks
Archduke Anton of Austria (on autograph)
GA
xxv/287/2; HS iv
NA
ii/4
WoO 20
WoO 20
No.
WoO 20
Title, key
March for Military Band, C
Composition, first performance
c. 1810
Publication
GA
GA
xxv/288; HS iv
NA
ii/4
WoO 21
WoO 21
No.
WoO 21
Title, key
Polonaise for Military Band, D
Composition, first performance
1810
Publication
GA
GA
xxv/289
NA
ii/4
WoO 22
WoO 22
No.
WoO 22
Title, key
Ecossaise for Military Band, D
Composition, first performance
1810
Publication
GA
GA
xxv/290
NA
ii/4
WoO 23
WoO 23
No.
WoO 23
Title, key
Ecossaise for Military Band, G
Composition, first performance
c. 1810
Publication
pf red. in Czerny's Musikalisches Pfennig-Magazin, i (Vienna, 1834)
Dedication, remarks
only a piano arrangement by Carl Czerny is extant
GA
xxv/306 (pf)
NA
ii/4
WoO 24
WoO 24
No.
WoO 24
Title, key
March for Military Band, D
Composition, first performance
1816
Publication
pf red.: Vienna, 1827
GA
ii/15
NA
ii/4
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 29
March for clarinets, horns and bassoons, B♭
1797–98
GA
xxv/292
vi/1
WoO 18
March No. 1 for Military Band Yorckscher Marsch, F
1809, rev. 1810
pf red.: Prague, ?1809; s: Berlin, 1818–19
Archduke Anton of Austria (on autograph)
xxv/287/1; HS iv; HS Viii (pf)
ii/4
Trio to WoO 18, B♭
c. 1822
HS
HS iv
ii/4
WoO 19
March No 2. for Military Band, F
1810
pf red.: Vienna, 1810
Archduke Anton of Austria (on autograph)
xxv/287/2; HS iv
ii/4
Trio to WoO 19, f
c. 1822
HS
HS iv
ii/4
WoO 20
March for Military Band, C
c. 1810
GA
xxv/288; HS iv
ii/4
Trio to WoO 20, F
c. 1822
xxv/288
ii/4
WoO 21
Polonaise for Military Band, D
1810
GA
xxv/289
ii/4
WoO 22
Ecossaise for Military Band, D
1810
GA
xxv/290
ii/4
WoO 23
Ecossaise for Military Band, G
c. 1810
pf red. in Czerny's Musikalisches Pfennig-Magazin, i (Vienna, 1834)
only a piano arrangement by Carl Czerny is extant
xxv/306 (pf)
ii/4
WoO 24
March for Military Band, D
1816
pf red.: Vienna, 1827
ii/15
ii/4
· List of works by genre › Collections of dances
WoO 7
WoO 7
No.
WoO 7
Title
Twelve Minuets for orchestra
Composition, first performance
1795
Publication
Vienna, 1795
GA
ii/16
NA
ii/3
WoO 8
WoO 8
No.
WoO 8
Title
Twelve German Dances for orchestra
Composition, first performance
1795
Publication
Vienna, 1795
GA
ii/17
NA
ii/3
WoO 9
WoO 9
No.
WoO 9
Title
Six minuets for two violins and double bass
Composition, first performance
?before 1795
Publication
Mainz, 1933
Dedication, remarks
authenticity not fully confirmed
GA
HS vi
NA
ii/3
WoO 10
WoO 10
No.
WoO 10
Title
Six Minuets for piano
Composition, first performance
1795
Publication
Vienna, 1796
Dedication, remarks
orchestral version probably existed
GA
xviii/194
WoO 42
WoO 42
No.
WoO 42
Title
Six German Dances for violin and piano
Composition, first performance
1796
Publication
Vienna, 1814
GA
xxv/308
NA
v/2
WoO 11
WoO 11
No.
WoO 11
Title
Seven Ländler for piano
Composition, first performance
1799
Publication
Vienna, 1799
Dedication, remarks
version for two violins and cello probably existed
GA
xviii/198
WoO 13
WoO 13
No.
WoO 13
Title
Twelve German Dances for piano
Composition, first performance
c. 1792–97
Publication
Vienna, Prague and Leipzig, 1929
Dedication, remarks
orchestral version probably existed
GA
HS viii
WoO 14
WoO 14
No.
WoO 14
Title
Twelve Contredanses for orchestra
Composition, first performance
c. 1791–1801
Publication
p: Vienna, 1802; s: GA
GA
ii/17a
NA
ii/3
WoO 15
WoO 15
No.
WoO 15
Title
Six Ländler for two violins and double bass
Composition, first performance
1802
Publication
Vienna, 1802; s: GA
GA
xxv/291
NA
ii/3
WoO 83
WoO 83
No.
