Topzle Topzle

Il trovatore

Updated: Wikipedia source

Il trovatore

Il trovatore ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the Spanish play El trovador (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world", a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of Il trovatore. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose significant revisions, which were accomplished under his direction. These revisions are seen largely in the expansion of the role of Leonora. For Verdi, the three years were filled with musical activity; work on this opera did not proceed while the composer wrote and premiered Rigoletto in Venice in March 1851. His personal affairs also limited his professional work. In May 1851, an additional commission was offered by the Venice company after Rigoletto's success there. Another commission came from Paris while he was visiting that city from late 1851 to March 1852. Before the libretto for Il trovatore was completed, before it was scored, and before it premiered, Verdi had four operatic projects in various stages of development. Today, Il trovatore is performed frequently and is a staple of the standard operatic repertoire.

Infobox

Librettist
Salvadore Cammarano with additions by Leone Emanuele Bardare
Language
Italian
Based on
Antonio García Gutiérrez's play El trovador
Premiere
19 January 1853 (1853-01-19)Teatro Apollo, Rome

Tables

mw- Roles, voice types, premiere casts · Roles
Conte di Luna, a nobleman in the service of the Prince of Aragon
Conte di Luna, a nobleman in the service of the Prince of Aragon
Role
Conte di Luna, a nobleman in the service of the Prince of Aragon
Voice type
baritone
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Giovanni Guicciardi
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Marc Bonnehée
Manrico, a troubadour and officer in the army of the Prince of Urgel
Manrico, a troubadour and officer in the army of the Prince of Urgel
Role
Manrico, a troubadour and officer in the army of the Prince of Urgel
Voice type
tenor
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Carlo Baucardé
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Louis Guéymard
Azucena, a gypsy, supposedly Manrico's mother
Azucena, a gypsy, supposedly Manrico's mother
Role
Azucena, a gypsy, supposedly Manrico's mother
Voice type
mezzo-soprano
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Emilia Goggi
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Adelaide Borghi-Mamo
Leonora, noble lady, in love with Manrico and courted by Di Luna
Leonora, noble lady, in love with Manrico and courted by Di Luna
Role
Leonora, noble lady, in love with Manrico and courted by Di Luna
Voice type
soprano
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Rosina Penco
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Pauline Guéymard-Lauters
Ferrando, Luna's officer
Ferrando, Luna's officer
Role
Ferrando, Luna's officer
Voice type
bass
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Arcangelo Balderi
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Prosper Dérivis
Ines, Leonora's confidante
Ines, Leonora's confidante
Role
Ines, Leonora's confidante
Voice type
soprano
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Francesca Quadri
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Mme Dameron
Ruiz, Manrico's henchman
Ruiz, Manrico's henchman
Role
Ruiz, Manrico's henchman
Voice type
tenor
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Giuseppe Bazzoli
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Étienne Sapin
An old gypsy
An old gypsy
Role
An old gypsy
Voice type
bass
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Raffaele Marconi
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Medori
A messenger
A messenger
Role
A messenger
Voice type
tenor
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Luigi Fani
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Cléophas
Leonora's friends, nuns, the Count's lackeys, warriors, Gypsies
Leonora's friends, nuns, the Count's lackeys, warriors, Gypsies
Role
Leonora's friends, nuns, the Count's lackeys, warriors, Gypsies
Role
Voice type
Original Italian version,Premiere cast, 19 January 1853Conductor: Emilio Angelini
Revised French version,as Le trouvère, 12 January 1857Conductor: Narcisse Girard
Conte di Luna, a nobleman in the service of the Prince of Aragon
baritone
Giovanni Guicciardi
Marc Bonnehée
Manrico, a troubadour and officer in the army of the Prince of Urgel
tenor
Carlo Baucardé
Louis Guéymard
Azucena, a gypsy, supposedly Manrico's mother
mezzo-soprano
Emilia Goggi
Adelaide Borghi-Mamo
Leonora, noble lady, in love with Manrico and courted by Di Luna
soprano
Rosina Penco
Pauline Guéymard-Lauters
Ferrando, Luna's officer
bass
Arcangelo Balderi
Prosper Dérivis
Ines, Leonora's confidante
soprano
Francesca Quadri
Mme Dameron
Ruiz, Manrico's henchman
tenor
Giuseppe Bazzoli
Étienne Sapin
An old gypsy
bass
Raffaele Marconi
Medori
A messenger
tenor
Luigi Fani
Cléophas
Leonora's friends, nuns, the Count's lackeys, warriors, Gypsies

