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Bardo

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Bardo

In some schools of Buddhism, bardo (Classical Tibetan: བར་དོ་ Wylie: bar do) or antarābhava (Sanskrit, Chinese and Japanese: 中有, romanized in Chinese as zhōng yǒu and in Japanese as chū'u) is an intermediate, transitional, or liminal state between death and rebirth. The concept arose soon after Gautama Buddha's death, with a number of earlier Buddhist schools accepting the existence of such an intermediate state, while other schools rejected it. That is to say that during the so-called third Council in Pataliputra (Patna) the Asokan section of early Buddhism rejected this concept of àntāra-bháva. Some of those monks who during this Council were disrobed and send away re-introduced it in Hybrid Sanskrit manuscripts. Franklin D. Edgerton mentions àntarābhávika in the Bodhisatttva-bhumi: "someone living in the intermediate state", and àntarābháva in the Làlita-vistára and Abhidhárma-kosa.

The concept of antarābhava was brought into Buddhism from the Vedic-Upanishadic (later Hindu) philosophical tradition. Later Buddhism expanded the bardo concept to six or more states of consciousness covering every stage of life and death. In Tibetan Buddhism, bardo is the central theme of the Bardo Thodol (literally Liberation Through Hearing During the Intermediate State), the Tibetan Book of the Dead, a text intended to both guide the recently deceased person through the death bardo to gain a better rebirth and also to help their loved ones with the grieving process.

Used without qualification, "bardo" is the state of existence intermediate between two lives on earth. According to Tibetan tradition, after death and before one's next birth, when one's consciousness is not connected with a physical body, one experiences a variety of phenomena. These usually follow a particular sequence of degeneration from, just after death, the clearest experiences of reality of which one is spiritually capable, and then proceeding to terrifying hallucinations that arise from the impulses of one's previous unskillful actions. For the prepared and appropriately trained individuals, the bardo offers a state of great opportunity for liberation, since transcendental insight may arise with the direct experience of reality; for others, it can become a place of danger as the karmically created hallucinations can impel one into a less than desirable rebirth. Metaphorically, bardo can be used to describe times when the usual way of life becomes suspended, as, for example, during a period of illness or during a meditation retreat. Such times can prove fruitful for spiritual progress because external constraints diminish. However, they can also present challenges because our less skillful impulses may come to the foreground, just as in the sidpa bardo.