WoO 83
Title
Six Ecossaises for piano
Composition, first performance
c. 1806
Publication
Vienna, 1807; GA
GA
xxv/302
WoO 17
WoO 17
No.
WoO 17
Title
Eleven "Mödlinger Tänze" for flutes, clarinets, horns, violins and double bass
Composition, first performance
1819
Publication
Leipzig, 1907
Dedication, remarks
probably spurious
GA
HS vii
No.
Title
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 7
Twelve Minuets for orchestra
1795
Vienna, 1795
ii/16
ii/3
WoO 8
Twelve German Dances for orchestra
1795
Vienna, 1795
ii/17
ii/3
WoO 9
Six minuets for two violins and double bass
?before 1795
Mainz, 1933
authenticity not fully confirmed
HS vi
ii/3
WoO 10
Six Minuets for piano
1795
Vienna, 1796
orchestral version probably existed
xviii/194
WoO 42
Six German Dances for violin and piano
1796
Vienna, 1814
xxv/308
v/2
WoO 11
Seven Ländler for piano
1799
Vienna, 1799
version for two violins and cello probably existed
xviii/198
WoO 13
Twelve German Dances for piano
c. 1792–97
Vienna, Prague and Leipzig, 1929
orchestral version probably existed
HS viii
WoO 14
Twelve Contredanses for orchestra
c. 1791–1801
p: Vienna, 1802; s: GA
ii/17a
ii/3
WoO 15
Six Ländler for two violins and double bass
1802
Vienna, 1802; s: GA
xxv/291
ii/3
WoO 83
Six Ecossaises for piano
c. 1806
Vienna, 1807; GA
xxv/302
WoO 17
Eleven "Mödlinger Tänze" for flutes, clarinets, horns, violins and double bass
1819
Leipzig, 1907
probably spurious
HS vii
· List of works by genre › Canons and musical jokes
WoO 159
WoO 159
No.
WoO 159
Title, key
Im Arm der Liebe, F
Composition, first performance
c. 1795
Publication
I. von Seyfried: Ludwig van Beethovens Studien im Generalbass (Vienna, 1832)
Dedication, remarks
Contrapuntal study for Albrechtsberger
GA
xxiii/256/1
NA
xiii/1
WoO 160/1
WoO 160/1
No.
WoO 160/1
Title, key
O Care selve
Composition, first performance
c. 1795
Publication
Seyfried (1832)
Dedication, remarks
Contrapuntal study for Albrechtsberger
GA
HS v
NA
xiii/1
WoO 160/2
WoO 160/2
No.
WoO 160/2
Title, key
Canon, C
Composition, first performance
c. 1795
Publication
Seyfried (1832)
Dedication, remarks
Contrapuntal study for Albrechtsberger
GA
HS v
NA
xiii/1
Hess 276
Hess 276
No.
Hess 276
Title, key
Herr Graf, ich komme zu fragen
Composition, first performance
?1797
Publication
HS
GA
HS v
WoO 100
WoO 100
No.
WoO 100
Title, key
Schuppanzigh ist ein Lump
Composition, first performance
1801
Publication
Grove1
Dedication, remarks
for Ignaz Schuppanzigh
GA
HS v
WoO 101
WoO 101
No.
WoO 101
Title, key
Graf, Graf, Graf, Graf
Composition, first performance
1802
Publication
A.W. Thayer: Chronologisches Vezeichniss der Werke Ludwig van Beethoven (Berlin, 1865)
Dedication, remarks
for Nikolaus Zmeskall
GA
HS v
Hess 274
Hess 274
No.
Hess 274
Title, key
Canon, G
Composition, first performance
1803
Publication
N. Fishman: Kniga ėskizov Bėtkhoven za 1802–1806 godï (Moscow, 1962)
GA
HS ix
Hess 229
Hess 229
No.
Hess 229
Title, key
Languisco e moro
Composition, first performance
1803
Publication
Fishman (1962)
GA
HS xiv
Hess 275
Hess 275
No.
Hess 275
Title, key
Canon, A♭
Composition, first performance
1803
Publication
HS
GA
HS
WoO 162
WoO 162
No.
WoO 162
Title, key
Ta ta ta...lieber Mälzel
Dedication, remarks
spurious: apparently written by Anton Schindler
GA
HS vii
WoO 161
WoO 161
No.
WoO 161
Title, key
Ewig dein, C
Composition, first performance
?c. 1811
Publication
AMZ, new series, i (1863)
GA
xxiii/256/14
WoO 163
WoO 163
No.
WoO 163
Title, key
Kurz ist der Schmerz, F minor
Composition, first performance
November 1813
Publication
NZM, xi (1841),
Dedication, remarks
for Friedrich Naue
GA
xxiii/256/3a
WoO 199
WoO 199
No.