References

  1. Budden 1984, p. 59.
  2. Budden 1984, p. 66.
  3. Budden 1984, p. 65.
  4. Strepponi to Verdi, 3 January 1853, in Budden 1984, p. 59. Her emphasis on the "OUR".
  5. Budden 1984, p. 60: Budden notes that it is with this librettist that the composer hoped to work on his project for adap
  6. Verdi to Cammarano, 2 January 1850, in Werfel & Stefan 1973, pp. 149–150. [The implication here is that the opera would
  7. Budden 1984, pp. 61–64
  8. Verdi to De Sanctis (their mutual friend), 29 March 1851, in Budden 1984, p. 61
  9. Verdi to Cammarano, 4 April 1851, in Budden 1984, p. 61
  10. Verdi to Cammarano, 26 June 1851, in Budden 1984, p. 62
  11. Verdi to Cammarano, 1 October 1851, in Phillips-Matz 1993, p. 306.
  12. Phillips-Matz 1993, p. 287.
  13. Phillips-Matz 1993, pp. 293–294.
  14. Phillips-Matz 1993, p. 303.
  15. Phillips-Matz 1993, p. 307.
  16. Budden 1984, pp. 65–66.
  17. Le trouvère
    https://doi.org/10.1093%2Foq%2Fkbi018
  18. Pitou 1990, p. 1333
  19. Budden 1984, p. 107.
  20. Forbes, Elizabeth, "Borghi-Mamo [née Borghi], Adelaide" in Sadie, vol. 1, p. 549.
  21. Bosch, Mariano G. (1905). Historia de la Opera en Buenos Aires. Imprenta El Comercio, pp. 203-204. Reprinted by Kessinge
  22. Verdi Forum
    https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1093&context=vf
  23. Kimbell 2001, p. 993.
  24. Verdi in America: Oberto Through Rigoletto
    https://books.google.com/books?id=vEYA8_RARL0C&q=%22Boston+Theatre%22+%22Max+Maretzek%22&pg=PA81
  25. Met Opera Archives
    https://web.archive.org/web/20180812164001/http://archives.metoperafamily.org/archives/frame.htm
  26. "Opera Statistics"
    http://operabase.com/top.cgi?lang=en#opera
  27. Pitou 1990, p. 1333.
  28. Osborne 1977, p. 259.
  29. Budden 1984, pp. 107–111.
  30. Pitou 1990, pp. 158–159.
  31. Le Trouvere' dazzles, despite the plot
    https://tulsaworld.com/archive/le-trouvere-dazzles-despite-the-plot/article_18e14005-c125-5a67-868f-ffd14d733955.html
  32. Tulsa Opera Chronicles
  33. Giuseppe Verdi: A Guide to Research
    https://books.google.com/books?id=MaIZnGddRsQC&dq=Le+trouvère+David+Lawton&pg=PA328
  34. www.ricordi.com
    https://www.ricordi.com/en-US/News/2018/10/Verdi-Le-trouvere-new-crit-edition.aspx
  35. List of recordings in all languages on operadis-opera-discography.org Retrieved 28 March 2013
    http://www.operadis-opera-discography.org.uk/CLVETROV.HTM
  36. "Sarasota Opera repertoire of Verdi operas presented"
    https://web.archive.org/web/20130404092332/http://www.sarasotaopera.org/repertoire.aspx
  37. List of singers taken from Budden 1984, p. 58
  38. List of singers taken from Pitou 1990, p. 1335.
  39. The synopsis is adapted from Melitz 1921, pp. 363–363, and Osborne 1977, pp. 251–255.
  40. Parker 1998, p. 827
  41. Osborne 1977, p. 255
  42. Verdi to De Sanctis, 29 April 1851[full citation needed]
  43. Budden 1984, pp. 67–70
  44. Osborne 2007, p. 502.
  45. Grover-Friedlander 2005, p. 33.
  46. Marcus 1986, p. 182.
  47. Tambling 1987, pp. 62–63.
  48. Hillgarth, Jocelyn Nigel (1978) The Spanish Kingdoms 1250-1516 volume 2 1410-1516: Castilian hegemony p 229 ISBN 0-19-82
  49. Queenship And Political Power In Medieval And Early Modern Spain
  50. yalemusiclib.aviaryplatform.com
    https://yalemusiclib.aviaryplatform.com/collections/213/collection_resources/12521?u=t&keywords%5B%5D=Labinskii
  51. "Anvil Chorus", Music History – 1750 to 1850; accessed 2024.09.14.
    https://library.fiveable.me/key-terms/history-music-1750-1850/anvil-chorus
Image
Source:
Tip: Wheel or +/− to zoom, drag to pan, Esc to close.