Tables

Table of Bardo Stages · Six bardos in Tibetan Buddhism
Bardo of Birth and Life Kyenay bardo (སྐྱེ་གནས་བར་དོ་ skye gnas bar do)
Bardo of Birth and Life Kyenay bardo (སྐྱེ་གནས་བར་དོ་ skye gnas bar do)
Bardo
1
Bardo Name
Bardo of Birth and Life Kyenay bardo (སྐྱེ་གནས་བར་དོ་ skye gnas bar do)
Description
This bardo is the state of waking life. It lasts from one's conception until one's death. This stage encompasses all of the conscious experiences of daily life.
Bardo of DreamingMilam bardo (རྨི་ལམ་བར་དོ་ rmi lam bar do)
Bardo of DreamingMilam bardo (རྨི་ལམ་བར་དོ་ rmi lam bar do)
Bardo
2
Bardo Name
Bardo of DreamingMilam bardo (རྨི་ལམ་བར་དོ་ rmi lam bar do)
Description
This bardo is a subset of the first Bardo. One is in this bardo when they are asleep dreaming. This stage is a opportunity to practice dream yoga. This can help to integrate the dream state into Buddhist sadhana.
Bardo of Meditation Samten bardo (བསམ་གཏན་བར་དོ་ bsam gtan bar do)
Bardo of Meditation Samten bardo (བསམ་གཏན་བར་དོ་ bsam gtan bar do)
Bardo
3
Bardo Name
Bardo of Meditation Samten bardo (བསམ་གཏན་བར་དོ་ bsam gtan bar do)
Description
Like the second bardo, the third bardo is also a subset of the first bardo. It is stage experienced in deep meditation, usually only by advanced meditators, though individuals may have spontaneous experience of it.
Bardo of the Moment of Death Chikhai bardo (འཆི་ཁའི་བར་དོ་ ’chi kha'i bar do)
Bardo of the Moment of Death Chikhai bardo (འཆི་ཁའི་བར་དོ་ ’chi kha'i bar do)
Bardo
4
Bardo Name
Bardo of the Moment of Death Chikhai bardo (འཆི་ཁའི་བར་དོ་ ’chi kha'i bar do)
Description
The fourth bardo begins when the dying process begins, specifically when the outer and inner signs presage that the onset of death is high. The bardo continues through the dissolution or transmutation of the elements until the external and internal breath has completed. This element dissolution leads to the state of consciousness known as the clear light of death. Those who were experienced at voluntarily sustaining the clear light consciousness during life are capable of retaining lucid awareness throughout the clear light, while others lose lucid awareness, blacking out. Meditation practitioners train to retain lucidity during the clear light of death, by practicing sustaining lucidity during the clear of light of sleep state, accessed via lucid deep sleep. The recognition of the clear light of death leads to the state of Tukdam.
Bardo of Reality or LuminosityChönyi bardo (ཆོས་ཉིད་བར་དོ་ chos nyid bar do)
Bardo of Reality or LuminosityChönyi bardo (ཆོས་ཉིད་བར་དོ་ chos nyid bar do)
Bardo
5
Bardo Name
Bardo of Reality or LuminosityChönyi bardo (ཆོས་ཉིད་བར་དོ་ chos nyid bar do)
Description
The fifth bardo begins after the final 'inner breath' (Sanskrit: prana, vayu; Tibetan: rlung). Within this Bardo, visions and auditory phenomena occur, known in Dzogchen teachings as the spontaneously manifesting Tögal (Tibetan: thod-rgal) visions. Concomitant to these visions, there is a welling of profound peace and pristine awareness. Those who have not practiced during their lived experience and/or who do not recognize the clear light (Tibetan: 'od gsal) at the moment of death are usually deluded throughout the fifth bardo of luminosity.
Bardo of Becoming or Rebirth Sidpa bardo (སྲིད་པ་བར་དོ་ srid pa bar do)
Bardo of Becoming or Rebirth Sidpa bardo (སྲིད་པ་བར་དོ་ srid pa bar do)
Bardo
6
Bardo Name
Bardo of Becoming or Rebirth Sidpa bardo (སྲིད་པ་བར་དོ་ srid pa bar do)
Description
The sixth bardo is when the consciousness takes on a mental body. This stage endures until the inner-breath commences in the new transmigrating form determined by the "karmic seeds" within the storehouse consciousness.
Bardo
Bardo Name
Description
During life
1
Bardo of Birth and Life Kyenay bardo (སྐྱེ་གནས་བར་དོ་ skye gnas bar do)
This bardo is the state of waking life. It lasts from one's conception until one's death. This stage encompasses all of the conscious experiences of daily life.
2
Bardo of DreamingMilam bardo (རྨི་ལམ་བར་དོ་ rmi lam bar do)
This bardo is a subset of the first Bardo. One is in this bardo when they are asleep dreaming. This stage is a opportunity to practice dream yoga. This can help to integrate the dream state into Buddhist sadhana.
3
Bardo of Meditation Samten bardo (བསམ་གཏན་བར་དོ་ bsam gtan bar do)
Like the second bardo, the third bardo is also a subset of the first bardo. It is stage experienced in deep meditation, usually only by advanced meditators, though individuals may have spontaneous experience of it.
During dying
4
Bardo of the Moment of Death Chikhai bardo (འཆི་ཁའི་བར་དོ་ ’chi kha'i bar do)
The fourth bardo begins when the dying process begins, specifically when the outer and inner signs presage that the onset of death is high. The bardo continues through the dissolution or transmutation of the elements until the external and internal breath has completed. This element dissolution leads to the state of consciousness known as the clear light of death. Those who were experienced at voluntarily sustaining the clear light consciousness during life are capable of retaining lucid awareness throughout the clear light, while others lose lucid awareness, blacking out. Meditation practitioners train to retain lucidity during the clear light of death, by practicing sustaining lucidity during the clear of light of sleep state, accessed via lucid deep sleep. The recognition of the clear light of death leads to the state of Tukdam.
5
Bardo of Reality or LuminosityChönyi bardo (ཆོས་ཉིད་བར་དོ་ chos nyid bar do)
The fifth bardo begins after the final 'inner breath' (Sanskrit: prana, vayu; Tibetan: rlung). Within this Bardo, visions and auditory phenomena occur, known in Dzogchen teachings as the spontaneously manifesting Tögal (Tibetan: thod-rgal) visions. Concomitant to these visions, there is a welling of profound peace and pristine awareness. Those who have not practiced during their lived experience and/or who do not recognize the clear light (Tibetan: 'od gsal) at the moment of death are usually deluded throughout the fifth bardo of luminosity.
6
Bardo of Becoming or Rebirth Sidpa bardo (སྲིད་པ་བར་དོ་ srid pa bar do)
The sixth bardo is when the consciousness takes on a mental body. This stage endures until the inner-breath commences in the new transmigrating form determined by the "karmic seeds" within the storehouse consciousness.

References

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    https://search.worldcat.org/oclc/928777936
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    http://www.oxfordreference.com/view/10.1093/acref/9780192800947.001.0001/acref-9780192800947-e-524
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    https://www.jstor.org/stable/3270367
  5. Francesca Fremantle (2001), Luminous Emptiness: Understanding the Tibetan Book of the Dead, p.53-54. Boston: Shambala P
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    http://www.turtlehill.org/khen/zhikhro.pdf
  12. Prisoners of Shangri-La : Tibetan Buddhism and the West
    https://search.worldcat.org/oclc/41258460
  13. Francesca Fremantle (2001), Luminous Emptiness, p.53-54. Boston: Shambala Publications. ISBN 1-57062-450-X
  14. In love with the world : what a monk can teach you about living from nearly dying
    https://search.worldcat.org/oclc/1222797654
  15. Wayman, Alex (1984). Buddhist Insight: Essays, p. 252, Motilal Banarsidass Publ.
  16. Bhikkhu Sujato (2008). Rebirth and the in-between state in early Buddhism.
    https://santifm.org/santipada/wp-content/uploads/2010/05/RebirthandInbetweenState.pdf
  17. Langer, Rita (2007). Buddhist Rituals of Death and Rebirth: Contemporary Sri Lankan Practice and Its Origins, pp. 83-84.
  18. Poulton, Mark Cody. The language of flowers in the Nō theatre. Japan Review No. 8 (1997), pp. 39-55 (17 pages) Published
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