WoO 199
Title, key
Ich bin der Herr von zu, D
Composition, first performance
1814
Dedication, remarks
for Archduke Rudolph
WoO 164
WoO 164
No.
WoO 164
Title, key
Freundschaft ist die Quelle, C
Composition, first performance
Sept 1814
Publication
GA
GA
xxv/285/2
WoO 165
WoO 165
No.
WoO 165
Title, key
Glück zum neuen Jahr, E♭
Composition, first performance
January 1815
Publication
Vienna, 1816
Dedication, remarks
for Baron von Pasqualati
GA
xxiii/256/16
WoO 166
WoO 166
No.
WoO 166
Title, key
Kurz ist der Schmerz, F
Composition, first performance
March 1815
Publication
GA
Dedication, remarks
for Louis Spohr
GA
xxiii/256/3b
WoO 167
WoO 167
No.
WoO 167
Title, key
Brauchle, Linke, C
Composition, first performance
c. 1815
Publication
Thayer, 1865
Dedication, remarks
for Johann Xaver Brauchle and Joseph Linke
GA
HS v
WoO 168/1
WoO 168/1
No.
WoO 168/1
Title, key
Lerne schweigen, F minor
Composition, first performance
January 1816
Publication
Wiener allgemeine musikalische Zeitung, i (1816)
Dedication, remarks
for Charles Neate
GA
xxiii/256/5
WoO 168/2
WoO 168/2
No.
WoO 168/2
Title, key
Rede, rede, F
Composition, first performance
January 1816
Publication
GA
Dedication, remarks
for Charles Neate
GA
xxiii/256/4
WoO 169
WoO 169
No.
WoO 169
Title, key
Ich küsse Sie, C
Composition, first performance
January 1816
Publication
Die Jahrenszeien, xii/3 (1853)
Dedication, remarks
for Anna Milder-Hauptmann
GA
HS v
WoO 170
WoO 170
No.
WoO 170
Title, key
Ars longa, vita brevis, C
Composition, first performance
April 1816
Publication
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
Dedication, remarks
for Johann Nepomuk Hummel
GA
HS v
WoO 171
WoO 171
No.
WoO 171
Title, key
Glück fehl' dir vor allem, G
Composition, first performance
1817
Publication
T. von Frimmel: Neue Beethoveniana (Vienna, 1888)
Dedication, remarks
for Anna Giannatasio del Rio
GA
HS v
WoO 172
WoO 172
No.
WoO 172
Title, key
Ich bitt' dich schrreib' mir die Es-Scala auf, E♭
Composition, first performance
?c. 1818
Publication
GA
Dedication, remarks
for Vincenz Hauschka
GA
xxiii/256/15
WoO 201
WoO 201
No.
WoO 201
Title, key
Ich bin bereit! Amen, C
Composition, first performance
1818
Dedication, remarks
for Vincenz Hauschka
WoO 173
WoO 173
No.
WoO 173
Title, key
Hol'euch der Teufel!, B♭
Composition, first performance
sum. 1819
Publication
Thayer (1865)
Dedication, remarks
for Sigmund Anton Steiner
GA
HS v
WoO 174
WoO 174
No.
WoO 174
Title, key
Glaube und hoffe
Composition, first performance
Sept 1819
Publication
L. Nohl: Briefe Beethovens (Stuttgart 1865)
Dedication, remarks
for Maurice Schlesinger
GA
xxv/285/3
WoO 176
WoO 176
No.
WoO 176
Title, key
Glück zum neuen Jahr!, F
Composition, first performance
December 1819
Publication
GA
Dedication, remarks
for Countess Erdödy
GA
xxiii/256/6
WoO 179
WoO 179
No.
WoO 179
Title, key
Alles Gute! alles Schöne, C
Composition, first performance
December 1819
Publication
Nohl (1865)
Dedication, remarks
for Archduke Rudolph
GA
xxiii/256/7
Hess 300
Hess 300
No.
Hess 300
Title, key
Liebe mich, werter Weissenbach
Composition, first performance
? January 1820
Publication
J. Schmidt-Görg, ed.: Drei Skizzenbücher zur Missa Solemnis, i (Bonn, 1952)
Dedication, remarks
for Aloys Weissenbach
Hess 301
Hess 301
No.
Hess 301
Title, key
Wähner ... es sei kein Wahn
Composition, first performance
? January 1820
Publication
J. Schmidt-Görg, ed.: Drei Skizzenbücher zur Missa Solemnis, i (Bonn, 1952)
Dedication, remarks
Friedrich Wähner
WoO 175
WoO 175
No.
