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The theatre is referred to as the Teatro di Praga in the libretto for the 1787 premiere (Deutsch 1965, pp. 302–303); for
http://www.narodni-divadlo.cz/Default.aspx?jz=en&dk=text.aspx&it=40&sb=0 -
Aloysia Weber, Mozart's sister-in-law, frequently sang in his works.
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Caterina Cavalieri was the first Konstanze in Die Entführung aus dem Serail.
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Francesco Benucci was the first Figaro in Le nozze di Figaro.
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In the absence of an unambiguous indication in Da Ponte's libretto, it is reasonable to interpret this incident variousl
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This scene was added at the same time as the preceding Zerlina / Leporello duet, but is generally retained and sung dire
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Freeman 2021, pp. 284–286, points out that the purpose of excerpting music from other composer's operas is an assertion
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Freeman 2021, p. 287, points out that the correct translation of Donna Elvira's line Io men vado in un ritiro a finir la
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Leporello's F major e non voglio più servir becomes Fiorilla's A major così pien di civiltà, the music being quoted verb
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But not in the dinner scene; here Carnicer borrows some different tunes from Una cosa rara and Litiganti and presumably
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Classical Music
https://www.classical-music.com/features/works/20-greatest-operas-all-time/ -
The Guardian
https://www.theguardian.com/music/2011/aug/20/top-50-operas -
The background of the production is summarized in Freeman 2021, pp. 131–168.
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The first eighteenth-century Don Juan opera produced in Europe was La pravità castigata (Prague, 1730), and the second o
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See Freeman 2021, p. 263, for a discussion of Da Ponte's vague specification, including a theory about why it is so vagu
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Mozart's letter sent to Gottfried von Jacquin, dated 15 October
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Deutsch 1965, p. 303.
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Deutsch 1965, p. 304.
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"OperaGlass at Opera.Stanford.Edu"
http://opera.stanford.edu/iu/shortlib/mozaria1.html -
Wolfgang Plath and Wolfgang Rehm, Neue Mozart-Ausgabe, Serie II, Werkgruppe 5, Band 17, Don Giovanni (Kassel, 1968)
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Freeman 2021, pp. 286–287.
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Don Giovanni Captured: Performance, Media, Myth
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Schneider 2021, p. [page needed].
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Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater
https://books.google.com/books?id=djnqB_MUJ6kC&pg=PA332 -
Page 2 of the score at NMA
http://dme.mozarteum.at/DME/objs/ed/ucb08_68_2.jpg -
Casaglia 2005.
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Deutsch 1965, p. 313.
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Abert 2007, p. 1021.
https://books.google.com/books?id=l6I6BwTMJ3sC&pg=RA1-PA1021&lpg=RA1-PA1021 -
The Classical Mandolin
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Don Giovanni Schirmer piano-vocal score ISBN 079351231X, p. iv
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Mandolin Music, Beethoven, Hummel
https://archive.org/stream/mandolinmusicsou00sciv/mandolinmusicsou00sciv_djvu.txt -
Don Giovanni
https://doi.org/10.7916%2Fcm.v0i92.5208 -
Mozart's Don Giovanni
https://search.worldcat.org/oclc/1051553568 -
Opera on Screen
https://archive.org/details/operaonscreen00citr -
Kierkegaard 1992, p. 135.
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Gounod 1970, pp. v–vi.
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The Letters of Gustave Flaubert
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German Wikisource has original text related to this article: "Don Juan" (E. T. A. Hoffmann, in German)
https://en.wikisource.org/wiki/de:Don_Juan -
Den Danske Ordbog
http://ordnet.dk/ddo/ordbog?query=leporelloliste -
The Interpretation of French Song
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Tchaikovsky: The Quest for the Inner Man
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Abstract: 19th Century Music, Mark Everist Archived 24 July 2011 at the Wayback Machine
http://caliber.ucpress.net/doi/abs/10.1525/ncm.2001.25.2-3.165 -
University Musical Encyclopedia
https://archive.org/details/universitymusic14elsogoog
