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Cooper's popularity is largely responsible for that of the given name Gary from the 1930s to the present day.
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Cooper bought the child actress toys and taught her how to draw using colored pencils during setups. He found it mildly
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Cooper also turned down the leading roles in John Ford's Stagecoach (1939) and Alfred Hitchcock's Foreign Correspondent
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Cooper previously appeared in the all-star feature Paramount on Parade (1930), which included scenes in two-color Techni
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John Wayne accepted the Oscar for Cooper, who was out of the country at the time, saying, "Coop and I have been friends,
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Balfe worked briefly as an actress in 1933 using the professional name Sandra Shaw. She appeared in uncredited bit parts
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After their wedding, Cooper and his wife lived on a 10-acre (4.0 ha) ranch at 4723 White Oak Avenue in Encino, from 1933
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Maria attended the Chouinard Art Institute in Los Angeles for four years and became an artist, with exhibitions in Los A
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Cooper and Bow began their affair during the production of one of her most popular films, It (1927), for which she had t
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Cooper's friendship with Ernest Hemingway is explored in the documentary Cooper & Hemingway: The True Gen (2013).
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In March 1961, Cooper traveled to New York to record the off-camera narration for the documentary – his last work as an
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The award dedication read, "To Gary Cooper for his many memorable screen performances and the international recognition
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Hemingway was too ill to attend the funeral. He took his own life on July 2, 1961, less than two months after Cooper die
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When Hollywood Was Right
https://books.google.com/books?id=EfI0AgAAQBAJ&dq=Ann+sothern&pg=PA111 -
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Meyers 1998, p. 6.
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Meyers 1998, pp. 10–12.
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Dunstable Borough Gazette
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Saturday Evening Post
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Dickens 1970, pp. 89–91.
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Dickens 1970, pp. 92–93.
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Baker 1969, p. 235
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Meyers 1998, p. 89.
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New York Times
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Dickens 1970, pp. 129–31.
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Johnson, G. Allen. A young Gary Cooper, the French Surrealists and the ethereal world of Peter Ibbetson available on Blu
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Dickens 1970, p. 131.
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The New York Times
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Dickens 1970, pp. 8, 73–74.
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Dickens 1970, p. 180.
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The New York Times
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The New York Times
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Meyers 1998, p. 215.
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Meyers 1998, pp. 215, 219.
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Dickens 1970, p. 236.
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The New York Times
https://www.nytimes.com/1952/07/25/arts/high-noon-oscars.html -
Dickens 1970, p. 237.
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"High Noon (1952)"
https://www.tcm.com/this-month/article/71585 -
Dickens 1970, pp. 238–240.
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Meyers 1998, pp. 254, 256.
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Dickens 1970, pp. 243–244.
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Dickens 1970, p. 253.
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The New York Times
https://web.archive.org/web/20150211103728/http://www.nytimes.com/movies/person/14817/Gary-Cooper/biography -
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Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910–1969
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Lupe Velez and Her Lovers
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The Last Hero: A Biography of Gary Cooper
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The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine
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Lupe Velez: The Life and Career of Hollywood's "Mexican Spitfire"
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Vanity Fair
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"The 16th Academy Awards, 1944"
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