WoO 175
Title, key
Sankt Petrus war ein Fels; Bernardus war ein Sankt
Composition, first performance
? January 1820
Publication
Thayer (1865)
Dedication, remarks
for Carl Peters and Carl Bernard
GA
HS v
WoO 180
WoO 180
No.
WoO 180
Title, key
Hoffman, sei ja kein Hofmann, C
Composition, first performance
March 1820
Publication
Caecilia, i (1825)
GA
xxiii/256/8
WoO 177
WoO 177
No.
WoO 177
Title, key
Bester Magistrat, Ihr friert, E
Composition, first performance
c. 1820
Publication
D. MacArdle and L. Misch: New Beethoven Letters (Norman, OK, 1957)
GA
HS v
WoO 178
WoO 178
No.
WoO 178
Title, key
Signor Abate, B♭
Composition, first performance
?c. 1820
Publication
GA
Dedication, remarks
for the Abbé Maximilian Stadler
GA
xxiii/256/13
WoO 181/1
WoO 181/1
No.
WoO 181/1
Title, key
Gedenket heute an Baden, C
Composition, first performance
c. 1820
Publication
GA
GA
xxv/285/4
WoO 181/2
WoO 181/2
No.
WoO 181/2
Title, key
Gehabt euch wohl, C
Composition, first performance
c. 1820
Publication
Festschrift Arnold Scherings (Berlin, 1937)
GA
HS v
WoO 181/3
WoO 181/3
No.
WoO 181/3
Title, key
Tugent ist kein leerer Name
Composition, first performance
c. 1820
GA
HS v
WoO 182
WoO 182
No.
WoO 182
Title, key
O Tobias, d
Composition, first performance
Sept 1821
Publication
AMZ, new series, i (1863)
Dedication, remarks
for Tobias Haslinger
GA
xxiii/256/9
WoO 183
WoO 183
No.
WoO 183
Title, key
Berster Herr Graf, Sie sind ein Schaf!, F
Composition, first performance
February 1823
Publication
Mf, vii (1954)
Dedication, remarks
for Count Moritz Lichnowsky
GA
HS v
WoO 184
WoO 184
No.
WoO 184
Title, key
Falstafferel, lass' dich sehen!, G
Composition, first performance
April 1823
Publication
Die Musik, ii (1902–03)
Dedication, remarks
for Schuppanzigh
GA
HS v
WoO 185
WoO 185
No.
WoO 185
Title, key
Edel sei der Mensch, E
Composition, first performance
? May 1823
Publication
Wiener Zeitschrift für Kunst, viii (1823)
Dedication, remarks
for Louis Schlösser
GA
xxiii/256/10
Hess 263
Hess 263
No.
Hess 263
Title, key
Te solo adoro
Composition, first performance
?1824
Publication
HS
Dedication, remarks
for Carlos Evasio Soliva
GA
HS v
Hess 264
Hess 264
No.
Hess 264
Title, key
Te solo adoro
Composition, first performance
?1824
Publication
HS
Dedication, remarks
for Carlos Evasio Soliva
GA
HS v
WoO 186
WoO 186
No.
WoO 186
Title, key
Te solo adoro
Composition, first performance
June 1824
Publication
GA
Dedication, remarks
for Carlos Evasio Soliva
GA
xxv/285/1
WoO 187
WoO 187
No.
WoO 187
Title, key
Schwenke dich ohne Schwänke!, F
Composition, first performance
November 1824
Publication
Caecilia, i/7 (1825)
Dedication, remarks
for Carl Schwänke
GA
xxiii/256/11
WoO 188
WoO 188
No.
WoO 188
Title, key
Gott ist eine fest Burg, B♭
Composition, first performance
January 1825
Publication
F. Prelinger: Beethovens sämtliche Briefe, iv (Vienna, 1909)
Dedication, remarks
for Oberst von Düsterlohe
GA
HS v
WoO 203
WoO 203
No.
WoO 203
Title, key
Das Schöne zu dem Guten
Composition, first performance
1825
Publication
L. Rellstab: Garten und Wald, iv (Leipzig, 1854)
Dedication, remarks
for Ludwig Rellstab
GA
HS v
WoO 189
WoO 189
No.
WoO 189
Title, key
Doktor, sperrt das Tor dem Tod, C
Composition, first performance
May 1825
Publication
Nohl (1865)
Dedication, remarks
for Anton Braunhofer
GA
HS v
WoO 190
WoO 190
No.
WoO 190
Title, key
Ich war hier, Doktor, C
Composition, first performance
June 1825
Publication
?HS
Dedication, remarks
for Anton Braunhofer
GA
HS v
WoO 191
WoO 191
No.
