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Gott der Herr ist Sonn und Schild, BWV 79

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Gott der Herr ist Sonn und Schild, BWV 79

Gott der Herr ist Sonn und Schild, BWV 79, is a church cantata for Reformation Day by Johann Sebastian Bach. He composed it in 1725, his third year in the position of Thomaskantor in Leipzig, and led the first performance on 31 October that year. It is possibly his first cantata for the occasion. The text was written by an unknown poet, who did not refer to the prescribed readings for the day. He began the libretto for the feast with a quotation from Psalm 84 and included two hymn stanzas, the first from Martin Rinckart's "Nun danket alle Gott", associated with Reformation Day in Leipzig, as the third movement, and as the last movement the final stanza of Ludwig Helmbold's "Nun laßt uns Gott dem Herren". Bach composed a work of "festive magnificence", structured in six movements, with an aria following the opening chorus, and a recitative and duet following the first chorale. He scored the work for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble of two horns, timpani, two transverse flutes (added for a later performance), two oboes, strings and continuo. He achieved a unity within the structure by using the horns not only in the opening but also as obbligato instruments in the two chorales, the first time even playing the same motifs. Bach performed the cantata again, probably in 1730. He later reworked the music of the opening chorus and a duet for his Missa in G major, BWV 236, and the music of an alto aria for his Missa in A major, BWV 234.

Infobox

Occasion
Reformation Day
Bible text
Psalms 84:11
Chorale
mw- "Nun danket alle Gott"by Martin Rinckart"Nun laßt uns Gott dem Herren"by Ludwig Helmbold
Performed
31 October 1725 (1725-10-31): Leipzig
Movements
6
Vocal
SATB choir and soloists
Instrumental
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Tables