WoO 191
Title, key
Kühl, nicht lau, B♭
Composition, first performance
Sept 1825
Publication
Seyfried (1832)
Dedication, remarks
for Friedrich Kuhlau
GA
xxiii/256/12
WoO 192
WoO 192
No.
WoO 192
Title, key
Ars longa, vita brevis, F
Composition, first performance
Sept 1825
Publication
Thayer (1865)
Dedication, remarks
for Sir George Smart
GA
HS v
WoO 194
WoO 194
No.
WoO 194
Title, key
Si non per portas, per muros, F
Composition, first performance
Sept 1825
Publication
Marx (1859), ii
Dedication, remarks
for Maurice Schlesinger
GA
xxiii/256/17
WoO 195
WoO 195
No.
WoO 195
Title, key
Freu' dich des Lebens, C
Composition, first performance
December 1825
Publication
GA
Dedication, remarks
for Theodor Molt
GA
xxv/285/5
WoO 193
WoO 193
No.
WoO 193
Title, key
Ars longa, vita brevis, C
Composition, first performance
?c. 1825
Publication
facsimile in auction catalogue no. 120 of Henrici (Berlin, 1927)
GA
HS v
WoO 196
WoO 196
No.
WoO 196
Title, key
Es muss sein, F
Composition, first performance
?July 1826
Publication
A.W. Thayer: Ludwig van Beethovens Leben, ed. H. Riemann, v (Leipzig, 1908)
Dedication, remarks
for "Hofkriegsagent" Dembscher
GA
HS v
Hess 277
Hess 277
No.
Hess 277
Title, key
Esel aller Esel
Composition, first performance
?Sept 1826
Publication
HS
GA
HS v
WoO 197
WoO 197
No.
WoO 197
Title, key
Da ist das Werk, C
Composition, first performance
Sept 1826
Publication
Zürich, 1949
Dedication, remarks
for Holz
GA
HS v
WoO 198
WoO 198
No.
WoO 198
Title, key
Wir irren allesamt
Composition, first performance
December 1826
Publication
Nohl (1865)
Dedication, remarks
for Holz
GA
HS v
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 159
Im Arm der Liebe, F
c. 1795
I. von Seyfried: Ludwig van Beethovens Studien im Generalbass (Vienna, 1832)
Contrapuntal study for Albrechtsberger
xxiii/256/1
xiii/1
WoO 160/1
O Care selve
c. 1795
Seyfried (1832)
Contrapuntal study for Albrechtsberger
HS v
xiii/1
WoO 160/2
Canon, C
c. 1795
Seyfried (1832)
Contrapuntal study for Albrechtsberger
HS v
xiii/1
Canon
1796–97
J. Kerman, ed.: Ludwig van Beethoven: Autograph Miscellany from circa 1786 to 1799 (London, 1970)
Hess 276
Herr Graf, ich komme zu fragen
?1797
HS
HS v
WoO 100
Schuppanzigh ist ein Lump
1801
Grove1
for Ignaz Schuppanzigh
HS v
WoO 101
Graf, Graf, Graf, Graf
1802
Thayer: Chronologisches Vezeichniss der Werke Ludwig van Beethoven (Berlin, 1865)
for Nikolaus Zmeskall
HS v
Hess 274
Canon, G
1803
N. Fishman: Kniga ėskizov Bėtkhoven za 1802–1806 godï (Moscow, 1962)
HS ix
Hess 229
Languisco e moro
1803
Fishman (1962)
HS xiv
Hess 275
Canon, A♭
1803
HS
HS
WoO 162
Ta ta ta...lieber Mälzel
spurious: apparently written by Anton Schindler
HS vii
WoO 161
Ewig dein, C
?c. 1811
AMZ, new series, i (1863)
xxiii/256/14
WoO 163
Kurz ist der Schmerz, F minor
November 1813
NZM, xi (1841),
for Friedrich Naue
xxiii/256/3a
WoO 199
Ich bin der Herr von zu, D
1814
for Archduke Rudolph
WoO 164
Freundschaft ist die Quelle, C
Sept 1814
GA
xxv/285/2
WoO 165
Glück zum neuen Jahr, E♭
January 1815
Vienna, 1816
for Baron von Pasqualati
xxiii/256/16
WoO 166
Kurz ist der Schmerz, F
March 1815
GA
for Louis Spohr
xxiii/256/3b
WoO 167
Brauchle, Linke, C
c. 1815
Thayer, 1865
for Johann Xaver Brauchle and Joseph Linke
HS v
WoO 168/1
Lerne schweigen, F minor
January 1816
Wiener allgemeine musikalische Zeitung, i (1816)
for Charles Neate
xxiii/256/5
WoO 168/2
Rede, rede, F
January 1816
GA
for Charles Neate
xxiii/256/4
WoO 169
Ich küsse Sie, C
January 1816
Die Jahrenszeien, xii/3 (1853)
for Anna Milder-Hauptmann
HS v
WoO 170
Ars longa, vita brevis, C
April 1816
L. Nohl: Neue Briefe Beethovens (Stuttgart, 1867)
for Johann Nepomuk Hummel
HS v
WoO 171
Glück fehl' dir vor allem, G
1817
T. von Frimmel: Neue Beethoveniana (Vienna, 1888)
for Anna Giannatasio del Rio
HS v
WoO 172
Ich bitt' dich schrreib' mir die Es-Scala auf, E♭
?c. 1818
GA
for Vincenz Hauschka
xxiii/256/15
WoO 201
Ich bin bereit! Amen, C
1818
for Vincenz Hauschka
WoO 173
Hol'euch der Teufel!, B♭
sum. 1819
Thayer (1865)
for Sigmund Anton Steiner
HS v
WoO 174
Glaube und hoffe
Sept 1819
L. Nohl: Briefe Beethovens (Stuttgart 1865)
for Maurice Schlesinger
xxv/285/3
WoO 176
Glück zum neuen Jahr!, F
December 1819
GA
for Countess Erdödy
xxiii/256/6
WoO 179
Alles Gute! alles Schöne, C
December 1819
Nohl (1865)
for Archduke Rudolph
xxiii/256/7
Hess 300
Liebe mich, werter Weissenbach
? January 1820
J. Schmidt-Görg, ed.: Drei Skizzenbücher zur Missa Solemnis, i (Bonn, 1952)
for Aloys Weissenbach
Hess 301
Wähner ... es sei kein Wahn
? January 1820
J. Schmidt-Görg, ed.: Drei Skizzenbücher zur Missa Solemnis, i (Bonn, 1952)
Friedrich Wähner
WoO 175
Sankt Petrus war ein Fels; Bernardus war ein Sankt
? January 1820
Thayer (1865)
for Carl Peters and Carl Bernard
HS v
WoO 180
Hoffman, sei ja kein Hofmann, C
March 1820
Caecilia, i (1825)
xxiii/256/8
WoO 177
Bester Magistrat, Ihr friert, E
c. 1820
D. MacArdle and L. Misch: New Beethoven Letters (Norman, OK, 1957)
HS v
WoO 178
Signor Abate, B♭
?c. 1820
GA
for the Abbé Maximilian Stadler
xxiii/256/13
WoO 181/1
Gedenket heute an Baden, C
c. 1820
GA
xxv/285/4
WoO 181/2
Gehabt euch wohl, C
c. 1820
Festschrift Arnold Scherings (Berlin, 1937)
HS v
WoO 181/3
Tugent ist kein leerer Name
c. 1820
HS v
WoO 182
O Tobias, d
Sept 1821
AMZ, new series, i (1863)
for Tobias Haslinger
xxiii/256/9
WoO 183
Berster Herr Graf, Sie sind ein Schaf!, F
February 1823
Mf, vii (1954)
for Count Moritz Lichnowsky
HS v
WoO 184
Falstafferel, lass' dich sehen!, G
April 1823
Die Musik, ii (1902–03)
for Schuppanzigh
HS v
WoO 185
Edel sei der Mensch, E
? May 1823
Wiener Zeitschrift für Kunst, viii (1823)
for Louis Schlösser
xxiii/256/10
Hess 263
Te solo adoro
?1824
HS
for Carlos Evasio Soliva
HS v
Hess 264
Te solo adoro
?1824
HS
for Carlos Evasio Soliva
HS v
WoO 186
Te solo adoro
June 1824
GA
for Carlos Evasio Soliva
xxv/285/1
WoO 187
Schwenke dich ohne Schwänke!, F
November 1824
Caecilia, i/7 (1825)
for Carl Schwänke
xxiii/256/11
WoO 188
Gott ist eine fest Burg, B♭
January 1825
F. Prelinger: Beethovens sämtliche Briefe, iv (Vienna, 1909)
for Oberst von Düsterlohe
HS v
WoO 203
Das Schöne zu dem Guten
1825
L. Rellstab: Garten und Wald, iv (Leipzig, 1854)
for Ludwig Rellstab
HS v
WoO 189
Doktor, sperrt das Tor dem Tod, C
May 1825
Nohl (1865)
for Anton Braunhofer
HS v
· List of works by genre › Miscellaneous
WoO 31
WoO 31
No.
WoO 31
Title, key
Fugue for organ, D
Composition, first performance
1783
Publication
GA
GA
xxv/309
WoO 33/1
WoO 33/1
No.
WoO 33/1
Title, key
Adagio for mechanical clock, F
Composition, first performance
1799
Publication
Die Musik, i (1902)
GA
HS vii
NA
vi/1
WoO 33/2
WoO 33/2
No.