Movements of Gott, der Herr, ist Sonn und Schild, BWV 79 · Music › Structure and scoring
1
1
No.
1
Title
Gott, der Herr, ist Sonn und Schild
Text
anon.
Type
Chorus
Vocal
SATB
Winds
2Co Ti 2Ft 2Ob
Strings
2Vl Va
Key
G major
Time
2
2
No.
2
Title
Gott ist unser Sonn und Schild
Text
anon.
Type
Aria
Vocal
A
Winds
Ob
Key
D major
Time
68
3
3
No.
3
Title
Nun danket alle Gott
Text
Rinckart
Type
Chorale
Vocal
SATB
Winds
2Co Ti 2Ft 2Ob
Strings
2Vl Va
Key
G major
Time
4
4
No.
4
Title
Gottlob! Wir wissen den rechten Weg zur Seligkeit
Text
anon.
Type
Recitative
Vocal
B
Time
5
5
No.
5
Title
Gott, ach Gott, verlaß die Deinen nimmermehr
Text
anon.
Type
Aria
Vocal
S B
Strings
2Vl
Key
B minor
Time
6
6
No.
6
Title
Erhalt uns in der Wahrheit
Text
Helmbold
Type
Chorale
Vocal
SATB
Winds
2Co Ti 2Ft 2Ob
Strings
2Vl Va
Key
G major
Time
34
No.
Title
Text
Type
Vocal
Winds
Strings
Key
Time
1
Gott, der Herr, ist Sonn und Schild
anon.
Chorus
SATB
2Co Ti 2Ft 2Ob
2Vl Va
G major
2
Gott ist unser Sonn und Schild
anon.
Aria
A
Ob
D major
68
3
Nun danket alle Gott
Rinckart
Chorale
SATB
2Co Ti 2Ft 2Ob
2Vl Va
G major
4
Gottlob! Wir wissen den rechten Weg zur Seligkeit
anon.
Recitative
B
5
Gott, ach Gott, verlaß die Deinen nimmermehr
anon.
Aria
S B
2Vl
B minor
6
Erhalt uns in der Wahrheit
Helmbold
Chorale
SATB
2Co Ti 2Ft 2Ob
2Vl Va
G major
34
Recordings of Gott der Herr ist Sonn und Schild · Recordings
Title
Conductor / Choir / Orchestra
Soloists
Label
Year
Instr.
The RIAS Bach Cantatas Project (1949–1952)
Karl RistenpartRIAS KammerchorRIAS-Kammerorchester
Agnes Giebel Lorri Lail [sv] Dietrich Fischer-Dieskau
Audite
1950 (1950)
J. S. Bach: Cantata BWV 39 & BWV 79
Fritz LehmannBerliner MotettenchorBerliner Philharmoniker
Gunthild Weber Lore Fischer Hermann Schey
Archiv Produktion
1952 (1952)
J. S. Bach: Kantate 'Gott, der Herr, ist Sonn' und Schild'
Karl RichterMünchener Bach-ChorMembers of the Bavarian State Opera Munich
Antonia Fahberg Beatrice Krebs Kieth Engen
Decca
1955 (1955)
J. S. Bach: Cantata No. 32, 79
Karl RistenpartLaubach ChoirChamber Orchestra of the Saar [fr]
Ingeborg Reichelt Annelotte Sieber-Ludwig Jakob Stämpfli
Music Guild
1956 (1956)
Les Grandes Cantates de J.S. Bach Vol. 19
Fritz WernerHeinrich-Schütz-Chor HeilbronnPforzheim Chamber Orchestra
Edith Selig Claudia Hellmann Jakob Stämpfli
Erato
1964 (1964)
J. S. Bach: Cantatas BWV 80 & BWV 79
Wolfgang GönnenweinSüddeutscher MadrigalchorConsortium Musicum
Elly Ameling Janet Baker Hans Sotin
EMI
1967 (1967)
J. S. Bach: Das Kantatenwerk • Complete Cantatas • Les Cantates, Fol / Vol. 20 – BWV 76-79
Gustav Leonhardt Knabenchor Hannover Collegium Vocale Gent Leonhardt-Consort
Soloist of the Knabenchor Hannover Paul Esswood Max van Egmond
Teldec
1980 (1980)
Period
Bach Made in Germany Vol. 4 – Cantatas X
Hans-Joachim RotzschThomanerchorGewandhausorchester
Arleen Auger Ortrun Wenkel Theo Adam
Eterna
1982 (1982)
Lecture Concerts – New Recordings Cantatas
Helmuth Rilling Frankfurter Kantorei Gächinger Kantorei Bach-Collegium Stuttgart
Sibylla Rubens Ingeborg Danz Markus Marquardt
Hänssler
1997 (1997)
Bach Edition Vol. 15 – Cantatas Vol. 8
Pieter Jan LeusinkHolland Boys ChoirNetherlands Bach Collegium
Ruth Holton Sytse Buwalda Bas Ramselaar
Brilliant Classics
2000 (2000)
Period
For the 19th Sunday after Trinity; For the Feast of Reformation
John Eliot GardinerMonteverdi ChoirEnglish Baroque Soloists
Joanne Lunn William Towers Peter Harvey
Soli Deo Gloria
2000 (2000)
Period
J. S. Bach: Complete Cantatas Vol. 16
Ton KoopmanAmsterdam Baroque Orchestra & Choir
Sandrine Piau Bogna Bartosz Klaus Mertens
Antoine Marchand
2001 (2001)
Period
J. S. Bach: Cantatas Vol. 40 – BWV 79, 137, 164, 168
Masaaki SuzukiBach Collegium Japan
Yukari Nonoshita Robin Blaze Peter Kooy
BIS
2007 (2007)
Period
J. S. Bach: Wo Gott der Herr nicht bei uns hält
Georg Christoph BillerThomanerchorGewandhausorchester
soloists of the Thomanerchor Gotthold Schwarz
Rondeau Production
2008 (2008)
J. S. Bach Lutheran Masses, Vol. II
Harry ChristophersThe SixteenOrchestra of The Sixteen
soloists of The Sixteen
Coro
2014 (2014)
Period
J. S. Bach: Kantate 79 "Gott der Herr ist Sonn und Schild"
Rudolf LutzChoir & orchestra of the J. S. Bach-Stiftung
Miriam Feuersinger Markus Forster Daniel Johannsen Matthias Helm
J. S. Bach-Stiftung
2017 (2017)
Period
Bach Cantates BWV 76, 79, 80 "Pour Luther"
Eric MilnesNone (OVPP)Montréal Baroque
Hélène Brunet Michael Taylor Philippe Gagné Jesse Blumberg
ATMA Classique
2018 (2018)
Period

References

  1. German pronunciation: [ˈgɔt dɛɐ̯ ˈhɛɐ̯ ɪst ˈsɔn ʊnt ˈʃilt], meaning 'God the Lord is Sun and Shield'.
  2. Wolff 2002, p. 253.
    https://books.google.de/books?id=NHpL3cQg0_UC&pg=PA253
  3. Wolff 2002, pp. 253–254.
    https://books.google.de/books?id=NHpL3cQg0_UC&pg=PA253
  4. Wolff 2002, p. 275.
    https://books.google.de/books?id=NHpL3cQg0_UC&pg=PA275
  5. Dürr & Jones 2006, p. 36.
  6. Bach Digital 2025.
  7. Dürr & Jones 2006, p. 713.
  8. Gardiner 2005.
  9. Bach Digital 80a 2025.
  10. Wolff 2001.
  11. Dürr & Jones 2006, p. 707.
  12. Hofmann 2007.
  13. Wolf 2005.
  14. Dürr & Jones 2006, pp. 711–712.
  15. Grob 2014.
  16. Dellal 2025.
  17. Dahn 3 2025.
  18. Rilling 2012.
  19. Dahn 6 2025.
  20. Oron 2025.
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