WoO 33/2
Title, key
Scherzo for mechanical clock, G
Composition, first performance
1799–1800
Publication
G. Becking Studien zu Betthovens Personalstil: das Scherzothema (Leipzig, 1921)
GA
HS vii
NA
vi/1
WoO 33/3
WoO 33/3
No.
WoO 33/3
Title, key
Allegro for mechanical clock, G
Composition, first performance
?c. 1799
Publication
Ricordiana, iii (1957)
GA
HS vii
NA
vi/1
WoO 33/4
WoO 33/4
No.
WoO 33/4
Title, key
Allegro for mechanical clock, C
Composition, first performance
?1794
Publication
Mainz, 1940
GA
HS vii
NA
vi/1
WoO 33/5
WoO 33/5
No.
WoO 33/5
Title, key
Allegretto for mechanical clock, C
Composition, first performance
?1794
Publication
Mainz, 1940
GA
HS vii
NA
vi/1
Hess 107
Hess 107
No.
Hess 107
Title, key
Grenadiermarsch for mechanical clock, F
Composition, first performance
?c. 1798
Publication
Beethoven-Almanach der Deutschen Musikbücherei auf das Jahr 1927 (Regensburg, 1927)
Dedication, remarks
Prince Joseph Johann zu Schwarzenberg
GA
HS vii
NA
vi/1
WoO 99
WoO 99
No.
WoO 99
Title, key
Exercises in Italian declamation prepared for Salieri
Composition, first performance
1801–02
Publication
Nottebohm (1873) [selective]; HS i [complete]
GA
HS i
NA
xiii/1
WoO 58
WoO 58
No.
WoO 58
Title, key
Cadenzas to first movement and finale of Mozart's Piano Concerto No. 20 (K. 466), d
Composition, first performance
?1809
Publication
1st movt: Wiener Zeitschrift für Kunst... (23 January 1836); finale: GA;
Dedication, remarks
written for Ferdinand Ries
GA
ix/70a/11–12
NA
vii/7
WoO 200
WoO 200
No.
WoO 200
Title, key
Theme for variations by the Archduke Rudolph, with text "O Hoffnung"
Composition, first performance
1818
Publication
Vienna, 1819
No.
Title, key
Composition, first performance
Publication
Dedication, remarks
GA
NA
WoO 31
Fugue for organ, D
1783
GA
xxv/309
Various dances, kbd exercises, entered among sketches for larger works but probably not intended for publication
mostly 1790–98
transcr. selectively in writings of G. Nottebohm: many pubd in Kerman, ed. (I(ii)1970)
HS ix
Contrapuntal exercises prepared for Haydn and Albrechtsberger
1793–95
Nottebohm: Beethovens Studien (Leipzig, 1873), selective transcr.
HS vi, xiv
xiii/1
WoO 33/1
Adagio for mechanical clock, F
1799
Die Musik, i (1902)
HS vii
vi/1
WoO 33/2
Scherzo for mechanical clock, G
1799–1800
G. Becking Studien zu Betthovens Personalstil: das Scherzothema (Leipzig, 1921)
HS vii
vi/1
WoO 33/3
Allegro for mechanical clock, G
?c. 1799
Ricordiana, iii (1957)
HS vii
vi/1
WoO 33/4
Allegro for mechanical clock, C
?1794
Mainz, 1940
HS vii
vi/1
WoO 33/5
Allegretto for mechanical clock, C
?1794
Mainz, 1940
HS vii
vi/1
Hess 107
Grenadiermarsch for mechanical clock, F
?c. 1798
Beethoven-Almanach der Deutschen Musikbücherei auf das Jahr 1927 (Regensburg, 1927)
Prince Joseph Johann zu Schwarzenberg
HS vii
vi/1
WoO 99
Exercises in Italian declamation prepared for Salieri
1801–02
Nottebohm (1873) [selective]; HS i [complete]
HS i
xiii/1
WoO 58
Cadenzas to first movement and finale of Mozart's Piano Concerto No. 20 (K. 466), d
?1809
1st movt: Wiener Zeitschrift für Kunst... (23 January 1836); finale: GA;
written for Ferdinand Ries
ix/70a/11–12
vii/7
WoO 200
Theme for variations by the Archduke Rudolph, with text "O Hoffnung"
1818
Vienna, 1819
Various musical greetings, in letters and diaries

References

  1. Beethoven-Haus Bonn
    https://web.archive.org/web/20200623004204/https://da.beethoven.de/sixcms/detail.php?id=1510&template=einstieg_digitales_archiv_en&_mid=Works
  2. Britannica.com
    https://www.britannica.com/art/program-music
  3. Classical MPR
    https://www.classicalmpr.org/story/2011/12/16/beethovens-birthday
  4. Interlude
    https://interlude.hk/music-catalogued/
  5. Beethoven-Haus
    https://da.beethoven.de/sixcms/detail.php?id=38893&template=&_mid=39059
  6. G. Henle Verlag
    https://www.henle.de/en/shop/musicology/complete-editions/ludwig-van-beethoven/
  7. Grove Music Dictionary
    https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040026
  8. 1st private performance at Lobkowitz palace, summer 1804,
  9. preliminary sketches, 1804
  10. "Beethoven: The Immortal"
    https://web.archive.org/web/20090203234337/http://lucare.com/immortal/cooper.html
  11. with op.133 as finale; new finale composed 1826
  12. "According to footnote 3 of Series VI, Volume 5, of the New Compete Edition, Hess 33 (=WoO 211) appears in the Anhang (A
  13. String Quintet (viola) in C major, Op. 29, Der Sturm, earsense.org
    http://www.earsense.org/chamberbase/works/detail/?pkey=97
  14. "Ludwig van Beethoven, Skizzenblatt zu einem unvollendeten Streichquintett C-Dur, Finale, Partiturskizze, Autograph", Be
    https://www.beethoven.de/en/media/view/5262514635931648/scan/0
  15. 24 Variations on 'Venni Amore' by Vincenzio Righini, WoO 65: Scores at the International Music Score Library Project
    https://imslp.org/wiki/24_Variations_on_%27Venni_Amore%27_by_Vincenzio_Righini,_WoO_65_(Beethoven,_Ludwig_van)
  16. Howard Ferguson's 1986 edition of the Bagatelles for the Associated Board of the Royal Schools of Music includes six of
  17. nos.2 and 4 sketched 1794–95; others also sketched before 1820
  18. Variations nos. 1, 2, 5, 6 written in 1799, nos. 3–4 in 1803
  19. private edition of full score, Leipzig, 1908–10
  20. no. 3 sketched 1798
  21. The author of the text
  22. No. 3 sketched c. 1792–93
  23. "The first true song cycle in the history of music."(Lühning 1997)
  24. earlier sketches from 1814
  25. "The final contribution to the medium before writing the song of the songs, that symbiosis of vocal and instrumental mus
  26. nos. 3, 4, 6 written in 1795; nos. 2, 9, 10 in late 1801; others before 1802
  27. reported by Schindler; pts found by H. Riemann in 1905 were assumed to be same work
  28. Allmusic
    https://www.allmusic.com/artist/ludwig-van-beethoven-mn0000536126/compositions
  29. lvbeethoven
    http://www.lvbeethoven.com/Oeuvres/ListWoO.html
  30. Beethoven produced 3 different versions of Te solo adore
  31. consists of march by Haydn, transition section by Beethoven and transcription of WOO29
  32. Music & Letters
    https://doi.org/10.1093%2Fml%2FXXVII.2.83
  33. Unheard Beethoven
    https://unheardbeethoven.org/search.php?Identifier=woo12
  34. Unheard Beethoven
    https://unheardbeethoven.org/search.php?Identifier=woo16
  35. https://unheardbeethoven.org/recordings-of-the-woo-99-part-songs-analyzed/ . The 2014 revision to the Kinsky catalogue r
    https://unheardbeethoven.org/recordings-of-the-woo-99-part-songs-analyzed/
  36. The Unheard Beethoven
    https://unheardbeethoven.org/the-new-kinsky-halm-catalogue/
  37. lvbeethoven
    http://www.lvbeethoven.com/Oeuvres/ListWoOAnhang.html
  38. The Unheard Beethoven
    http://unheardbeethoven.org/search.php?Identifier=wooanh8
  39. The Straits Times
    https://www.straitstimes.com/singapore/tunes-played-during-gun-carriage-procession
  40. davidderick.wordpress
    https://davidderrick.wordpress.com/2009/11/11/funeral-march/
  41. Unheard Beethoven
    https://unheardbeethoven.org/search.php?Identifier=wooanh15
  42. Unheard Beethoven
    https://unheardbeethoven.org/search.php?Identifier=wooanh16-2
  43. New York Times
    https://www.nytimes.com/2001/08/23/arts/beethoven-s-macbeth-bubbles-to-the-surface.html
  44. lvbeethoven
    http://www.lvbeethoven.com/Oeuvres/ListHess.html
  45. lvbeethoven
    http://www.lvbeethoven.com/Oeuvres/ListHessAnhang.html
  46. lvbeethoven
    http://www.lvbeethoven.com/Oeuvres/ListBiamonti01.html
  47. lvbeethoven
    http://www.lvbeethoven.com/Oeuvres/ListBiamonti03.html
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